How to play the flute well, how to play the flute well

If you want to blow well, it is best to find a teacher or someone who has studied professionally to guide you, and it is difficult to improve yourself by yourself.

Practice fingering diligently, learn some wind skills, and practice more scores.

In addition to knowing how to play the flute, beginners can also learn the following techniques: False tremolo: A type of vibrato, a triumphant technique in which the fingers flutter and completely cover the sound hole (press the half hole).

Boeing: A type of short vibrato, also known as ripple, which means that the fingers of the sedan chair above the main tone quickly tremble and jump once. Gift:

Also known as sound conduction. Glissando: The process of moving between notes is "sleek", with glissandos, glissandas, and compound glissandos.

With the help of the slow closing of the finger movement, Sun Nai slowly opens the sound hole or slowly presses it to create an effect similar to the singing voice (finger portamento), or with the help of breath control, it achieves a soft effect (air glissando). Calendar: A fast scale progression similar to the piano arpeggio, which can also imitate the sound of a bird when the speed is fast.

There are upper and lower calendar sounds.

A flute is a sound made by using the mouth to breathe breath into the mouth of the flute. Blow it to the essentials:

1. The lips are naturally closed, hold both ends of the flute with both hands, hold the mouthpiece with the left hand, hold the tail with the right hand, place the blowing hole on the lower edge of the lip, and aim at the blowing hole to blow air.

2. When the breath rushes out, only a small gap is allowed to pass the breath, and it becomes a bundle of air columns that blow obliquely under the blowing hole. It works like blowing a pen sleeve.

3. In order not to flush the lips apart when the breath rushes out, and the breath is dissipated, the cheek muscles must be hard to keep the outlet of the breath small.

4. The sound of blowing out should be pure and avoid mixed with gas.

5. Practice often in front of the mirror, and adjourn how to align the pores, so that the pronunciation position is correct and impartial, so that all the breath is turned into flute sound.

Flute posture essentials mantra:

The wind gate is straight, the flute body is flat, the head should be straight, and the chest should be straight. The thumb and little finger support each other, don't make the flute willow shake gold. Eggs can be accommodated between the tiger's mouth, and the joints are comfortable and the hands are smart.

The six-finger pressing hole should be tight, and the fingers should be relaxed into an arc. There are specifications for the ups and downs, and the redundant movements are thrown clean. The strength of the mouth is tight, and the thickness of the mouth is up to my heart.

With his arms outstretched forty-five, the green dragon and the white tiger are all good. The performance posture should not be pretentious, and the truth should be seen seriously.

First of all, you have to practice the basic 1 6Each note should be blown clearly and effortlessly.

Blowing a high note can't be blown hard, the sound is unstable, and it is very harsh. True treble should be effortless and not harsh.

If you want to play the treble easily, you must first remove the instrument obstacle to the treble pronunciation.

1.There must be no problem with the flute itself. Usually, it is difficult to produce treble when the pipe wall is too thick, so it is recommended that beginners do not use a flute with too thick pipe wall, not only in the treble area, but also in other vocal ranges.

2.The flute membrane must be affixed well, there is no uneven tension, and it should not be too loose, otherwise it will be difficult to pronounce the treble.

Secondly, let's remove personal obstacles.

Let's pick up the flute and try it, first play the alto, then the bass, don't forget to use the principle of the edge effect, at this time, just reduce the mouth, and then you will feel the air pressure on the lips increase, and the treble can be easily produced.

Why is it possible to produce a high pitch just by narrowing the mouth? There is a law of gas dynamics called the "Doebler effect", because the gas molecules pass through the smaller caliber and squeezing, the gas flow rate will naturally become faster, which will increase the pitch by an octave.

The pressure of agitating air in the abdomen is generally constant, unless the flute itself is not good at high, you need to use a little more abdominal strength, but usually I don't use such a flute.

So the result is very simple, we just made the mouth flow smaller and faster, and achieved the pronunciation of the high register.

Be sure to practice...

One month is enough! As long as you're willing to practice...

I'll be there in a week.

Frustration. In the future, I will practice a lot of skills, fingering, and breath are very particular! You have to practice it many times.

If you want to have a bass, you can move the flute out a little, that is, if you look at you from the front, the air that is blown becomes larger, and the air pressure is lower, it should be able to blow out!

One. Find a small glass bottle, such as a penicillin vial, and wash it well;

Two. With the mouth of the bottle facing vertically upwards, practice blowing it, it's easy to blow;

Three. Carefully experience the relative position of the lips and the mouth of the bottle, pay attention to the strength of the air flow, and pay attention to the angle of the air beam blowing to the edge of the mouth of the bottle.

Five. Use the feeling of success in blowing the vial to play the flute, (let the edge of the mouthpiece split the air beam, two-thirds in the inside, one-third outside) in one fell swoop!

To play the flute well, the three aspects of qi (gong), fingering (dharma), and tongue (head) must be closely coordinated, and all three are indispensable. (1) The breath controls the pronunciation of the flute, the height, strength, length, rigidity and softness of the flute are closely related to the "luck" when playing. This kind of luck kung fu is called "qigong", which means that in order to play the flute well, you must work "luck".

In everyday life, we exhale and inhale for roughly equal time, and to play the flute, we need to breathe deeply, that is, with the diaphragm (located between the lungs and the abdomen), that is, the combined chest and abdomen breathing. It is best to use a combination of mouth and nose for ventilation. Focusing on the mouth, that is, the two corners of the mouth are slightly released and inhaled, so that the inhalation is faster.

When exhaling, the control of the pectoral muscles, abdominal muscles, and diaphragm should be used to allow the breath to be exhaled gradually and evenly and rhythmically. Beginners should consciously pay attention to the breathing method at the beginning, and do not violate the movement rules of normal breathing, otherwise it will affect the performance and is not conducive to physical health. The average beginner can spit out 10 to 15 seconds in one breath, which is good.

Luck is very important for the player. It is the basis for beautifying the timbre and controlling the intensity, weakness, length, and shortness of the tone, as well as various emotional changes. In order to master the correct "luck" method, you can combine the following two exercises with long blowing notes:

Inhale slowly, exhale slowly Inhale deeply and blow a long note. When inhaling, it is required to inhale fully without making a sound, and when exhaling, it is required to be even, steady, and long and effortless. So, when you exhale, it's about a fifth of the way out (about a fifth, when the diaphragm in the lower abdomen is still under control).

That is, the second breath should be inhaled. It is necessary to keep the movement of the chest and the movement of the diaphragm abdomen consistent, otherwise, the air flow into the mouthpiece will not be smooth, and it is easy to leak air at the corners of the mouth, scream, and unpleasant timbre. Breathe in fast and exhale slowly This is the most commonly used breathing method when playing the bamboo flute.

The shorter the inhalation time, the better, as the inhalation time allowed during the progression of the piece is very short.

If you can master the pitch of the pentatonic scale and the training of qigong, you can generally receive a melodious flute playing effect. Further exercises should focus on the following aspects: 1. Blow the seven syllables accurately.

2. Train the elasticity of fingers and the flexibility of blowing various intervals. 3. Use your tongue for training. Let's start with the basic "small work".

4 of the small workman, with the fork method, and hold.

Four or five holes to solve. If the pronunciation is not accurate, then be sure to fix the sound hole. The trouble is that the 7 of the second hole, because the pentatonic scale is not very particular about the two tones of 7 and 4, often appears as a passing or ornamental note, and its nature is close to the middle of the minor third.

Therefore 4, tends to be on the high side. 7 tends to be low. In the 7th scale, 3 and 1 are semitones, so there is a contradiction between the two.

There is also the question of if.

The second and third holes form a semitone relationship, so the fingers are not very comfortable. Because it's too close. Although the second hole is closer to the third hole, the pronunciation is still low.

The only way to solve this contradiction is to enlarge the second hole and shrink the third hole. If you don't have such a flute, you have to dig the second hole bigger by yourself{This is not necessary for those who are just starting to learn. In flute fingering training, the elasticity of the fingers is important, to train the ability of the fingers to move independently anytime and anywhere, to make each finger can make an elastic beat, to be even, durable and flexible when beating, the muscles of the arm step are not tense, and special attention should be paid to the ring fingers of both hands.

Depending on the situation, the more ineffective the fingers, the more important it is to train. Every day, the six fingers should be individually bouncing for at least 10 minutes. To train the elasticity of the fingers, be sure to pay attention to the individual mobility of each finger.

Don't be in a hurry and strain the muscles of your arm step. When training, gently touch the little fingers of both hands against the body of the flute, and do not use the movement of the little finger to help the other fingers. If the base of the index finger of the upper hand is held on the body of the flute, then the six fingers should be left when they tremble, and do not produce two movements, otherwise it will affect the speed.

At the beginning, it is necessary to train the use of the tongue, the tongue and the qi are inseparable, the combination of the qi and the tongue is similar to the bow of the violin, the long tone is similar to the longbow, the single vomit is similar to the dun bow, the three spitting is similar to the bow that pauses and jumps, and the light spit is similar to the bow that separates the musical notes. Single, double, and triple pronunciation all require strong and clear pronunciation. The movement of the tongue should be flexible and closely integrated with the fingering, the tongue should avoid touching the lips, and the light spit is often used at the beginning of a phrase or on the music that requires a clear sound of the flute, and the tongue moves like a dragonfly dotting water.

The flower tongue is both "snorting". The single tongue action is: spit out ......, the tongue that is double-spit is: