Seek the appreciation of Feng Zhi s sonnets, one of Feng Zhi s most famous poems

Feng Zhi. One of the most famous poems is: I am a small river.

Original poem] I am a small river, I have no intention of bypassing by your side - you have no intention of throwing your colorful shadow into my soft soft waves.

I flowed through a forest, and the soft waves swayed, cutting those green leaf shadows into your dress.

I have left a flower bush, and the soft waves will sparkle on the ground, and weave those beautiful flower shadows into your flower crown.

Helplessly, I finally flowed in, into the merciless sea—<

The wind on the sea was fierce, the waves were wild, blowing the flower crown and shattering the skirt!

I also drifted with the sea, drifting to the boundless place

Your colorful shadow is the same as the disillusioned rainbow!

Feng Zhi's "Sonnets" stands alone in the poetry arena with its philosophy and deep thinking, and it is not an exaggeration to say that it is the leader of Chinese sonnets.

The first one, written "Unexpected Miracles". But what is this miracle and why is it unexpected?

Time is impermanent, the world is vast, indeed, there are many things that we can't **. The appearance of comets and the rise of strong winds are unexpected for us, but what is the point of such surprise? At this time, the poet fell into deep thought, life condensed in an instant, the sorrows and joys of the past were reflected, and the form stood still.

At this moment, the poet thinks of the little insects, the young beings who "end their wonderful lives after a copulation or a danger." Such language seems to be bright and gentle, but the thinking is cold.

Finally, the poet writes that "our whole life is suffering from the storm, the appearance of comets", it turns out that the true meaning of life lies in constantly enduring the storms of life, and the miracle is here!

We are ready to receive it deeply.

Those unexpected miracles suddenly occurred in the long years.

The appearance of a comet, the sudden rise of a strong wind;

Our life is in this moment, as if in the first embrace.

The joys and sorrows of the past are suddenly in front of you.

Condensed into an immovable form.

We celebrate the little insects that have had a mating.

Or they have resisted a danger and ended their wonderful lives.

Our whole life is suffering.

The wind blows, the comet appears.

It's an old dream, the world in front of me is too complicated, and I want to fly with Peng Bird.

Go talk to the quiet stars.

A thousand-year-old dream is like an old man.

Looking forward to the best children and grandchildren——

Now some people fly to the stars, but they can't forget the chaos of the world.

They are often for the sake of learning.

How to run, how to fall, so that the order of the stars in the world, and then throw themselves into the sky.

Now that old dream has come true.

A meteorite in the barren mountains of distant waters.

Your name is often listed in:

There are many names and surnames, but there are none.

It's the same, but you're forever.

Secretly keep their brilliance;

We are only at dawn and dusk.

I know that you are Chang Gung, you are enlightened, and you are the stars in general in the middle of the night.

There is also no distinction: how many young people.

It is by your quiet revelation that it is obtained.

Righteous life and death. Now that you are dead, we feel deeply that you can't.

Participate in the future work of humanity——

If the world could be resurrected, the crooked things could be readjusted.

We often spend an intimate night.

In an unfamiliar room, it's daylight.

We have no way of knowing what it looks like, let alone its past and future. Wilderness——

Boundless outside our window, we only vaguely remember at dusk.

The way we came is the knowledge of it, and we will not come back after we leave tomorrow.

Close your eyes! Let those intimate nights.

And the unfamiliar place is woven in our hearts:

Our lives are like the field outside the window, and we recognize it in the hazy field.

A tree, a flash of lake; It stretches as far as the eye can see.

Hidden in the forgotten past, the vague future.

We listened to the storm in the wind, we were so lonely in the light, we were in this little hut.

It's in the middle with our utensils.

There is also a distance of thousands of miles:

The steel furnace is yearning for the mine seedlings in the deep mountains.

The porcelain pot is yearning for the clay by the river;

They are all like birds in the wind and rain.

Respective things. We hugged it tightly, as if we were not able to do it ourselves.

The wind blew everything into the air, and the rain drenched everything into the mud again, leaving only the faint red of the lights.

In the confirmation of the temporary residence of our lives.

We walk a familiar path every day.

Back to where we live;

But there is still a hiding in this forest.

Many paths, deep and unfamiliar.

Walking a life, I was a little flustered, afraid that I would go farther and farther and go astray, but I didn't know it from the village.

Suddenly I saw the place where we lived.

The constellation Elephant is a new island on the horizon.

How many things are around us.

Ask us for new discoveries:

Don't feel like everything is familiar, and touch your hair and skin when you die.

The question arises: whose body is this?

Feng Zhi's sonnets are as follows:

If I love you, I will never be like a climbing flower, showing off myself through your high branches; If I love you, I will never learn from the infatuated birds, repeat the monotonous song for the green shade; It's not just like a spring, it brings cool comfort all year round; It's not just like a dangerous peak, increasing your height and setting off your majesty.

Even daylight, even spring rain. I don't ask you to bow down to me, but I want you to smile in heaven and praise me. And if that wasn't enough, I'll be — tired and tired, in your mud, stretching out my arms to you, one by one.

Through the metaphor of the oak tree, this poem expresses the poet's attitude and pursuit of love. The poet said that his love is not like a climbing flower, showing off himself through the high branches of an oak tree, nor is it like an infatuated bird, repeating monotonous songs. The sentences that express feelings are straightforward and poetic, and people can appreciate the beauty of flat and straightforward narration at a glance.

The poet's love is selfless, sending cool solace like a fountain, increasing the height of the oak tree like a dangerous peak, and setting off its majesty. Even if he doesn't get an answer from the oak tree, his love will last like daylight and spring rain. And if that wasn't enough, he would stretch his arms tirelessly into the mud of the oak tree.

The conciseness, conciseness and profundity of this sonnet convey the poet's pursuit and cherishing of love, and also expresses the poet's respect and gratitude for life. This poem has been hailed as a classic of modern Chinese poetry and has influenced generations of poets. The truth contained in the poem is a lifelong benefit and a long aftertaste.

Feng Zhi's Profile:

Feng Zhi (1905-1993), formerly known as Fung Shau-kee, was an early Chinese modernist poet and painter, and one of the important representatives of the Chinese Renaissance movement. Born in Tianmen City, Hubei Province, Feng Zhi studied at Tsinghua University and Nankai University in his early years, and later went to France to study, where he was influenced by French culture and modernist art.

Feng Zhi's poetry and paintings are deeply influenced by Western art, focusing on the innovation of form and language, and emphasizing the expression of personality and emotion. The works mainly focus on the themes of life, love, nature and other themes, which are short and concise, and the emotions are really heartfelt. His paintings have also attracted wide acclaim and influence, opening up a new path for the development of modern Chinese painting.

Feng Zhi's contribution lies not only in poetry and paintings, but also in his promotion and participation in the Renaissance movement. Feng Zhi advocated modernist poetry and literature, and made important contributions to the innovation and progress of the Chinese literary and artistic circles at that time. His works and ideas have influenced generations of poets and scholars, and he has become an important figure in the history of Chinese literature that cannot be ignored.

Feng Zhi's sonnet fifteenth "Look at a team of pack horses":

Look at this team of pack horses.

Carrying goods from afar, the water will also wash some sediment.

From some unknown distance, the wind will be from thousands of miles away.

Plundering some sighs from other places:

We have walked through countless mountains and rivers, possessing them at any time, giving them up at any time, as if a bird is flying in the air, it is always in charge of space, and it feels like there is nothing at any time.

What is our reality?

What do we bring from afar?

And what to take away from the front?

Appreciation: Such a poem seems to be very easy to read, but the author is just from the pack horse in front of him, thinking of goods in other places, thinking of water, thinking of wind, thinking of birds, thinking of his own life, this is the most common thinking process of life experience.

On the one hand, he believes in the animism of all things, and on the other hand, he firmly believes in the intersection of man and the spirit of all things, but in the end it still falls on the experience of "we". The charm of Feng Zhi's poetry also lies here, looking at the entire universe from a grain of sand, and experiencing an extraordinary sense of life in ordinary and common scenes, which is where the inner thinking of life lies.

The characteristics are as follows: 1. Because of the strict rules of the sonnets, even in Europe, many poets regarded it as a daunting way and did not dare to adopt it easily.

2. In his sonnets, Feng Zhi also borrowed the expressive techniques of Western modernism, such as suggestion, symbolism, association, jumping, etc., to reflect people's feelings, impressions and psychological states.

3. Finding flesh and blood for abstract concepts and philosophical thinking, and organically synthesizing sensibility and rationality, is what the British and American modernist poets and theorists Pound and Eliot emphasized in the early twentieth century.

4. In terms of ideological content, they abandon the poet's early Zhu Ge to express "narrow emotions." personal sorrow", expressing the desire to look at reality and cultivate sentiment;

5. In terms of art, the poet skillfully used the sonnet, an ancient form of metrical poetry in the West, showing outstanding artistic talent.

If you want to say that the specific characteristics can only be specific to the poem, this is the poetry of the realm, I admire it.

Hope it helps.