Fang Wenshan s evaluation, Fang Wenshan s character evaluation

Ma Weidu admitted frankly in his blog that his previous criticism of Fang Wenshan's lyrics was "spontaneous", and explained, "There has never been a pop song with such content, which vividly pushes traditional culture to the forefront." ”

Fang Wenshan is Jay Chou's royal lyricist, but the lyrics of the song "Blue and White Porcelain" have made collector Ma Weidu taste flaws. He thinks that the most fallacious sentence is "at the bottom of the bottle book Han Li imitates the elegance of the previous dynasty", Ma Weidu said that blue and white quickly became the overlord of Chinese porcelain since its birth, and no one has shaken it for 700 years. But the bottom of the bottle has never been written Han Li, only in the Ming Chongzhen Dynasty some blue and white puppets have written Lishu.

Fang Wenshan responded that Ma Weidu's fault belongs to the professional category, "I want to use these words to symbolize a dynasty, 'Shu Hanli' has the feeling of a dynasty, and if I write 'Shu Caoshu', it will feel strange to say such a pronunciation." ”

Regarding the evaluation of "entertainment inheriting Chinese culture", Fang Wenshan explained it through the new book "Chinese Style-Word Games in Lyrics". The book includes the creation of 34 popular "Chinese style" lyrics and 129 Chinese allusions, and easily shares 16 rhetorical techniques and methods while appreciating popular lyrics. After reading the new book, Ma Weidu said, "It can be seen that Fang Wenshan loves traditional Chinese culture from the bottom of his heart, rather than relying on classical literature in response to the situation."

Therefore, his "Lady", "East Wind Breaking", "Hair Like Snow", "Chrysanthemum Terrace", etc., are all written with heartache, and I feel a lot of emotion just by reading the lyrics. He also confessed that he "also liked to create when he was young, and his eyes were low", and "he spread traditional culture so widely in the form of pop songs, I am afraid that no one would do it before Fang Wenshan." ”〈

There is only one ghost, strong language and writing ability, and he has contributed to Jay Chou's success. The ability to understand Chinese literature is very good

With an elegant, concise brushwork, he splashes ink to reveal the most delicate and delicate emotions in Chinese culture.

Isn't it the most beautiful emotion in the most popular form? Hehe.

Fang Wenshan encountered two best opportunities from his debut to fame, one was discovered by Wu Zongxian and became a full-time lyricist; The other time was to meet Jay Chou and become a pair of ** partners with complementary advantages. As a result, the combination of Jay Chou and Fang Wenshan was gradually fixed (Netease Entertainment Review).

Fang Wenshan's lyrics often involve various aspects of ancient China, in addition to creating lyrics, he also absorbs the nourishment of traditional Chinese lyrics, and the lyrics he creates have a strong sense of picture and a strong oriental style. Whether Fang Wenshan is writing lyrics or writing poems, his creative grammar and thinking angle are all in their own way, and he calls himself "Fang Dao Wenshan Liu". And the no-makeup rhyme poem is the truest portrayal of Wenshan's style.

In terms of lyrics, Fang Wenshan presents two sides of fashion and lightness and classical grace, his lyrics are full of spirituality, pointing directly to people's hearts, and with a crystal clear texture, just as he wrote in the lyrics "such as the hand-me-down blue and white porcelain is beautiful". In this era, I am afraid that the only lyricist who can write arbitrarily in the popular ** and push traditional culture to the foreground so vividly is probably Fang Wenshan. (China ** Review).

Fang Wenshan has won the Golden Melody Award many times for Jay Chou's works. He has also written lyrics for artists such as Andy Lau, Aaron Kwok, Jacky Cheung, Jolin Tsai, Junjie Lin, Wu Zongxian, Wen Lan, Wilber Poon, Yuen Yonglin, Zhang Liangying and other artists (Yangcheng Evening News).

First of all, I want to say that I am really good at writing words, I have a hand, and I am very smart. But it's mainly about the technique, rhyme, using some historical story, using some allegorical words, using some picture words. A lot of it is a lot of flowery rhetoric, and there is no deep meaning content.

And the reason why it can be used in the textbook is also because the lyrics are representative, not how high its realm or how good its meaning is. The best things are simple, straight to the heart, and definitely not a pile of rhetoric. If you want to like the words he writes in particular, then it is better to read more good literary works and make judgments.

People who learn Chinese or have read a lot of literature will not like his words.

Writing songs and lyrics is very good, and the lyrics have a high artistic conception.

Fang Wenshan was actually very careless about reading when he was a child, and his grades were very poor. After graduating from high school, Fang Wenshan, like others who were not admitted to university, chose to serve in the military.

Many young generations like Jay Chou's songs, in addition to the music style, they like his lyrics more, and everyone knows that Fang Wenshan is Jay Chou's queen lyricist. Fang Wenshan has also written lyrics for artists such as Wu Zongxian, Wen Lan, Pan Weibai, Yuan Yonglin, etc., Mr. Wenshan's lyrics have a sense of picture and oriental style, and the words are very beautiful.

Mr. Wenshan's lyrics have a sense of picture and oriental style, and the words are very beautiful.

It is precisely because of his good lyrics that Jay Chou sings well.

Jay Chou's royal lyricist Fang Wenshan is really powerful.

Discerning eyes, but Jay Chou himself could have written, a strong alliance.

I think he's very talented and special.

Fang Wenshan has a lot of classics.

"A man's song - Wei Yunuo.

Words: Wei Yunuo.

Music: Wei Yunuo.

This is how love walked through the summer.

Love just left quietly.

Alone in a daze.

A man is emaciated.

Singing alone.

A person has insomnia.

Love is always close and distant from me.

Love is always a tossing and turning dream.

Traveling alone.

A person buys drunk.

Dancing alone.

A person hibernates.

No matter how wide the double bed is, it is just one person to sleep in.

No matter how gorgeous the movie is, it's just one person to watch.

A man's summer lonely melody.

Write a song for a person to hum.

The temperature of the bathing water must be half hot and cold.

The street lamp on the left hand side will be brilliant for whom?

Oh this is my life

Day after day A man's song.

Love is always sentimental when it is inadvertent.

The farther and farther love goes, the harder it is to forget.

Maybe it's loneliness.

Maybe it's like.

Maybe it's just a person's fate.

No matter how wide the double bed is, it is just one person to sleep in.

No matter how gorgeous the movie is, it's just one person to watch.

A man's summer lonely melody.

Write a song for a person to hum.

The temperature of the bathing water must be half hot and cold.

The street lamp on the left hand side will be brilliant for whom?

Oh this is my life

Day after day A man's song. "

He mainly shared the creation of Chinese style lyrics and songs, and the short stories that happened with Zhou during the creation process, and also talked about the traditional culture that he was concerned about Hanfu culture, classical poetry, Chinese calligraphy, and architectural aesthetics.

After listening to it, I can't overstate any more beautiful words, not only admiring his attainments in traditional Chinese culture, but also admiring his aesthetic attitude. He can write all kinds of things in the world so beautifully and meaningfully. His "most beautiful thing is not a rainy day, but the eaves that have escaped the rain with you", writing love so sweet and warm.

His "future that is as thin as a cicada's wings, can't stand anyone to tear it down", shows the poignancy of love to the fullest. His "rain is abundant, the old hometown is deep in the grass and trees, I heard, you are always alone", the loyalty of love and the pathos of fate are described just right. I usually listen to Jay Chou's songs and don't think the lyrics are beautiful, when you look at them sentence by sentence, they are picturesque, and every paragraph is like telling a story.

It is an honor for us to have the privilege to listen to Mr. Fang Wenshan's ** poetry class, and after listening, you will find that the world is so beautiful.

It's not bad, it's promising.

Maybe so.

I don't know, anyway, I like the back string, and his ** is not bad! ~~

Jay's evaluation of him is like this: It's okay to listen to the front, but I don't know what I'm singing in the future

Listen to it. I want to be friends with him.

The two of them have their own styles, and Fang Wenshan's words are written like a movie, with strong sound and light effects. The obvious feature is the list of gorgeous and glamorous rhetoric, and the narrative before and after is slightly jumpy, much like the narrative technique of the movie. It can especially give people a feeling of brightness, can make people feel his joy or sorrow, but I don't know where it comes from.

Xu Songci is more like **, more intriguing, some words are directly simple vernacular, but they contain a variety of meanings in it (for example: there are seven very popular people in the people you follow, all of them are men, and I am also a little popular) In the list of words, Wenshan may be slightly better. But Xu Song's words can read the story and use the story to move you.

It's just right in the use of rhetoric. Confucius once said: "Quality is better than literature, literature is better than quality, history is better, literature is courteous, and then gentlemen."

It means that simplicity is better than ornamentation, it will be rude, and if ornamentation is better than simplicity, it will be vain, and simplicity and ornamentation will be properly proportioned, and then you can become a gentleman. Most of Fang Wenshan's works are "quality is better than literature is wild", and Xu Song is just right "literary quality is courteous, and then a gentleman" is purely hand-beaten.