Who can recommend a few books that review Dream of the Red Chamber?

Let's take a look at the commentary of Yan Zhai, because that is the most appropriate and from a literary point of view, and many of the works of later generations have more or less political overtones, and some so-called academic works, some explanations are indeed too far-fetched, of course, Mr. Zhou Ruchang's book is also very good to look at, because Mr. Zhou has a profound cultural heritage, poetry criticism, word commentary, appreciation, etc., are difficult for other younger generations to match, although Mr. Zhou Ruchang also encouraged and praised Liu Xinwu, but I personally think that reading Liu Xinwu's books too much will make people feel a kind of" He is deliberately looking for a historical source for every detail" Neither like Yan Zhai who has a deep understanding of the content of the article because of his close relationship with Cao Xueqin, nor is he as peaceful as Mr. Zhou's appreciation of the work, a bit of a must-have to find out what has to be said, it sounds good, it is very researchable, and it is a little too utilitarian to say that it is too utilitarian, so it is not recommended that lovers of Dream of Red Mansions read too many Liu Xinwu's books.

The works of several red scholars who are now popular do not comment on the Red Mansion in the same way as the Rouchezhai, and can only be found in different manuscripts from the past.

Zhang Ailing's "Nightmare of the Red Chamber", Zhou Ruchang's "The Dream of the Red Chamber", Liu Xinwu's "Liu Xinwu Reveals the Dream of the Red Chamber" and so on.

Published by Huaxia Publishing House, Dream of Red Mansions Explores the Original, recommended by Culture China. Author: Liu Tongshun.

1, "Dream of Red Mansions".

It is a world-influential work of human feelings, a world-recognized pinnacle of Chinese classics, an encyclopedia of Chinese feudal society, and a collection of traditional culture. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, with the family trivialities of Jiafu and the leisure of the boudoir as the center, with Jia Baoyu, Lin Daiyu, and Xue Baochai.

's love and marriage story is the main line, describing Jia Baoyu and the twelve hairpins of Jinling.

The center of the two good and evil endowment has the human beauty and tragic beauty of the lover, and praises the rebellious characters who pursue the light, through the rebels.

The tragic fate foresees that the feudal society will inevitably go to extinction, revealing the crisis of the last days of feudalism.

2. The author of "Dream of Red Mansions" has a preliminary democratic ideology, and he has made a profound criticism of the current and Zen society, including the darkness of the court and officialdom, the decay of the feudal aristocratic class and its family, the feudal imperial examination system, the marriage system, the slave and maid system, and the hierarchical system, as well as the social ruling ideas that are compatible with this, that is, the way of Confucius and Mencius, Cheng Zhu Lixue, and social morality, etc., and put forward vague ideals and propositions with the nature of preliminary democracy. These ideals and ideas were a tortuous reflection of the embryonic factors of the capitalist economy that were growing at that time.

Introducing the 87th edition of "Dream of Red Mansions".

This version is undoubtedly a grand victory in terms of the choice of actors, and the actors in the old version are beyond the ability of the actors in the later versions. This was originally a classic masterpiece that is famous all over the world, written by Cao Xueqin.

When writing the book, each character in the book was labeled with a specific label, and the image was different and colorful.

The most difficult thing in filming such a classic masterpiece as "Dream of Red Mansions" is to choose the right actors, because in the book "Dream of Red Mansions", Cao Xueqin has marked a specific label for each character in the book, with different images and colorful colors, and the 87 version of "Dream of Red Mansions" has undoubtedly achieved a grand victory in the selection of actors. When we saw this drama, we were all moved by the characters in the play, it seems that the characters in Mr. Cao Xueqin's book should be like this, in the opinion of the 87 version of "Dream of Red Mansions" The actors in the later actors cannot surpass!

The most memorable thing about the 87 version of Dream of Red Mansions should be the heroine Lin Daiyu.

The actor Chen Xiaoxu.

, Chen Xiaoxu is born beautiful, can be described as a generation of beauties, with the special temperament of classical beauties, and vividly interprets Lin Daiyu's sentimentality, intelligence and beauty, in addition to Jia Baoyu played by Ouyang Fenqiang.

The wine is elegant and graceful. and Wang Xifeng.

The actor Deng Jie expressed the characters vividly, Shi Xiangyun, Raider, Qingwen and Grandma Liu all appropriately described the external image and temperament of the characters, and the characters described in ** are very appropriate.

Let's talk about the situation in the play, the part where Baoyu and Daiyu were reading a book under the peach tree was really beautiful, and the part where Daiyu burned the manuscript when she died was so touching, and Chen Xiaoxu acted too well. This version portrays everyone's image very distinctly, copying the part of the house, and exploring the spring.

The temper tantrums, Baochai.

Everyone is beautiful, Qingwen's sharp teeth and sharp mouth are really endless classics.

In short, the 87 version of "Dream of Red Mansions" is really a classic work that cannot be surpassed by later generations. The age of the actors in the 87 version of "Dream of Red Mansions" is a little older than the age of the characters in the book, but there is a lot of difference in image and acting skills, the good side is that they are many times better than the old version in terms of stage art and costumes, and in terms of landscape performance, such as the scenery performance of the Grand View Garden, they are all better than the 87 version, in summary, the two "Dream of Red Mansions" have their own strengths, and they are worth watching!

The 87 version of Dream of Red Mansions is better. Because the heroine of this version is played by Chen Xiaoxu, that is, Lin Daiyu, she is very beautiful, and then very much in line with the image of Lin Daiyu, which left a very deep impression.

is directed by Li Shaohong, because there are Jiang Mengjie, Yu Xiaotong and other actors starring in that TV series, which is very suitable in terms of casting, and the interpretation process is very natural. To read "Dream of Red Mansions", it is best to read Cao Xueqin's version of the book, it feels very real, and the language in it is also very good.

The 87 version of Dream of Red Mansions is better-looking, and the more recommended thing is to watch this Dream of Red Mansions, in which Lin Daiyu plays Chen Xiaoxu, who can show Lin Daiyu's sentimentality, which is more consistent with the original work.

The 87 version of Dream of Red Mansions is better, because in this version of Dream of Red Mansions, the roles portrayed by every actor are very classic, and the actors' acting skills are also very good, which is especially in line with this **.

75 years, 78 years, 2010 years, 87 versions, of which the 87 version of Dream of Red Mansions was very good-looking, and Chen Xiaoxu played the role of Lin Daiyu alive.

1. Flexibly use various techniques to see the subtleties. From the appearance of a singing Xiaodan, the lifelike character is reflected. The tactful and sleek Sister Feng.

The generous and casual Baochai, the straightforward and honest Xiangyun, and the arrogant and willful Daiyu ......The mention of the appearance of the three "springs" is omitted, and the sparkle of the phoenix is set off. all say "Dream of Red Mansions".

is good at portraying the details of the characters, and slowly considers it, which is really true.

2. Use the times to shape the characters and reflect the times with the characters.

Take Daiyu and Baochai as examples, in the feudal background, Baochai can be said to be everyone's praised "lady", easy-going and generous, consciously abiding by feudal etiquette, more than once persuaded Baoyu to study seriously and seek officials, and Sister Lin never said such bastard words, she is arrogant and naïve, she is straightforward and rebellious, like a pure hibiscus, and like a white lotus that is not stained by sludge.

Introduce. Dream of Red Mansions", a long story in ancient Chinese chapters and hui, and one of the four great classics of China.

One of them, there are a total of 120 chapters, and the first 80 chapters are generally believed to be the Qing Dynasty writer Cao Xueqin.

The last 40 chapters were supplemented by the Qing Dynasty writer Gao E.

**With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, with the rich and noble son Jia Baoyu.

as a perspective, with Jia Baoyu and Lin Daiyu.

Xue Baochai's love and marriage tragedy is the main line, depicting the life of a group of boudoir beauties whose manners and knowledge are above the eyebrows, showing the true beauty of human nature and tragic beauty, which can be said to be an epic work that shows the beauty of women and the various aspects of ancient Chinese society from all angles.

There are a total of 120 chapters of its popular version, and it is generally believed that the first 80 chapters were written by the Qing Dynasty writer Cao Xueqin, and the last 40 chapters were written by Anonymous, and the collators were Cheng Weiyuan and Gao E. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, from the perspective of the rich and noble son Jia Baoyu, and the tragedy of Jia Baoyu's love and marriage with Lin Daiyu and Xue Baochai as the main line.

It depicts the life of some boudoir beauties, shows the true beauty of human nature and tragedy, and is an epic work that shows the beauty of women and the various states of ancient Chinese society from all angles.

The Dream of Red Mansions version has two systems: 120 "Cheng Ben" and 80 "Fat Ben". The Cheng book is a typeset copy by Cheng Weiyuan, and the lipo copy is an early manuscript copied and commented by Yan Zhai at different times. The fat book is the base of the Cheng book.

Dream of Red Mansions is a world-influential encyclopedia of human feelings, Chinese feudal society, and a collection of traditional culture. The author of the book exhorts himself to "talk about love and record his affairs", only according to his own situation, follow the traces, get rid of the old clichés, fresh and chic, and have achieved extraordinary artistic achievements.

The truth is hidden, and the special penmanship of false words has opened the minds of later readers, and there have been many speculations over time. Since the beginning of the twentieth century, Dream of Red Chambers, with its rich and profound ideological heritage and outstanding artistic achievements, has led to the emergence of a specialized study based on the academic circles.

1. The characters in "Dream of Red Mansions" are different from the characters in the traditional classic**.

Many of the characters in "Dream of Red Mansions" are three-dimensional and distinct, upholding the "good and evil" characters. For example, Jia Baoyu, Lin Daiyu, Wang Xifeng and so on. And the characters in the other three ** all have a certain degree of facial color.

For example, Zhuge Liang is the embodiment of loyalty and wisdom, a perfect person, and even a deified person. Lu Xun is very perceptive of this point.

2. The ideological connotation of "Dream of Red Mansions" is also different from the previous **.

Romance of the Three Kingdoms", "Water Margin" and "Journey to the West" all depict the patriarchal world. There is also a lot of discrimination against women in the book. For example, in "Romance of the Three Kingdoms", it is written that in order to entertain Liu Bei, Orion Liu An actually killed his wife.

Tang Seng in "Journey to the West" regards beauties as beasts of the flood and avoids them.

Background: Dream of Red Mansions depicts a broad historical picture from the palace to the countryside below, extensively and profoundly reflecting the complex and profound contradictions and conflicts in the last days of the feudal society, and showing the essential characteristics of the feudal aristocracy and the historical fate of inevitable decline.

What is particularly profound is that in the life pictures of Jiafu displayed by **, it shows the absurdity of the etiquette and customs that maintain the relationship between the only rank, status, elder and younger, men and women of this aristocratic family, and unveils the fierce contradictions and struggles in the "veil of warmth" of the feudal family.