What is the relationship between Cao Xueqin and Dream of Red Mansions? The relationship between Cao

"Dream of Red Mansions" written by Cao Xueqin.

Cao Xueqin's "Dream of Red Mansions" is based on the decline of herself and her relatives, so it has a certain reminiscence nature; But his "Dream of Red Mansions" is ** rather than an autobiography, and "Dream of Red Mansions" cannot be regarded as Cao Xueqin's autobiography.

Introduction: Dream of Red Mansions, the first of the four classical Chinese masterpieces, is a long story written by the Qing Dynasty writer Cao Xueqin. In the early days, only the first 80 manuscripts were circulated, and after 80 manuscripts were lost. Formerly known as "The Story of Stones".

Cheng Weiyuan invited Gao He to co-organize and publish the 120th edition of the book, which was named "Dream of Red Mansions". There are also versions of "Jin Yu Yuan" and "Fat Yan Zhai Re-evaluation of the Stone Record".

Dream of Red Mansions is a world-influential work of human feelings, recognized as the pinnacle of Chinese classics, an encyclopedia of Chinese feudal society, and a collection of traditional culture. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, with the family trivialities of Jiafu and the leisure of the boudoir as the center, and the love and marriage stories of Jia Baoyu, Lin Daiyu, and Xue Baochai as the main line, it describes the human beauty and tragic beauty of the lovers of good and evil centered on Jia Baoyu and the twelve hairpins of Jinling, praises the rebellious characters who pursue light, and foresees the inevitable demise of feudal society through the tragic fate of the rebels, revealing the crisis of the feudal end times.

Dream of Red Mansions has a preliminary idea of democracy, in which he profoundly criticizes the reality of society, including the darkness of the court and officialdom, the decay of the feudal aristocratic class and its family, the feudal imperial examination system, the marriage system, the slave and maid system, the hierarchy system, and the corresponding social ruling thoughts, namely the Tao of Confucius and Mencius, Cheng Zhu Lixue, and social moral concepts, etc., and puts forward vague ideals and propositions with the nature of preliminary democracy. These ideals and ideas were a tortuous reflection of the embryonic factors of the capitalist economy that were growing at that time.

Dream of Red Mansions is self-exhorting to "talk about love with the main purpose and record its events", only according to its own body and reason, follow the traces, get rid of the clichés, fresh and chic, and have achieved extraordinary artistic achievements. In particular, the special penmanship of "the real thing is hidden, and the false words are preserved" has aroused the strong curiosity and desire of later readers to snoop, and all kinds of speculations and theories have become more and more strange.

About author:Cao Xueqin (c. 1715-c. 1763), known as Zhan, Mengruan, Xueqin, also known as Qinpu and Qinxi. The ancestral home of Shenyang (Liaoyang), the ancestors were originally Han Chinese, and entered Manchuria at the end of the Ming Dynasty, and belonged to the Manchurian white flag.

In fact, Mr. Cao Xueqin did not write "Dream of Red Mansions", he only wrote seventy percent, and the remaining thirty percent was written by another person, because "Dream of Red Mansions" was written by Cao Xueqin in his later years, and he died of illness without writing and playing, and later another person fulfilled his last wish.

Cao Xueqin is the author of Dream of Red Mansions (it is recognized that the last 40 episodes were completed by Gao E).

Cao Xueqin is the author of Dream of Red Mansions.

He was born in a family of big bureaucrats and landlords who were "a century-old family", and later tasted the bitterness of life due to the decline of the family. The decline of the family road and the hardship of life are the prerequisites for Cao Xueqin to create the Dream of Red Mansions, and it is precisely because of the rich life in the first half of her life and the fall of her family in the second half of her life that the Dream of Red Mansions was born. Some people say that Dream of Red Mansions was created by Cao Xueqin based on herself, but some people say that this is irony, and there are many versions.

Cao Xueqin's family has been an official for generations, and the family is wealthy. But by the time of his generation, the family declined. The old days of fine clothes and food are gone.

"Dream of Red Mansions" was created by Cao Xueqin after experiencing the ups and downs of understanding. It is a portrait of his family. "Dream of Red Mansions" reflects his life and psychological journey back then.

It doesn't necessarily have anything to do with it, it's just that Cao Xueqin has a lot of experience.

Do you think that the author of the fantasy ** must have achieved the Tao?

Reading ** is the most taboo of deification, because people's cognition of things is the same, as long as you are willing to look for it, you can always find a reason.

Look at the thoughts, not the author's gossip.

Referring to his family history, many of the characters are archetypes.

Both were from the Qing Dynasty, but they were not directly related by blood or kinship. It's just that in terms of completing the masterpiece "Dream of Red Mansions", the two have a relationship of starting first and then inheriting.

Cao Xueqin (c. May 28, 1715 - c. February 12, 1763), known as Mengruan, known as Xueqin, also known as Qinxi and Qinpu, was the author of the classic Chinese masterpiece "Dream of Red Mansions", whose ancestral home is disputed (Liaoyang, Liaoning, Fengrun, Hebei or Tieling, Liaoning), was born in Jiangning (now Nanjing), Cao Xueqin was born in the Qing Dynasty Internal Affairs Department Zhengbaiqi Baoyi family, he is the grandson of Cao Yin, a weaver in Jiangning.

Gao He (1758 - about 1815), the word Yunshi, the name Qiufu, alias Lanshu, Xing.

1. The history of the Red Mansion. One of the two main authors, arrangers, and publishers of Cheng Gaoben, the first engraved edition in the history of publishing and communication of the Chinese classical ** "Dream of Red Mansions", was a native of the Yellow Flag Internal Affairs Office of the Han Army in the Qing Dynasty, and a native of Tieling, Liaoning.

The Dream of the Red Chamber has already been written, but the manuscript behind it was lost in the process of making and borrowing, and only the first 80 chapters remain, which can prove that someone has read the manuscript later. In later generations, some booksellers wanted to print the Dream of the Red Chamber, but they could no longer find the manuscript behind, so they found someone to continue the Dream of the Red Chamber, which was a common practice at that time. Among them, Gao He is one of the better ones in the sequel, and when it was printed, he signed Cao Xueqin Gao He at the same time, and later generations did not know, thinking that Dream of Red Mansions was written by the two of them, but in fact, Cao Xueqin and Gao He were not people of the same era, according to them, they were decades apart, they had never met, and it was impossible to write together.

Now the signature of Dream of Red Mansions in the bookstore is also the same as the two of them, which is misleading. The correct signature should be the first 80 times printed separately, signed by Cao Xueqin, and the last 40 times printed separately, signed by Gao E. or 120 editions, signed by the original Cao Xueqin, Gao He (continued).

This is also the result of our late engagement with this aspect of intellectual property.

The author of "Dream of Red Mansions" is not Cao Xueqin, he and Gao E are the relationship between truth and falsehood in the book! Cao Xueqin is fake, Gao E is real. But Gao E is not a later author either! The author of "Dream of Red Mansions" is a big mystery in the book!

The two are in the same dynasty, and Cao Xueqin grew up tall for about a few decades.

Gao E had a high status at that time, so in the last forty rounds, its center had to serve the ruler, and it was not written according to Cao Xueqin's original intention. Therefore, the final ending of Dream of Red Mansions is not as tragic as Cao's synopsis.

The two of them have nothing to do with the root copy, Cao has been dead for many years, and Gao Cai continued to write.

To a large extent, Qianlong supported Gao's writing behind the scenes, see the statement in the "Fat Yan Zhai Complete Commentary on the Stone Records" published by the Oriental Publishing House, that Qianlong instructed his subordinates to provide the manuscript of "Dream of Red Mansions", which was written by Gao, but it was a continuation that distorted the original meaning, and it may be that the emperor wanted to conceal some political issues.

Cao Xueqin and "Dream of Red Mansions".

In the middle of the Qianlong period, an unfinished manuscript of the "Stone Record" (later known as "Dream of Red Mansions") began to appear in the temple market in Beijing, and soon spread to all parts of the country and even overseas. By the early years of Jiaqing, there had been a grand occasion of "all over the sea, every family likes to hear about it, and everywhere it is competing for purchases" (Dream Idiot Scholar "Dream Idiot Says Dream"), so that there is a saying that "if you don't talk about "Dream of Red Mansions", it is in vain to read all the poems and books" (Deyu "Kyoto Bamboo Branch Words"). This long story with personal and family history as the background not only reaches the pinnacle of Chinese classics with its artistic delicacy and perfection, but also touches the hearts of people in the world who are shrouded in inexplicable sadness with its profound sorrow of life.

1. The author of "Dream of Red Mansions" and the process of writing the book.

The author of "Dream of Red Mansions" Cao Xueqin, the name Zhan, the word Mengruan, "Xueqin" is his alias, also known as Qinpu and Qinxi. He was born about the 54th year of Kangxi (1715) and died on the Chinese New Year's Eve of the 27th year of Qianlong (1763) or the Chinese New Year's Eve of the following year. The ancestors of the Cao family were originally Han Chinese, and they moved to Liaodong during the Yongle period of the Ming Dynasty, and were later incorporated into the Manchurian Zhengbai Banner.

At the beginning of the Qing Dynasty, his ancestor Cao Zhenyan entered the customs with the Qing soldiers and made military achievements, and the Cao family became a member of the internal affairs department dedicated to serving the court, and the family began to develop. His great-grandfather Cao Xi's wife served as Kangxi's nanny, and his grandfather Cao Yin also served as Kangxi's companion when he was young.

Because of this special relationship, after Kangxi ascended the throne, the Cao family received special favor. In the second year of Kangxi (1763), he temporarily granted Jiangning weaving, and then Cao Yin and his uncle Cao Hao and his father Cao.

"Art comes from life, and is higher than life". A "Dream of Red Mansions" is the crystallization of the author's painstaking "review for ten years, adding and deleting five times". Cao Xueqin was born in an aristocratic family and had a very close relationship with the royal family, "Kangxi made six southern tours, four of which were taken over by Cao Yin, and took Jiangning Weaving Mansion as his palace; At the same time, Jiangning Weaving also controls the silk weaving industry in Jiangnan", which shows that the relationship between the Cao family and the royal family is extraordinary.

The Cao family experienced the Kangxi, Yongzheng, and Qianlong periods, from prosperity to decline, and the decline of the family left Cao Xueqin with deep pain. "Dream of Red Mansions" is based on the rise and fall of his own family, based on the premise of real life, and carries out artistic creation, condensing the story of Kang Yongqian's three periods into a single period, indirectly reflecting the decline and decline of the Cao family.

"Dream of Red Mansions" is written based on the events of his family, otherwise it would not be so delicate and specific, but there is a difference, this is not his autobiography, but the embodiment of his thoughts. ** is a carrier, and now when many red scholars study Dream of Red Mansions, they always have to compare it with Cao Xueqin's family, but it is just a reference.

I suggest you take a look at Liu Xinwu's Dream of Red Mansions series.

I also just started watching Dream of Red Mansions. A lot of them are just watching his lectures, and then it's easy to understand when you go to see the Red Chamber.

And his analysis of the Red Chamber is based on Cao Xueqin's true portrayal.

The relationship is too big, and if there is no certain life experience, there is no literary work to come out.

Cao Xueqin is Jia Baoyu, Cao Jia and both of them have been clothed and fed since childhood, but it is extremely difficult to grow up. In the Dream of Red Mansions, the Jia family's rise to decline is a reflection of the Cao family's rise to decline. So in a sense, Dream of Red Mansions reflects reality, and reading Jia Baoyu is reading Cao Xueqin.

Originating from life, higher than life.

You'd better ask him in person, and we look forward to your answer.

Cao Xueqin's family was a century-old family, and his aristocratic family life as a child helped him to write the autobiographical Dream of Red Mansions. Cao Xueqin's family was also a family of literary literacy, and the influence of literary literacy from a young age enabled him to create a beautiful "Dream of Red Mansions".

Cao Xueqin was born in a scholarly family Sadly, Cao Xueqin was halfway through the family road, and in his later years, he tried his best to write the masterpiece "Dream of Red Mansions" for ten years, but he only wrote the 80th time, because of the death of his young son, he became a sentimental illness and died in the poor and sick family, his works are written according to his family's experience, and the story is to write the whole process of Jia Wang Xue's history from rise to decline.

Cao Xueqin is not directly related to Gao E, Cao Xueqin died around 1763 at the age of 48, and Gao He was a young man about 25 years old at this time. According to historical records, Gao He was young and talented, and he could write and paint, but he had no chance of fame until he was 56 years old, and he was promoted to the Jinshi and became an official in the court, and his whole life was still very different from Cao Xueqin.

The two were not implicated, but in the end, they have been talked about by later generations because of "Dream of Red Mansions", which is an indispensable knowledge point in the history of today's literature. It is recognized that the first 80 chapters of "Dream of Red Mansions" were written by Cao Xueqin, and according to legend, due to the popularity of copying at that time, the entire copy was lost.

Gao He later learned from Cheng Weiyuan about the manuscript of "The Stone Record" he collected, so he copied it, probably deeply moved, so he came up with the idea of continuing to write.

There is a saying that Qianlong and He Shen asked Gao He to continue to write, because after Cao Xueqin's death, "Dream of Red Mansions" was very famous in society, and Luoyang paper was expensive for a while, but everyone didn't know the ending, Emperor Qianlong also liked this **, and let Gao He continue to write it, of course, this may just be a second-the-line statement by posterity.

They don't have any relationship. Gao continued to write that Cao Xueqin had read the work before. It's a pity that it's incomplete.

Later, he cooperated with Cheng Weiyuan to continue writing, but because Cao Xueqin's original work vaguely revealed the ridicule of the ** at that time. Therefore, he abandoned Cao Xueqin's original intention of creation, and also rewrote the ending. Although the continuation is also good, it goes against Cao Xueqin's original intention.

Therefore, in many places, it is inevitably a bit far-fetched.

There is no direct relationship -

1。The two were separated by a hundred and ten years and had not met;

2。The two have different backgrounds: Cao "mistook himself and misled others", was poor in his later years (when he wrote the book), and did not gain any fame (history); Gao was a young man, continued this book, and later became a jinshi, and the spring breeze was proud.

3。Gao's understanding of Cao is not worship, but he is quite respectful: "I dare not compete to win against my predecessors" - here "predecessors" refers to Cao. As a person of merit and fame, it is rare for a poor scholar to have such an attitude.