Briefly describe the origin of the name of Mogao Grottoes, the origin and history of Mogao Grottoes

Mogao Grottoes. Commonly known as the Thousand Buddha Cave, it is located in the Hexi Corridor.

Dunhuang at the western end.

It was founded in the pre-Qin period of the Sixteen Kingdoms, and went through the Sixteen Kingdoms, the Northern Dynasties, the Sui, the Tang, the Five Dynasties, and the Western Xia.

The construction of the Yuan Dynasty and other dynasties has formed a huge scale, there are 735 caves, 10,000 square meters of murals, 2,415 clay colored sculptures, it is the world's largest existing scale, the most abundant Buddhist art place.

In the late Qing Dynasty, corruption and incompetence, the specific historical background of the invasion of China by Western powers, soon after the discovery of the cultural relics of the Tibetan Scripture Cave, the British Stein, the legal person Bo Xihe, the Japanese Tangerine Ruichao, the Russian Oldenburg and other Western explorers came to Dunhuang one after another, and defrauded a large number of Tibetan Cave cultural relics from the hands of Wang Taoist priests by unfair means, resulting in the looting of the cultural relics of the Tibetan Scripture Cave, most of which were unfortunately scattered, and were stored in many public and private collection institutions in Britain, France, Russia, Japan and other countries, only a small part of them were preserved in China. caused an unprecedented catastrophe in the history of Chinese culture.

Mogao Grottoes is the name given by ancient emperors.

The origin of the name of Mogao Grottoes is that the monks who opened up at the beginning are profound, and Mogao is not higher than it, and the other is that it is Motong Desert, which means that it is built in the desert.

Mogao Grottoes. The origin and history are as follows:

Mogao Grottoes was built in the former Qin Xuanzhao Emperor Fu Sou Yanjian.

According to the Tang Dynasty's book "Tong Leak Reform Li Kerang Rebuilt Mogao Grottoes Buddha Shrine Tablet", in the second year of Qin Jianyuan (366 years), the monk Lezun passed by this mountain, and suddenly saw the golden light shining, such as ten thousand Buddhas, so he dug the first cave on the rock wall. After that, Zen Master Faliang and others continued to build caves here to practice meditation, called "Mogao Grotto", which means "high place in the desert". In later generations, because "desert" and "Mo" were common, it was renamed "Mogao Grottoes".

It was founded in the Sixteen Kingdoms.

Period, according to the Tang Dynasty, Li Kerang rebuilt the Mogao Grottoes.

The record of the Buddha Shrine Tablet is that in the second year of the former Qin Jianyuan (355 years), the monk Lexuan passed through this mountain, and suddenly saw the golden light shining, such as ten thousand Buddhas, so he dug the first cave on the rock wall. After that, Zen Master Faliang and others continued to build caves here to practice meditation, called "Mogao Grotto", which means "high place in the desert".

In later generations, because "desert" and "Mo" were common, it was renamed "Mogao Grottoes". Northern wei dynasty.

During the Western Wei Dynasty and the Northern Zhou Dynasty, the rulers believed in Buddhism, and the construction of the grottoes was supported by the princes and nobles, and the development was relatively fast. During the Sui and Tang dynasties, along with the Silk Road.

The prosperity of Mogao Grottoes is even more prosperous, in Wu Zetian.

There are more than 1,000 caves from time to time.

Anshi Rebellion. Later, Dunhuang was occupied by the Tubo and Guiyi armies, but the statue-making activities were not greatly affected. During the Uighur period, the Mogao Grottoes reached the largest peak in history, and most of the famous or clear and complete paintings and Buddhist carvings seen today were restored and newly built during this period.

Mogao Grottoes is located on the cliff at the eastern foot of Mingsha Mountain, 25 kilometers east of Nanchang Zao, Dunhuang City, Gansu Province, China, facing the east, 1680 meters long from north to south, and 50 meters high. The distribution of the caves is staggered and stacked, and there are up to five layers on the top and bottom. It was built in the period of the Sixteen Kingdoms, according to the record of Tang "Li Kerang rebuilt the Buddha shrine tablet of Mogao Grottoes", in the second year of Qin Jianyuan (366 years), the monk Lelu passed through this mountain, suddenly saw the golden light shining, such as ten thousand Buddhas, so the first cave was dug on the rock wall.

After that, Fa Liang Ran Xun Xun Zen Master and Pi Feng continued to build a cave here to practice meditation, called "Mogao Grotto", which means "the high place of the desert". In later generations, because "desert" and "Mo" were common, it was renamed "Mogao Grottoes".

The origin of the Mogao Grottoes can be traced back to the 5th century AD, when Buddhism from the Western Regions was introduced to China, and the Mogao Grottoes were one of the important cultural centers of Buddhism. The building of the Mogao Cave was built by the Buddhists of the Western Regions at that time, who built a large number of grottoes in the Mogao Grottoes and painted a large number of murals of Buddhist classics and history and culture, making the Mogao Grottoes the essence of Chinese Buddhist art.

Hello dear, Mogao Grottoes, located in Dunhuang City, Gansu Province, China, are a group of ancient Buddhist grottoes composed of murals and statues collectively known as the "Thousand Buddha Caves". The origins of the Mogao Grottoes can be traced back to 366 AD, when Dunhuang was an important node on the Silk Road, where various religious ideas poured in and merged. Buddhism was also introduced to China along the Silk Road, and according to folklore, the Mogao Grottoes were originally founded by an Indian missionary named Shanou.

The legend of the Mogao Grottoes is mainly derived from the story recorded in the biography of a Tang Dynasty monk Xuanzang, "The Records of the Western Regions of the Tang Dynasty". Legend has it that the Dunhuang region was often hit by desert storms, and the local residents prayed to the gods for their protection, and the Mogao Grottoes were the place where they prayed. According to legend, one night, a grandmother who wandered to the Sleepy Bench told the local residents that the only way to reduce the frequency of desert storms was to worship more Buddha statues in the Mogao Grottoes.

As a result, the local residents began to build the Mogao Grottoes, and continued to worship Buddha statues, and eventually the Mogao Grottoes became one of the most spectacular Buddhist grottoes. The murals and statues of Mogao Grottoes are mostly painted Buddhist figures, shaping Buddhist thought and culture, and also reflecting the historical, social, religious and artistic contents, becoming one of the important representatives of Chinese grotto art.

Thank you for your patience Mogao Grottoes are a Thousand Buddha Caves in the middle of the Hexi Corridor in China, carved with a large number of Buddhist grottoes and sculptures, and are one of the outstanding examples of ancient Chinese Buddhist art. The Mogao Grottoes were built in the Northern Wei Dynasty, and after nearly 1,000 years of development, they formed the current model and style. The production, restoration, and conservation of these caves and statues reflect the glorious history of ancient Chinese Buddhist culture.

According to legend, in 366 AD, an Indian monk named Hongren practiced in the Mogao Mountains and created many Buddha statues and caves. Later, due to the influence of ** and war, these Buddha statues and caves were gradually destroyed or abandoned. During the Ming Dynasty of the Tang Dynasty, a Tang monk named Xuanzang went to India to seek Dharma, and repaired some of the caves and Buddha statues when passing through the Mogao Mountains.

During the Sui and Tang dynasties, the Mogao Grottoes underwent large-scale expansion and restoration, and have been preserved to this day. The architecture and sculptures of the Mogao Grottoes have been gradually formed in the history of thousands of years, reflecting the artistic characteristics and belief backgrounds of different periods, and have historical and cultural value.