What role does the thinking and creative method of screen color play in the success of the film?

Summary. 1. Expressing the character's personality and psychologyThe main color used throughout the film "Blue" is blue, which appropriately expresses the heroine's painful experience of finding herself in a depressed mood. 2. Expressing the subjective feelings of the characters and the creatorColor can express the subjective feelings of the characters in the play about the environment, so as to convey the inner emotions and experiences of the characters.

3. Render a specific environment and atmosphere: Render a specific environment and atmosphere with colors.

Fourth, the overall tone of the workA film work often has an overall visual tone, which is essentially a kind of ideological and emotional tone, and the film pictures and works are often expressed by color. "Old Things in the South of the City" uses a dark and simple color tone to express "a touch of sorrow and affection".

Combined with specific cases of film and television works, at least five roles of color in film and television art are discussed.

1. Expressing the character's personality and psychologyThe main color of the film "Blue" is used throughout the blindness, and blue appropriately expresses the heroine's painful experience of finding herself in a depressed mood. 2. Expressing the subjective feelings of the characters and the creatorColor can express the subjective feelings of the characters in the play about the environment, so as to convey the inner emotions and experiences of the characters. 3. Render a specific environment and atmosphere: Render a specific environment and atmosphere with colors.

Fourth, the overall tone that constitutes the school of worksA film work often has an overall visual tone, which is essentially a kind of ideological and envious emotional tone, and the film pictures and works are often expressed by color. "Old Things in the South of the City" uses a dark and simple color tone to express "a touch of sorrow and affection".

Fifth, it is the way to achieve a strong film style.

Red is not only the visual code of red China, but Zhang Yimou's "red" and his films together have achieved the image of China from the perspective of the West.

Summary. 1. The constituent elements of film and television color.

1) Art angle - shape, light, context.

a. The so-called "shape" refers to the ontological color that constructs the specific vision of future films. In other words, it refers to the specific space environment of the screen modeling world and the ontological color of the artistic image of the characters. They generally include architectural colors, environmental colors, props colors, decorative colors, clothing colors, costume colors, ethnic colors, regional colors, and national colors (national flags, national emblems, party flags, symbols, etc.) ......Specifically, the content of "variety" includes:

Architectural color - the natural color of the architectural part of the human activity space;

Environmental color - the comprehensive color of the natural environment and the artificial environment;

Prop color 1 - furnishing props, the essential color of portable props;

Decorative color - the appearance of flowers, plants, tents, ornaments, ground decorations, etc. in the space;

Clothing color - single clothes, warm clothes, shoes and hats and other quality colors;

Costume color 1 - the color of the character's skin and jewelry;

Effect color 1: The space environment in a special situation, the "old-aged" color of the costumes and props, and the color of the character modeling and makeup. Such as burned buildings, broken props, subjective color tissue, scars and wounds, etc.

The characteristics of color in film and television are +A+Creation+B+Thought+C+Restoration+DHello, I have seen your question, and I am sorting out the answer, please wait for a while 1. The constituent elements of film and television color (1), art angle - shape, light, and context A, The so-called "shape" refers to the ontological color that constructs the specific vision of future films. That is to say, it refers to the specific spatial environment of the world of screen modeling and the ontological color of the artistic image of the characters. They generally include architectural colors, environmental colors, props colors, decorative colors, clothing colors, costume colors, ethnic colors, regional colors, and national colors (national flags, national emblems, party flags, symbols, etc.) ......Specifically, the content of "variety" includes:

Architectural color - the natural color of the architectural part of the human activity space; Environmental color - the comprehensive color of the natural environment and the artificial environment; The color of props is a front - the essential color of furnishing props and portable props; Decorative color - the appearance of flowers and plants, tents, hanging ornaments, and ornaments in the space; Clothing color - single clothes, warm clothes, shoes and hats and other quality colors; Costume color 1 - the color of the character's skin and jewelry; Effect color 1: The space environment in a special situation, the "old-aged" color of the costumes and props, and the color of the character modeling and makeup. Such as burned buildings, broken props, subjective color tissue, scars and wounds, etc.

Summary. Film and television art is not only space art, but also time art, and is a synthesis of time art and space art. Film and television are both exhibition spaces in the movement of time, and at the same time, they are also showing time in spatial changes, and the two are closely related and inseparable.

This kind of combination of time and space, the synthesis of time art and space art, is another basic feature of film and television art.

Due to the artistic characteristics of film and television, the structure of film and television is mostly reflected in various forms of expression (+).

Film and television art is not only space art, but also time art, and it is a synthesis of time art and space art. Film and television are both exhibition spaces in the movement of time, and at the same time, they are also showing time in spatial changes, and the two are closely related and inseparable. This kind of combination of time and space, the synthesis of Shi Honghui's art and space art, is another basic feature of film and television art.

General Definitions: 1 Dramatic Structure2 Prose Structure3 ** Structure4 Multi-Perspective Structure5 Spatiotemporal Staggered Structure.