Luhua Defu Luhua lesson plan, Defu Luhua s Luhua appreciation

In the author's eyes, all natural things are beautiful, and the reed bushes passed by this time gave the author an opportunity to write, and walked in it to watch, with its own charm.

It expresses the author's concern about the fate of birds and even the future of nature as a whole, and calls on the society to pay attention to these small creatures in nature, to love nature, to get close to the surface although it is to write about the disharmony of the natural world, and to call on us to love nature. , but implicitly a critique of social reality, through the harmony and tranquility of Da Ludang, to express the author's love for Da Ludang and his yearning and love for nature. At the same time, the gunshots in the text also reveal the author's deep concern about the fate of birds, and even the fate and future of the whole brother and fool nature.

Nature.

Through the harmony and tranquility of Daludang, the author's love for Daludang and his yearning and love for nature are expressed. At the same time, the gunshots in the text also reveal the author's deep concern for the fate and future of birds and even the fate and future of nature as a whole.

Stick to originality and never plagiarize!! Imitation ruler !!

The reed flowers on the side of the road, although there is no pride in the sky, nor does it cover the stretch of the earth, but its unyielding vitality and different decoration effects seem to show a truth: the existence of life, even if it is just a fleeting, is also an indispensable beautiful highlight in the perfect picture of nature! It shows the author's love for nature and his dissatisfaction and criticism of reality.

Which eggplant is whoosh.

It expresses the author's false concern for the fate of birds and even the future of nature as a whole, and calls on the society to pay attention to these small creatures in nature, to be able to care for nature, and to get close to nature.

On the surface, although it is written about the disharmony of the natural world and calls on us to love nature, it implies a critique of social reality.

The author uses the beauty of nature to satirize the darkness and cruelty of society and life.

One truth is that the skin of learning a foreign language should not be too thin.

Don't be too thin when learning a foreign language.

1. Use people's leisure to set off the leisure of the rain.

2. They all use other scenery and people to set off the beauty of the spring rain.

1 Red Mansion rain throughout the cold, beaded foil floating lamps alone.

2 people leisurely set off the rain leisurely.

Other landscapes and people set off beautiful spring rains.

It's better to go home" belongs to the family**, which is equivalent to a house drama in a TV series, and I don't like this kind of theme. The biggest feature of the whole work can be summed up in one "small" word. The scenes are almost all indoors, the plot doesn't have many twists and turns, and the events aren't a big deal.

Although there is a scene of the First Sino-Japanese Naval Battle, it still does not make the style of the whole work atmospheric. "It's Better to Go Home" depicts a tragedy under the oppression of the feudal family system, in which the heroine, the prodigal son, dies tragically because of the ruthlessness and hypocrisy of high society. On this basis, some people describe Defu Luhua as an anti-feudal fighter and an activist in the feminist movement.

It should be good to say that Lu Hua is an anti-feudal fighter, as can be seen from his later speech "On Rebellion". But it would be inappropriate to call him an activist in the feminist movement. According to his wife's memoirs, Ashika would even use domestic violence against his wife, although it was not very serious, but this alone showed that he was still a machismo, like most Japanese men.

**Adhering to the delicate style of Defu Luhua, the passages describing the scenery are simply a copy of "Nature and Life". In addition, the letters of the heroes and heroines in ** should be a major attraction, but unfortunately almost every letter appears "omitted, omitted, omitted" and becomes incomplete, which is the problem of translation. However, this is not the fault of the translator Feng Zikai.

The time when this book was translated and published was the end of the 50s of the last century, when the ideological and cultural circles of the People's Republic of China had ceased to flourish and the prosperity of "a hundred schools of thought contending" no longer existed, and was replaced by ideological imprisonment and cultural decline. The beautiful sentences of men and women expressing love for each other in those letters were not allowed to appear under some kind of charge, so the translator had to omit them. This cannot but be said to be a pity.

In addition, the preface of the book, especially the afterword, is also very distinctly marked by the times, and some of the ideas seem even a little ridiculous now.

I only know the last paragraph: however, the sound of sinful gunfire has silenced the living nature, and listening to the occasional gunfire in the reeds, the author is deeply concerned about the fate of the birds, and indeed the future of nature as a whole.

This is from my reference book)