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Anonymous users2024-02-06Hit the auxiliary line to ensure that it is horizontal and vertical; Determine the direction of the head perspective and find the connection between the head and the neck; Find the perspective of the face and determine the position of the facial features in relation to each other; Pay attention to the thickness and volume of the hair, and identify the place where the hair meets the head; During the whole process, I look at the painting every 20 minutes, and I can't let go of the uncomfortable places, and I don't need to think about the light and shade and tone at the beginning, and the structure is rigorous, and the perspective is correct. There is also a problem between the position of the facial features.
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Anonymous users2024-02-05Object sketching is different from plaster sketching. Because in the face of a living person with blood and soul, it cannot meet or equal the requirements of plaster modeling.
The first problem faced by character sketching is that the natural form of the human being is different from the image of the work of art, so the discovery of beauty depends entirely on oneself. In addition, character sketching is faced with people of different ages, different experiences, and different personalities, and it is difficult to find a way to express people. All of these are where character sketching is more difficult than plaster sketching.
If it is okay to paint plaster as a still life, then you can't have the idea of painting a still life in a figure sketch.
The whole process of character sketching should be centered on the character's spiritual temperament. With this center to draw the momentum, the momentum will have God, and with this center to see the details to reveal the relationship between the social attributes and life imprints of the characters, the details will become more valuable. In short, this center will make the various elements of the shape more meaningful, and the scale of expression will be more standard.
This is what the book says.
I think that when painting, you can first put aside all the proportional factors, only grasp the first impression of the model, and then slowly start from the proportions!
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Anonymous users2024-02-04I've been learning to draw for over three years! You start with a geometric plaster and then a still life! Be patient with these drawings.
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Anonymous users2024-02-03Master the fundamentals of composition.
When sketching the head, it is necessary to grasp the basic composition rules and principles, look at the size of the paper, and then start to draw auxiliary lines such as positioning, height, left and right, center line, etc., and then determine the size and proportion of the head and its movement trend, and then gently position the drawing.
How to draw an avatar.
Master the methods and steps of drawing sketch portraits, always make careful observations and meticulous comparisons, insist on starting from the overall situation, starting from the big picture, and paying attention to the relationship between structure and proportion. Small details such as eyes, nose, mouth and other facial features can only be represented by straight lines of different lengths.
Attention to the depiction of the body.
After determining the large contours, volumetric features and proportions of the face, mark the location of the boundary between light and dark, consider the high and low points of the face, and carefully study the shape in the detail. Observe the model from all sides and angles. Find the facial features and psychological expressions of the subject, gradually increase the dark and rolling colors, draw the light and dark sides, intermediate colors more clearly, and subordinate the color tone to the whole and remove those unnecessary details.
The picture is as a whole.
In the process of sketching the head portrait, we should focus on the relationship between proportions, composition and the characteristics of the model, train the study habits, observe the model from different angles, and be clear at all times the state of each side of the head in space, the bones and muscles of the head, the interconnection of its structure in the details under different expressions of the face, the light and shade and tone, and the study of the details of the modeling, so that these must be unified into a whole, so that the picture has integrity at all times.
I've also encountered this problem. My method is 1, use an eraser to brighten the bright surface, 2, use 4b and 6b to deepen the boundary between light and dark, and then the reflective side should be properly brightened to form a contrast. 3. The gray surface should be multi-layered, the gray surface is not only just a plane, it is also hierarchical, with chiaroscuro. >>>More
The reason for painting gray is that the bright places are not bright, the black places are not black, the picture is gray, you can start from the whole, don't indulge in the details, first show the light and shade of the picture as a whole, and then distribute it to the part according to the whole. >>>More
First of all, the problem of perspective, the accuracy of the outer contour and the inner contour (when starting the draft, draw the outer and inner contour with a straight line, rather square than round), the transition of black, white and gray, reflective projection, the mutual response of the environment near the object (the original color of the object is darker, and the nearby environment should pay attention to the light painting, so as to set off the subject), and the picture should be rather dirty than clean.
Now to grasp the big relationship, start from the composition, separate the front, middle, and back, and then draw small things, add your own subjective meaning, and make appropriate adjustments. Then the color is on, now draw a large color block, and at the same time pay attention to the distant things to paint gray, near things to be brighter, the color difference is pulled apart, the middle color should be connected with the front and ,,。 It's pretty much the same,Pay attention to yourself to extract the beautiful scenery,,Cut out the bad scenery It's important to pay attention to the environmental color when painting outside,,Make the color richer,,The color is more beautiful
Let me tell you: sketching is mainly divided into three major tones, the three major tones in the pen and techniques are different, some people draw lines elastic, will not draw dead, some people draw lines without care, the heart is not quiet, the line is scribbled Draw details with short lines of hard lead, paint the background with long lines of soft lead The best way to improve the quality of the lines is usually a thing Even, any pen can be, any paper can be, as long as there is a place and time, just practice, less than two weeks. If you haven't changed, then I have nothing to say, you must be flexible and you must be serious When I say that you will definitely catch up with your good classmates when you practice this method, come on