How can I draw a sketch avatar without being grayed out?

The reason for painting gray is that the bright places are not bright, the black places are not black, the picture is gray, you can start from the whole, don't indulge in the details, first show the light and shade of the picture as a whole, and then distribute it to the part according to the whole.

First of all, you have to do a good job of the eyes, the eyes are very important, the highlights of the eyes, the dark part and the projection must be done, if you can't, you will draw the approximate relationship, and then take your time, and there is the hair, the hair is the blackest place in the head, the hair is black, so that even the gray of your face can be slightly covered, the nose and mouth are the same, to separate the three relationships, bright and gray, the dark part of the face is mainly in the bones, if you want to draw the head well, you have to understand the head ** to be dark ** to gray, you know, the muscles of the face, If you have something to draw the dark part, you must draw it boldly, otherwise it will not be dark.

First of all, whether it is a plaster head or a character head, try to keep the picture clean, and experience is that it is better not to paint a background with blurred colors.

The structure of the plaster head is obvious, the relationship between light and dark is clear, the bright part is kept bright and depicted with a pencil of 2B and below, and the dark projection should be aggravated, and the light and dark form a sharp contrast.

Pay attention to the portrayal of facial features in the portrait, the facial portrayal should be meticulous and do not have waste lines, the hair is first weighted with a dark trumpet pen and then used a light-colored hard lead to depict the lines, or use plastic eraser to make a sense of hair.

Don't wipe your hands around while drawing.

In fact, smearing is also a kind of painting effect.

Erase them with a good eraser, such as the Faber-Cascade eraser.

Properly use plastic eraser to stick off some rubber scraps, and blow them off.

In the end, your hands can't wipe it on.

Where it should be black, where it should be black, where it should be bright, where it should be bright.

Black and white should be in place, heavy colors should be heavy enough, white should be white enough.

When drawing, you should choose the best drawing pencil.

When the painting is completely finished, it is sprayed with fixing liquid as a protective layer.

After the solution is completely dry, it can be framed and equipped with plexiglass, and it must be avoided from long-term direct sunlight.

It's actually okay not to wipe it, but it's more beneficial to wipe it.

The benefits are as follows. 1. Unify the tone, if it is used in the dark part, it will make the dark part more virtual and more unified.

2. The rub will be more gentle and the transition will make the effect delicate.

3. Save time, if the picture needs a large area of color, the lines are a little slow, especially for the exam, we can wipe the painting together, quickly spread out a large area of color blocks, and then assist in the line, the tone is rich enough.

4. Aggravate the tone, in some places, the pencil drawing is not heavy enough, or it needs to be strengthened or stuck, we can wipe it hard to make the tone more aggravated, and we can also pull away the large black, white and gray relationship in the picture.

5. Quickly open the relationship between sketches, wipe with a paper towel will blur the lines, and quickly open the relationship between black, white and gray in the picture and the virtual and real relationship of sketches, so that the still life becomes more three-dimensional and richer.

First of all, you have to understand that rubbing with your hands is purposeful, and the main purpose is to embody the texture of the sketched figure or still life.

The friend above) has told you very clearly, when you pave the first tone for the picture, you should pull the relationship between black, white and gray, and then start from the dark part to adjust the tone, pay attention to the boundary between light and dark, and then use your hands to paint the natural transition from the dark part to the gray, the place you said is not dark enough, the gray part is gray and black, the reason is because, you didn't press the dark part, the gray part is painted too black,,, emphasize the start of painting from the dark part, the reason is, you start painting from the dark part of the whole, you must emphasize the whole, For example, the eyes, the bottom of the nose, the upper lip, the jaw and the neck of the character, etc., must be darkened, and gradually draw from the dark part to the gray part - so that the gray part of your painting will not exceed the dark part.

Pay attention to the connection between the gray part and the light and dark junction line, so as not to be too dead.

Although the dark part is a dark part, it is also structured, not dead black and dead black, for example, the dark part of the man's neck, there is the Adam's apple and so on.

In a word: practice more!!

Copying more, painting more parts, and painting parts to the whole will also have unexpected effects.

The purpose of using your fingers is to make the line appear to be a face, in fact, if the line is even enough, you can wipe it without your hands. After all, the disadvantage of wiping your hands is that the picture looks a little dirty.

If you do need to poke your hand, it is recommended that you wipe your fingers in one direction, not back and forth, and you should also be careful not to make the picture too dirty and destroy the original beauty

When sketching, the dark part should be blurred, and the bright part should be lit up.

After drawing the outline, it is also possible to rub the dark parts with dust, then carefully observe the position of the bright parts, use an eraser to erase the bright parts, and then look at the overall effect, and then depict the overtones (gray surfaces) in the details and find the specific details of the bright parts again.

When laying the first tone for the picture, you should pull the relationship between black, white and gray, and then start from the dark part to increase the tone, pay attention to the boundary between light and dark, and then use your hands to paint the natural transition from the dark part to the gray, so that the whole picture will not be grayed.

If you go from dark to gray, you will not be able to gray the whole picture by applying it by hand.

This kind of problem is one of the most common problems in sketch learning. When a sketch is painted gray, it means that the picture effect is flat, the tone cannot be opened, and it seems to be unenergetic.

There are two main reasons for the gray of the picture: one is from the objective object, because the object of the sketch is in a place where the light is relatively average or weak, which affects the three-dimensional sense of the object, and lacks the difference in level and rhythm. If the candidate who paints the gourd in the same way, without a deep understanding of the structure of the object and the proper handling of the light and shade of the picture, it will inevitably lead to the gray and flat problem of the picture.

The method of correction is to line up the light and dark levels according to the understanding and analysis of the structure of the object, and boldly strengthen the chiaroscuro effect according to the strength of the structural transition of the object, so as to make the structural relationship of the object more clear and intense. This kind of active artistic treatment is very necessary in sketching.

The second reason for the gray picture is that there are problems in the painter's sketching method, which is mainly manifested in the lack of grasp of the overall light and shade level when making partial observation and local expression, ignoring the general situation, painting the same everywhere, and finally leading to the inability to pull the light and shade levels. The method of correction is to distinguish the bright reefs in the bright, middle and dark reflective areas, and at the same time compare and express each brightness area in more depth, so that you can draw a well-structured, richly shaded, strong and loud sketch.

Simply put, it's about increasing contrast.

Because the reason for the gray of the picture is that the contrast is weak, that is, the dark side is not deep enough, the bright side is not bright enough, and there are too many gray transition surfaces.

Therefore, recognizing the structure, highlighting the boundary between light and dark, keeping the bright surface neat and tidy, maintaining the overall relationship, and summarizing the transition surface are the ways to make the picture clear and clear, not gray.

A deeper approach is to ensure the overall observation, the reason for the gray picture is mostly due to the local observation of beginners, the transition depicts the details of the transition surface, and the resulting picture has no primary and secondary, lack of contrast. Therefore, maintaining the overall observation during the painting process, and observing the big relationship of the object from time to time is the way to ensure that the picture is well controlled.

It is recommended to go to places such as sketch bars to communicate with everyone more, which will be of great help to you.

I used to draw a lot: 1. You can not draw the light gray surface first, but after finding the boundary between light and dark, you can directly draw the dark part and the projection, and open the light and shade. 2. You can wash your hands after 1 hour of drawing, because there is too much ash on your hands and often stains the picture.

3. You can use a 14b Marley brand pencil, most of the studios in Hangzhou use this kind of pen, it is not easy to draw ash and it is easy to control.

1.Find the darkest and then draw the darkest place first.

2.Nowhere else do you go beyond the darkest place.

3.The transition of shadows should be even.

4.If there is a highlight (hair), leave the highlight area and do not use the method of rubbing it later.

Hair and facial features are more jumpy than the face.

1. Pay attention to the relationship between light and dark.

2. Pay attention to the highlights.

3. Pay attention to the contrast.

Notice the contrast between the light and dark sides.

The basic black, white and gray relationship of the human avatar should grasp the following points:

1.The facial features should be prominent, and the relationship between black, white and gray of the facial features must be clear.

The general order of heavy colors on the eyes: the upper eyelid overlaps the black eyeball first, the pupil second, the bright side of the eye corner third, the dark side of the eye corner fourth; The entire upper eyelid is heavier than the lower eyelid; Grasp the volume of the lower eyelids, including all the projections are weighted. The general order of the heavy color of the brow arch:

The downward turning position of the light side is accentuated, and the inner side of the nasal root and the turning point of the eyeball are accentuated to strengthen the projection of the eyebrow arch on the eye; The eyebrows are finally drawn on the arch of the eyebrows, grasping the features. The general order of the heavy color of the nose: the shiny side of the two nostrils is heavier, and the edge of the nostrils and the tip of the nose is the heaviest; Strengthen the dark side of the nose and strengthen the junction line; Strengthens the projection of the nose.

The general order of the heavy color of the mouth: the middle of the mouth is the heaviest, followed by the corners of the mouth on the bright side, and the lower part is the corner of the mouth on the dark side; The major relationship is that the mouth cleft is the heaviest, and the lower is the transition between the quadratus muscle of the lower lip and the lower lip, followed by the lower edge of the quadratus muscle of the lower lip.

2.The black, white and gray of the face.

Grasp the large junction line of the whole face, but the color must be weakened, otherwise it will eat the color of the facial features. According to the three general directions of the surface we divided at the beginning, the volume can be shaped. The focus is on the contour of the face in several heavy colors, the heaviest color is on the chin, the bright side of the chin is the heaviest, and the dark side is the face weight between the bottom of the chin and the neck; Other contour order:

3.The black, white and gray of the hair.

When drawing hair lines, try to give the lines in the direction of growth, and we grasp the principle that the large junction line of the hair is consistent with the face, and draw the thickness and characteristics of the hair. The heaviest color is generally on the outside of the forehead on the shiny side, the second is on the contour behind the ears of the darker hair, and the third is at the junction line.

4.Black, white and gray around the neck.

The main side of the bright side of the neck outside the collar dark side, the dark side of the side to grasp the projection relationship, the front of the projection is heavier, and the others are gray.

5.Unify the contrast and complete the picture.

Adjust the incongruity of the picture and depict some small details, such as obvious wrinkles, etc. Adjust the position of the joints of each part to complete the drawing.