Ask for a review of the opera The Wilderness .

Updated on amusement 2024-03-06
4 answers
  1. Anonymous users2024-02-06

    Tianjin People's Art Theater has a long reputation, and it is worthy of its name to see Tianjin Renyi from "The Wilderness".

    Last night, I went to the Shengjing Grand Theater with my wife to watch Tianjin Renyi's "Wilderness", and the actors represented by Jiao's mother performed like a table of exquisite art, allowing the audience to feast; The interaction with the audience after the curtain call is even more refreshing. This kind"Down-to-earth"activities, keep pace with the times, and bring forth the new.

    Several highlights of "The Wilderness" have been flashing in front of my eyes.

    1. Trains"Searchlight"The light shines on the beginning and end of "The Field". The director is well-intentioned, with a thought-provoking and intriguing theme.

    Second, the terracotta figurines"Cello"Accompanying "Wilderness" all the way, increasing the thickness of "Wilderness". The terracotta figurines create a gloomy and desolate atmosphere, render a primitive and empty environment, accentuate the human figures, and deepen the theme of the work. "Cello"The embedding not only aggravates the color of the characters' inner world ideological activities, but also increases the depth of the characters' sharp and complex psychological contradictions.

    Terracotta figurines"Cello"It is closely connected with the characters, plots, contradictions, and conflicts, closely related, complementary, and complementary. The director is used in the past and in the present, and the foreign is used in China. Ingenuity and extraordinary skill.

    The audience understood and was amazed.

    3. Props"Benches"with"Stump chopping axe"is the director's finishing touch. on the stage"One table and two stools"The melons used by many directors are ripe, but the bench in "The Field" is not conventional. In the mother of the scorch with the big star"Sparring"In that scene, Jiao's mother knocked over the bench three times with a cane; Because the bench is in her heart"Vixen"The incarnation, and the big star frantically lifted the bench up and held it in his arms three times, because the bench was a symbol of his beloved wife in his heart.

    This"Three dozen and three hugs"The irreconcilable contradictions and conflicts between the characters are vividly interpreted. "Stump chopping axe"Ambushed from beginning to end"Wilderness"and was focused by the light several times. "Stump chopping axe"It not only reveals the theme of "The Wilderness" - social contradictions are irreconcilable, and class hatred is incompatible; It also leaves room for the audience's imagination - to resolve the tiger and gold into a desperate situation.

    The director of "Wilderness" has recreated it on the basis of respecting the original book - the searchlight of the train illuminates the road ahead, and if you follow the guidance of the light, you can reach it"A place paved with gold".I don't know if my understanding is in line with the director's conception and creative purpose.

    There are two more issues that need to be discussed.

    1. The surname of the male protagonist Qiu Hu, such as pressing"Linguistic Writing"("Xinhua Dictionary") standard, should be read qiú, but the director's dominant idea is"Down-to-earth", read chóuWhich pronunciation is more appropriate, please consider and scrutinize the director and actors.

    2. The speed and volume of the actor's speech should be followed"High but not declared, low but not scattered, fast but not chaotic, slow and continuous"principles. But there were a few times in "The Wilderness" where the speed of speech was too fast, and the audience couldn't keep up with it and couldn't digest it. There were also a few times when the volume was too high and there was a harsh feeling, which could be due to the sound.

    Imploring the actor to understand the issue from the audience's point of view.

  2. Anonymous users2024-02-05

    The drama "Wilderness" wants to tell readers about the complexity and incomprehension of human nature and the problems existing in modern rural areas, and provoke readers to think.

    1. Cao Yu's "Wilderness" profoundly shows the writer's confusion about the "dilemma of life" and his philosophical thinking about the mysterious universe through a tragic story of revenge.

    2. "The Wilderness" exposes the darkness of feudal society, expresses the yearning of oppressed and devastated peasants for a better life, shows readers the complex and multifaceted nature of human nature, and arouses readers' thinking about human nature and the current situation of modern rural life in China.

  3. Anonymous users2024-02-04

    "The Wilderness" tells a seemingly simple revenge story, but it contains vast and profound character emotions and shows complex and distinct characters: it not only exposes the darkness of feudal society, shows the oppressed and destroyed peasants' yearning for a better life, but also deeply explores the complex and multifaceted nature of human nature.

    Introduction: Cao Yu's play "The Wilderness" profoundly shows the writer's confusion about the "dilemma of life" and his philosophical reflections on the mysterious universe through a tragic story of revenge. In order to convey this understanding dramatically, "The Field" draws on the artistic means of Western expressionism, refers to Eugene O'Neill's play "The Emperor Jones", and combines the appreciation habits of the people, and successfully explores the narrative mode of the dramatic text.

    In addition, Chongqing Sichuan Theater has focused on creating one of the high-quality plays "Gold" in recent years, adapted from Mr. Cao Yu's famous play "The Wilderness", which has made necessary adjustments on the basis of following the spirit of the original work, taking Jinzi's love and hatred as the main line, and adapting the original "revenge play" into an "inner play", highlighting the complex inner conflict and strong desire to pursue a better life in the whirlpool.

  4. Anonymous users2024-02-03

    In January 1992, the play was staged at the Eisenhower Theater at the Kennedy Center in Washington, D.C., with Chinese singers in the United States playing the role of Chinese singers in the United States, and the conductor, director, band and chorus members were served by American personnel, and the performance was a success.

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