Spirited Away s artistic language, analysis of artistic implications

Chihiro was a cowardly child before she left her parents, but she was self-reliant and cheerful when she left her parents. With the help of Shiro, I swam in love. The content, meaning, theme, and art style are not to be mentioned, they all know.

There is one aspect of enlightenment: learning to face things in difficulties, being self-reliant, cheerful, and strong are all manifestations of a person. Chihiro is not greedy for money, nor is she afraid of anything, which makes people feel like an open-minded girl.

40 hints:

This should be the meaning:

Art Style:

The bounty of 200 may not necessarily be written.

After the production of Princess Mononoke was released, Hayao Miyazaki.

Originally, the seal of the pen was announced after the completion of this work. But at the end of 1999, Miyazaki said he had made a comeback and was working on Spirited Away

**Still by Hisaishi.

Creation, Script Original Supervision: Hayao Miyazaki, Production Conductor Yasushi Tokuma, Producer Toshio Suzuki. In the same year, "Yamada-kun of the neighbor's house" directed by Isao Takahata

Released. On July 20, 2001, "Spirited Away" was released in Japan, causing a huge sensation, reaching a sky-high price of nearly 2 billion yen at the box office in four days. The domestic box office is about 30 billion yen, surpassing the previous work "Princess Mononoke" and the movie "Titanic".

The English name was "Spirited Away", and it was released in the United States and Europe that year. On February 17, 2002, Spirited Away won the Golden Bear Award at the 52nd Berlin Film Festival. This is the first time that the Little Golden Bear has been awarded to an animator and an animated film, and Destruction has made an exception for this to prepare two Little Golden Bears to award two films at the same time.

Some say that Hayao Miyazaki passed on his definition of "life" in his Spirited Away. In an interview with Time Magazine in the United States, he said that he did not deliberately convey any environmental protection or anti-war messages and ideas through his works, and that he was just a person who "engaged in entertainment".

Hayao Miyazaki once told reporters: "When I made this movie, I hoped that the children who watched this movie would grow up and get old, and they would want to take their children to rewatch this movie." Actually, I originally wanted to let my current husband and wife see it, and I couldn't help but suggest that their children watch it, but it's a bit cheeky to say so, so let's put my hope in the next generation.

In an interview, Miyazaki said that the "love" between Chihiro and Xiaobai refers to a kind of friend who supports each other in difficult situations and encourages each other to have the courage to live strongly, and also represents the relationship between human beings and nature - no one can do without anyone!

"Love" is something in a broader sense, that is, to be kind to others. Chihiro saves the white dragon with balls.

It's because of love, and it's out of the same sincere love that the faceless man eats.

If the word "love" is instinctively associated with men and women when you see it, this is a dwarf of the word "love". Love arises not only from men and women, but also from relatives, friends, colleagues, fellow villagers, and the true greatness of love even includes enemies, non-kinders, and life environments. I think this is also the touching ...... this film gives us