The problem of calligraphy and writing, if you have the skill, come in and talk about it

Updated on culture 2024-03-08
16 answers
  1. Anonymous users2024-02-06

    The brush is a soft pen, and the hard pen is not the same, the strength of the wrist is not the same, in addition to the size of the pen tip when writing, the writing brush is more complicated, even if you write the hard pen is very good, and the quality of the brush has little to do with it.

    When I first learned, I bought a calligraphy book, copyed, and felt that it was almost, so I began to write slowly by comparison, and after a long time, I naturally learned some tricks that met my own.

    Note: This is just my usual practice tricks, just to give you some suggestions to make up: you just need to insist on practicing words every day, you can practice according to the copybook, with your own writing and the word book to make a comparison, check and fill in the gaps, to a certain extent, the font is written well or badly You can see it, while practicing words, you can try to write with different positions of the nib, and at the same time compare with the copybook, see what the copybook is forceful, where is not force, after a long time, you will also understand the size of the nib, By the way, it also speeds up the speed of writing.

  2. Anonymous users2024-02-05

    The fingering and wrist techniques are mainly used in hard pen calligraphy, and the feeling of frustration in writing is not obvious.

    When writing brush words, there are arm method, elbow method, wrist method and fingering comprehensive use, because of the softness and elasticity of the pen head will feel exaggerated in the frustration, so the gap between feeling and thinking is very large when writing at the beginning, can not be controlled.

    In this way, you are looking at the shortcomings of the exercises, so that you can follow up. I've also been self-taught, and I can clearly feel the difference between the two.

  3. Anonymous users2024-02-04

    Support the claim that you can't die downstairs. In addition, a hard pen and a brush are two different things, and I can take out the brush, but I always feel dissatisfied with the hard pen, and I only learned the brush.

  4. Anonymous users2024-02-03

    I'm here to learn, haha.

  5. Anonymous users2024-02-02

    Introduction: Many friends will choose calligraphy as their usual hobby, not only to exercise their writing, but also to cultivate their sentiments. It is said that seeing words is like meeting, a good hand can bring a deep impression to others, some friends ask whether the brush words are written, and the hard pen can be written?

    The answer is not necessarily.

    If you just practice the brush and have never been exposed to the special practice of a hard pen, then no matter how well the brush is written, the hard pen may not be able to write well. The brush character is mainly written with a pen made of animal hair, which is soft, it has shades, thicknesses, dry and wet, and the changes are very rich. And hard pens are mainly used fountain pens, pencils, ballpoint pens, etc.

    Because of the different tools, our feel will be different, so the words written must be different.

    We all know that there are many styles of calligraphy, such as driving, official script, regular script, cursive script, etc., in various forms, and each style can highlight its own characteristics. The hard pen is mostly used to write homework, or the person who works is used to write documents, and the style is not so much, and it will not be as elaborate as the brush. Of course, there are also people who have talent, and they write well with a brush, and they don't need to practice with a hard pen, because on the font, their knotting methods and structures are somewhat similar.

    It is undeniable that although it is not necessary to write well with a brush, a hard pen will write well, but a good brush will definitely bring some help to a hard pen. At the beginning, the practice of calligraphy is to pay attention to the structure of practicing calligraphy, which can improve the eyesight of scholars. The beginning and end of the brush can learn calligraphy and penmanship, so when writing hard pen words, the size and structure of the word are imprinted in the hearts of scholars, which is very helpful to the hard pen.

    In short: whether you are practicing a brush or a hard pen, as long as you have set a goal, you must calm down and practice well, so that you can achieve the results you want.

  6. Anonymous users2024-02-01

    I don't know how to write calligraphy, calligraphy is a traditional Chinese art, and I think it's very difficult to write. I used to use calligraphy brushes when I was in college, but after practicing for a while, I gave up because I always didn't write well enough. Maybe it's mainly because I don't dare to be interested in this, I think interest is the best teacher, only if you like it, you will write a good hand of beautiful calligraphy.

    First, why many people can't write well now

    Writing this thing I think is the need to meditate and love, now people do not write well I think the main reason is less practice, because writing brush words can not be completed in a day or two, it takes a long time to accumulate, now the Internet is developed, the communication can be completed directly on the mobile phone, what operations can basically be completed on the mobile phone, and who is willing to take time out to practice calligraphy, this time and that time is no longer like the previous people to communicate are required to rely on letters. <>

    Second, how can people with zero foundation practice calligraphy well

    First of all, we can follow our own preferences, choose one or two of our favorite copybooks, start copying, when writing we must develop the correct pen grip, pen habits, writing must be calm and not impetuous, when we don't know how to write, we can search on the Internet about this aspect of the **, follow ** to practice, if you want to write a good brush words must insist on practice, can not three days of fishing, two days of drying nets. Practicing calligraphy is a boring process, and you must endure loneliness. In addition, if you have time, you can visit some calligraphy exhibitions, see some inscriptions, cultivate your own calligraphy knowledge, and see how others write.

    I will also be inspired by a lot. <>

    You can keep the words you practice every time, and if you stick to it for a while, you will find a lot of progress when you compare it. Practicing calligraphy is a kind of improvement of personal quality, and it is a pleasant thing to enjoy.

  7. Anonymous users2024-01-31

    I can write calligraphy, my dad taught me, it's not very difficult, as long as you master the correct way to move the pen and keep writing every day, you can learn it.

  8. Anonymous users2024-01-30

    I don't know how to write calligraphy, I think it's very difficult to write calligraphy, and writing calligraphy requires a lot of patience, and it's not easy to write well.

  9. Anonymous users2024-01-29

    Where there is a will, there is a way, as long as you practice more, it is not difficult to be able to write calligraphy with the goal of writing.

  10. Anonymous users2024-01-28

    I don't know how to write calligraphy, I think it's quite difficult to write calligraphy, and it's also very complicated and difficult to learn, so you need to have a lot of patience.

  11. Anonymous users2024-01-27

    I can't write, I'm a science student, and I personally feel that it's very difficult for calligraphy.

  12. Anonymous users2024-01-26

    I don't find it particularly difficult to be able to write calligraphy, and the learning process is very simple without any pressure.

  13. Anonymous users2024-01-25

    Writing calligraphy is the practice of calligraphy. There are several reasons why it should be promoted:

    1. Carry forward traditional arts.

    Calligraphy is one of the traditional arts of the Chinese nation, and it is of far-reaching significance to carry out calligraphy education in today's emphasis on strengthening quality education.

    2. Practicing calligraphy can improve students' aesthetic literacy.

    Mr. Zong Baihua, a famous esthetician, said that calligraphy is "like Chinese painting, more like **, like dance, like beautiful architecture." "The process of practicing, creating, and appreciating calligraphy is the process of perceiving, creating, and brewing beauty. Therefore, carrying out calligraphy art education is a good way and a good way to cultivate students' aesthetic ability.

    3. Practicing calligraphy can cultivate students' good behavior habits.

    Learning calligraphy, to start from a stroke, there are rules and rules, such as the pen, the pen, the pen are very particular, this is like doing things, the pen is like the beginning of doing things, the line of writing is just like the process of doing things, and the end of the pen is like doing things. By practicing calligraphy, you can exercise a person's character of being serious, calm, and having a beginning and an end. Day after day, students develop good behaviour habits unconsciously.

    Fourth, practicing calligraphy can strengthen the body.

    Calligraphy can regulate emotions and cultivate sentiments. Too happy and sad, angry hurts the liver, sorrows hurts the lungs, fear hurts the kidneys, and thoughts hurt the spleen. Practicing, creating, and appreciating calligraphy can lead to a stable mind, a calm mind, a nurturing mind, and a sense of stability, which is what we usually call "mental balance", thus promoting people's physical and mental health.

    "Shou comes from the pen" refers to this principle.

    5. Practicing calligraphy can enhance students' overall quality.

    Calligraphy works seem simple, but it is not easy to write well, in addition to the calligraphy skills (such as penmanship, ink, chapters, etc.), but also to practice and study the "outside the words". "Extra-literal skills" are very important to the art of calligraphy, and if you want to achieve success in calligraphy, you must seek words outside the words and books outside the book. "Extra-literal skills" is to learn from "sister arts".

    For example, learn from painting to learn white, understand rhythm and rhyme from **, find artistic conception from poetry, and so on. Art is interconnected, and "sister arts" often inspire the creation of calligraphy. In the process of pursuing the improvement of the art of calligraphy, the comprehensive quality of people will also be developed.

    In short, the educational activities of calligraphy art among students are conducive to the all-round development of students' comprehensive quality.

  14. Anonymous users2024-01-24

    What is a person's state of mind, just look at his words. Words are like people, and this is indeed the artistic conception.

    Whenever I lift my brush and start copying words, I always feel like this. The stability and urgency of words are in line with our state of mind.

    When you are alone, you sit at your desk, pick up a brush, lay out the words, and everything is ready, which is your own compliment to the words. I didn't dare to slack off these words, because they brought me into my own inner peace.

    The formation of words requires wholehearted cooperation. Steady hands, well-proportioned breath, and upright body, without which words will not enter your body.

    When practicing calligraphy, there is no room for half-heartedness. Unlike other pens, brushes are supported by hard refills. It is soft, and it is a word that follows the natural flow of the hand and the heart.

    Carefully study each word, and you will find the state of mind in which you wrote the word, whether the heart is in this word, whether you are thinking about other problems, whether your breathing is calm, and many questions, whether it is good or bad, you can find the original state from the words.

  15. Anonymous users2024-01-23

    The essentials of writing good calligraphy:

    One: Master penmanship.

    The trick of writing calligraphy, if you want to write calligraphy well, you must master the penmanship and calligraphy. The beginning is the stroke of life. Su Dongpo said:

    There is no definite way to put the pen, but it is necessary to make it empty and wide. Here is the general use of the "five-finger life penmanship": that is, to pinch the pen barrel (appropriate height) with the belly of the thumb and index finger to ensure that the pen barrel does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only enhances the strength of the index finger to pinch the pen, but also illustrates the effect of hooking the pen inward; The nail flesh of the four thumbs is against the inside of the pen barrel, which plays the role of pushing the pen outward; The little thumb brother attached to the lower part of the belly of the four thumbs, and Kuang Zhu Zhao stared at the four thumbs to push the pen out.

    The brushwork of the brush.

    Two: Master the strokes.

    Every time you write a stroke, there are three processes: entering the pen, writing the pen, and closing the pen. There is a pen in the pen"Lu Feng"method, follow the stroke, so that the beginning of the stroke is pointed or square; Yes"Zangfeng method", reverse front into the pen, horizontal painting to the right first left, vertical painting to go down first up, so that the stroke is hidden in the stroke, the beginning of the stroke is basically round. You have to learn how to write"Center with a pen"so that the tip always runs in the center of the dot stroke.

    In order to make the strokes strong, we must also learn to use the pen with astringency, stay in the line, stay in the line, and stop frivolity and slippery. There is a pen to close"Lu Feng"(Gradually lift the pen out of the paper, and draw it in a pointed shape, such as hanging needle vertically, apostrophe, pinch, hook), yes"Zang Feng"(Retract the tip of the pen into the drawing, if it hangs vertically, the end of the stroke is rounded).

    Brush strokes. Three: master the structure.

    The knack of writing calligraphy requires mastery of the structure of calligraphy and drawing. Knots are also called knots or shelf layouts. The head teacher of the Qi clan once pointed out that when writing brush characters, one must grasp the layout of the frame, and the other must practice the uniqueness of the strokes.

    The layout of the shelves is more important than the uniqueness of the dot painting. The characters that are framed in between, the unique strokes are not convex, and they are also comfortable to look at; Not the other way around. Therefore, it is very important to carefully study and grasp the rules of the knot of characters.

    Said:"At first, I learned to diffusely, but I wanted to be fair"。

    Rantei set preface. Four: first learn the block or official book.

    The trick of writing calligraphy, learning to write should start with block letters or official scripts. After mastering various penmanship, you will have a foundation for learning other styles of calligraphy. Pro post is a necessary hand and eye to practice good words.

    Don't post it.,Write it all by your own thoughts.,It's an endless road.。 Learn to write calligraphy must have perseverance and perseverance, to be consistent, guard against arrogance and rashness, can not be exposed to the cold. It is often said:

    As long as the work is deep, the iron pestle is sharpened into a needle"。As long as we confront each other according to the law of learning, we will inevitably succeed in learning.

  16. Anonymous users2024-01-22

    Brush words. Brush characters refer to characters written according to traditional laws, rather than random characters written with a brush. Calligraphy is the art of line molding. The so-called brush brushwork is mainly how to create the ideal line of the brush.

    Chinese name. Brush words.

    Finger. Brush characters written in traditional Fadu.

    Tool. Quill.

    The basics. It is necessary to master the penmanship and the method of calligraphy.

    Lettering. Calligraphy is the art of line molding.

    Fast. Navigation.

    The basics. History.

    As a writing instrument, the brush has a very long history, and traces of brush depiction have been left on the painted pottery as early as the Neolithic Age. Although the Western Zhou Dynasty has not been until now.

    There are real objects with brushes, but some signs of pen use can be found from the prehistoric painted pottery patterns and the oracle bone inscriptions of the Shang Dynasty and the Xiang Dynasty. The bamboo and wood slips and silk of the Eastern Zhou Dynasty have been widely used to write. From this, it can be seen that the brush started before the Yin Shang.

    The earliest brushes date back more than 2,000 years. The brush of the Spring and Autumn Period was found in the tomb of Zeng Hou Yi of the drum pier in Suizhou City, Hubei Province, which is the earliest pen found to fight in chaos, and is a rare and valuable information left in ancient times. During the Spring and Autumn Period and the Warring States Period, the names of the pen were different from place to place, and there were various names such as "pen", "聿", "whisk", etc.

    It was not until Qin implemented "the book is the same text, the car is the same track", that the various names of the pen were uniformly called "pen". Legend has it that the Qin general Meng Tian once took sheep hair in Shanlian Village to make a pen, and was regarded as the ancestor of the pen by the local people. It is also said that Meng Tian's wife Bu Xianglian is also proficient in pen-making skills and is offered as a pen lady.

    In the Han Dynasty, the pen was more elegant, and Lu Wei was a master of pen making at that time. In addition to rabbit hair, the raw materials of the Han Dynasty pen nib also include wool, deer hair, raccoon hair, wolf hair, etc., which are both hard and soft. At the same time, the texture and decoration of the barrel are also enriched.

    According to the official history books, China's famous Xuan pen was invented in the Han Dynasty.

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