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In the 2013 Spring Festival Gala of the Year of the Snake, it can be seen that Harvin tried to "go to the middle-aged and elderly" and "go to the sense of solemnity", Cai Ming's "I'll take it" selling cuteness and complaining, the setting of a large number of "base rot" sections, and the use of many draft stars, which are quite in line with the lifestyle and preferences of young people today, no wonder it has caused a "tsunami-like response" on Weibo. In particular, Cai Ming's "complaints" have dozens of places, and almost all of them use popular words, like a "black-bellied aunt", which has completely subverted the glorious image of "Sister Ma", which will undoubtedly please a large number of young audiences.
In addition, the number of folk songs and dances has decreased, the host is no longer lyrical, congratulatory messages continue to disappear, and the Spring Festival Gala has become more people-friendly. In addition, several language programs have more or less played the side ball and walked down the three roads, and the Spring Festival Gala has achieved an intriguing double subversion of voice and posture within its own scale, which is amazing. Partly, Harvin replaces the cliché with freshness, dissolves the charm with fun, and dilutes the drama with farce.
The Spring Festival Gala seems to have transformed from a middle-aged uncle to a beautiful girl overnight, although this transformation is a bit too blunt and slightly uncomfortable.
It is certain that the "turnaround" of the Spring Festival Gala is closely related to the rise of social tools such as Weibo, and the chief director of this Spring Festival Gala, Ha Wen, is an active user of Weibo, and most of the opinions of netizens can be directly or indirectly informed. The independent, grassroots, and free spirit represented by Weibo has given profound inspiration to the "Big Brother" Spring Festival Gala: wisdom is often in the people, and the audience is not easy to fool.
It can be felt that the high degree of information disclosure of this Spring Festival Gala should be the highest in the past, the program list was released early, and the official Weibo of the Spring Festival Gala also continued to be "authoritatively released". In essence, this is a mainstream official listening to the public, and the scale is somewhat open, which also shows the eagerness of the Spring Festival Gala to seek self-transformation. (It's just that it is unknown whether the need for such a change will change with the change of the program director team).
But the posture only represents the will, and has nothing to do with the quality of the content, although this Spring Festival Gala tries its best to show the pro-people side, there are still three stubborn problems in the content:
First, "slapstick-style" sketches still need to be "anti-vulgar". There are at least three sketches in this year's Spring Festival Gala that take pleasure in the appearance of sarcastic people, which is obviously the lowest level of humorous skills.
Second, there are no absolute highlights of classic programs, and they lack original ability. Self-subversion, new is new, noisy is troublesome, but the personality is insufficient, and people don't remember much, including Guo Degang's program is slightly lengthy and procrastinating, and the effect is average.
Third, the reform is not thorough, and the "relationship" works. Singing programs still "take care" of some big-name singers, and there is a big-name female singer who has been widely praised, but there is no doubt about her blatant lip-synching (professionals can tell the difference, see Hong Qi and Zhang Qianqian's Weibo). In contrast, most of the singers who choose to sing really, including last year's diva Faye Wong, deserve respect regardless of whether they are out of tune or not.
The "double standard" of the Spring Festival Gala is still open to related households.
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Today's Spring Festival Gala, which started at 8:00, gave me a deep impression.
One of the highlights is the wanderer. The Spring Festival is a festival when sons and daughters who work hard in a prosperous city go home to reunite with their parents. This Spring Festival Gala made full use of this, expressing the joy of the wanderer going back to his hometown, and the parents who interviewed some celebrities gave that no matter who wants to be with their parents, the show showed the sadness that some people can't go home.
I also like an "aerial show" of "Empty Mountain Drowsteen". Why is it an aerial show? It turned out that there was a soft-limbed actor performing an aerial dance in the middle and rear, and "Chasing Love" in the back was also an aerial performance.
There are a lot of sketches in the Spring Festival Gala this time, but unfortunately the sketch superstar Zhao Benshan didn't come because of illness, and Xiao Shenyang didn't come either.
I especially like Faye Wong and Eason Chan's "Because of Love". From the CD to sing a sad but calm tune, the continuous sound is exceptionally good. In the chorus, Eason Chan's strong voice prevailed, and Faye Wong's voice was very sharp, a little fluttering, and unsteady.
Then, Liu Qian's "moment of witnessing miracles" began. The theme turned out to be "Mirror". Ice cubes and coffee are prepared on top.
Pour the coffee into the cup and drink the coffee in the mirror through a straw. How is this possible? He took out the white card again.
First write "Liu Qian". Holding the upper right corner, the mirror is upside down. The words on it turned out to be reversed.
Then he took out a small snack with many colors and changed his seat, and Liu Qian tested the tacit understanding with the host. Guess the color in the host's mind. guessed wrong, Liu Qian said that there is another world in the mirror.
Put the yellow ball next to the mirror and cover it with a cloth, and the so-called "friend" helped Liu Qian turn the yellow into red, and why.
Swan Lake dance and hip-hop dance are synthesized together, and the auditory and visual senses quickly produce hallucinations, which is wonderful. Crosstalk "Love's Substitute Driver". In the front, the actor managed to warm up the audience.
The actors who came one after another were cheerful and had some "dual personalities". Especially the two actresses, sober and drunk.
Let's end it yourself
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