So that Xiangling said, Do you think Xiangling s experience of these two poems is reasonable?

The poet focuses on what he is best at—writing scenes. The author's mission, just in the spring. On the way, I saw a few lines of returning to the north of the wild goose, the poet set up a metaphor on the scene, compared himself with the return of the wild goose, both narrated and wrote the scene, one stroke and two arrived, appropriate and natural.

In particular, the couplet of "the desert is lonely and the smoke is straight, and the sun sets over the long river" is written about the strange and magnificent scenery seen outside the border fortress, the picture is open, the artistic conception is majestic, and the neighbor Wang Guowei calls it a famous sentence of "magnificent through the ages". The frontier desert is vast and boundless, so the word "big" for "desert" is used. The side is desolate, there are no wonders and strange scenes, and the smoke from the beacon tower is particularly eye-catching, so it is called "lonely smoke".

The word "lonely" writes the monotony of the scene, followed by the word "straight", but it shows its strength and perseverance. There are no mountains and forests in the desert, and the Yellow River that runs through it cannot express the poet's feelings without the word "long". The sunset is easy to give people a sentimental impression, but the word "circle" is used here, but it gives people a warm and vast feeling.

The word "circle" and the word "straight" not only accurately depict the scene of the desert, but also express the author's deep feelings. The poet skillfully dissolves his loneliness in the depiction of the vast natural scene. In the forty-eighth chapter of "Dream of Red Mansions", it says:

The desert is lonely, and the sun sets on the long river'. How straight do you want to smoke? The sun is naturally round.

The word 'straight' seems unreasonable, and the word 'round' seems too vulgar. When I closed the book and thought about it, it was as if I had seen this scene. If you want to find two more words for these two, you can't find two more words.

This is "the advantage of poetry, there is a meaning that cannot be said in the mouth, but it is realistic when you want to go; It seems unreasonable, but it is reasonable and affectionate to want to go. This passage can be regarded as the superb artistic realm of these two poems.

Xiangling's first poem goes like this:

The moon hangs in the sky and the night is cold, and the light is bright and the shadows are bright. The poet often thinks about playing, and the wild guest can't bear to watch.

The jade mirror is hung on the side of the jade building, and the ice tray is hung outside the pearl curtain. Why burn silver candles in a good night, and the brilliant pictures are blocked.

The second poem goes like this:

Non-silver and non-water reflect the cold window, try to see the clear sky jade plate. The faint plum blossom country wants to be dyed, and the silk willow strip is dewed and dry.

It is only suspected that the residual powder is coated with gold, like a clear frost and a jade bar. Wake up from a dream The west building is uninhabited, and the aftermath can still be seen through the curtain.

The third poem (the one "from the dream") goes like this:

The essence wants to cover up the material, and the shadow is from Juan Juan's cold. An anvil knocks thousands of miles white, and the half-round chicken sings five more remnants.

Listen to the flute in autumn on the green river, and lean on the railing at night on the red-sleeved building. Chang'e should ask herself, why not make eternal reunion?

The poem was a success. Except for the first couplet, the sentences do not seem to be written about the month, but the sentences are related to the month. The words are elegant and subtle, and the meaning is novel and chic.

In particular, the jaw joint is stable and shallow, which can be called exquisite. Its biggest advantage is that it fits Xiangling's own life experience, and it uses Yongyue to conceive people, revealing its true feelings.

The best is the third song she got in her dream

First, read more. Daiyu asked Xiangling to recite 100 poems of Wang Wei's five-character rhythm, 1,200 poems of Du Fu's seven-character rhythm, and 1,200 of Li Bai's seven-character quatrains. "Read a poem a hundred times, and its meaning will be seen by itself", this method of reciting is also very correct and necessary for us to learn to write poems.

As the number of recitations increases, your linguistic perception of poetry will become stronger and stronger, and the level of reading poetry will become higher and higher. This is like building a house, you must first lay a good foundation, and the stronger the foundation, the bigger the house can be. Reading is not only the foundation of learning poetry well, but also the fundamental way to improve the ability to appreciate poetry.

Secondly, Daiyu believes that if you want to learn poetry, you must learn first-class. Wang Wei's five-character poems are the best, except for Du Fu, no one can catch up with him; Seven words and rhythm poems, if Du Fu's poems are scored 100 points, I am afraid it is impossible to find another 80 points, and later a Li Shangyin is also okay; Seven quatrains, no one will be able to write Li Bai. These three people, Li Bai is a "poet immortal", Du Fu is a "poet saint", Wang Wei is called a "poet Buddha", and the poetry of the Tang Dynasty is the three of them with the highest achievement, and they have always been evaluated like this before.

Later, Bai Juyi took Wang Wei's place, because some of his poems reflected the life and thoughts of the working class, as well as his long stories, such as "Song of Long Hatred" and "Pipa Xing", which were good, but they had always been headed by Li Bai, Du Fu, and Wang Wei before. Lin Daiyu's view is also very correct. If you want to learn first-rate, you can become second-rate, if you don't learn first-class, you can become second-rate, if you learn second-rate at the beginning, you can only learn third- or fourth-rate.

When we read, we should also choose works of both literary quality and beauty, which is very beneficial for cultivating sentiment and cultivating pure literary taste.

Third, we must be bold in creation and dare to imagine. Xiangling learned poems, the first poem, the whole text said "the moon is very bright" such a meaning. So Daiyu said that things are disturbing, and the first friend and scholar read few poems, and the wording is **, so you have to be bold to do it, and you must have imagination.

It can be said that without imagination, there is no figurative thinking, and there is no poetry. The process of image thinking runs through rich artistic imagination from beginning to end, and bold imagination can make the very ordinary life scene glow with a peculiar beauty, beauty, and refreshing. The creation of other genres is also inseparable from bold imagination.

These theories of literary and artistic creation in Xiangling Xue's Poetry have a great enlightening effect on us

Habitual pampering laughs at you idiotically: What is the use of you pampering your daughter now.

Linghuakong to Xue: "Ling" refers to Yinglian's later name "Xiangling", and "Xue" is homophonic to "Xue", which hints at Yinglian's tragic fate in the Xue family in the future.

When Zhen Yinglian was four years old, she was abducted by a child when she watched the spark lanterns during the Lantern Festival, due to improper care of the domestic slave Huo Qi ("woe"). After raising her, she was sold to Feng Yuan, the son of Jinling ("injustice"), but she was taken by Xue Pan halfway, so she killed Feng Yuan and snatched her, and Baochai named her Xiangling. At first, it was Aunt Xue's Yahuan, and then she was Xue Pan's concubine, because Xue Pan went out and was brought into the Grand View Garden by Baochai (Xiangling learned poetry).

After Xue Pan got married, because his mother Xia Jingui was not allowed, he was instigated by him to imitate Xue Pan and beat him severely. Later, he broke off relations with Xue Pan and went with Baochai. The ending of Xiangling was not explained within eighty times.

The desert is lonely, and the sun sets on the long river'.

This is a famous sentence written by the great poet Wang Wei of the Tang Dynasty. The poet depicts the strange and magnificent scenery outside the Semin Hunger section with expressive pen and ink. "The bridge is known as the desert and the smoke is lonely, and the sun sets on the long river", the pen is vigorous, the artistic conception is majestic, and the vision is wide and wide, and it is praised by Wang Guowei as a famous sentence of "magnificent through the ages".

It is no accident that Xiangling wrote such good poems when she first learned to write poetry, which is the main reason for her success. But in addition to this, there are some factors that cannot be ignored.

First, Xiangling has good qualifications, although she is busy with housework before entering the park, she can read a few poems in her busy "free time", which proves that she is by no means a "layman"; After entering the park, listening to Daiyu's poems, her response was extremely fast, which proved that her perceptual ability was extraordinary.

Second, there are good guides, whether Daiyu or Baochai, the guidance of Xiangling is in the way of pointing, pointing out the key points in a few words, so that Xiangling knows what to choose and gradually comprehends the samadhi in the poem.

Third, the Grand View Garden is a beautiful place, in strong contrast with the dark and dirty environment outside the garden, Xiangling came here, as if to another world, especially Baoyu, Tanchun and other people to her love and praise, but also make her feel the warmth of the world. She was spiritually liberated, and her ingenuity was finally revealed.

Xiangling is extremely focused on learning poetry, and she is not afraid of failure, never gives up until she reaches her goal, which shows her persistent character.

So when it comes to writing, we need to have a kind of attachment. And we must continue to specialize, just like Xiangling, never give up until the goal is achieved.

And every time we finish writing an essay, we have to read it over and over again until we make progress. And if you want to be like Xiangling, you must be humble, as long as the people around you understand, you must ask modestly. No matter what the difficulties, don't give up.

Be willing to learn, be diligent and ask questions.

Concentrate and forget to sleep and eat.

Dare to practice and not be afraid of failure.

First of all, we should read more, think more, and understand life.

Secondly, pay attention to accumulation and application, and learn first-class works.

Third, we must be bold in creating and dare to imagine.

Fourth, be diligent in practice and not afraid of failure.

We shouldn't forget to eat and sleep!