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It is a very happy thing to be able to watch the process of their work, you can see some very interesting people and things, and witness the birth of film and television in advance.
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I think this is also great, as long as there is a studio, it is really good, many of them don't have studios, they are artists owned by others.
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Speaking from my own personal experience, I once worked on a film and television crew when I graduated from high school, and I think it was a very happy experience.
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Working in a small and medium-sized film and television crew is very hard, because film and television workers are a very happy thing, no matter what, it is very difficult to serve the protagonist and star, because the service industry is always a headache.
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I think it would be a great experience to work in a small or medium-sized film crew, because I've never experienced it before.
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The crew is a place where you burn money every minute, and if you are not familiar with it, it is easy to delay the filming progress. So everyone would rather go to someone they are familiar with, work fast, know what level you have, and use it conveniently.
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Doing work in some small and medium-sized film and television crews is actually more comfortable than working in some high-end film and television crews, in fact, sometimes it is more comfortable to work in small and medium-sized film and television crews, and the work requirements are not as high as those in more high-end film and television crews, and there are many stars to see.
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Working in a small and medium-sized crew is different from a large crew, because they are not as strict as a large crew. It will be more exercised.
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I think working in a small and medium-sized film crew is a happy and difficult experience, and in this kind of crew, our goal is to become a large crew, so it's very intense.
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I think it's a great experience to work in a small and medium-sized film crew, because it's a good environment because I'm working in such an environment, and I think it's very good and every day is fulfilling.
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Producer: Then there will be something, a work.
Masquerade: I don't have an introduction to that.
Lighting Engineer: He designs the lighting on the scene.
Notes: There are too many shots every day, and there must be someone to make a record.
Actor: Don't talk about it.
Voiceover: I won't talk about this either.
Editing: Movies are all made in small segments, and someone has to be connected in one go.
Prop Master: Make something real or fake to come to the scene anyway, it's the real guy who sees it.
Stand-in: Helping a big star as a substitute for the dead.
Planning: Plan ahead and start when you come.
Screenwriter: There is always a little difference between the original and the one to be filmed.
Stunt; Some scenes can't be played by people who want to die, so they fake it.
Selling boxed lunches on the spot: Everyone has to eat it, so it's good to act three.
Anyway, there are a lot of them, it's always difficult to make a movie, I don't have to experience it, I only know the approximately, and the specifics will be known when you become a star.
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From the perspective of the difficulty of entering the industry, it is easiest to enter the camera industry, followed by post-editing, and the most difficult to choreograph.
From the perspective of development prospects, the choreographer is the best, the camera is second, and the post-editing is poor.
From the perspective of professional stability, post-editing is the best, followed by choreographers and directors, and the worst cameramen.
In terms of income, the choreographer is the best, the camera is second, and the post-editing is worse.
You think about it according to your own situation.
For information on careers and employment in the television industry, you can refer to My Space, which has a "Careers and Employment" section.
There is information on this.
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Camera! Screenwriter! Director! Can all three types of gentlemen be responsible? Little admiration, Chinese movies depend on you.
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