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Breath can't be controlled, teach you the exercises to strengthen breath control with dog ha!
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1 minute to teach you to sing and sing with breath.
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1.Breathe in and out quickly, and exhale slowly to pronounce the s sound.
The purpose of this training is to control the breath. During the exercise, inhale quickly and deeply through your mouth and nose at the same time, feel the bulge in your lower abdomen, hold for 10 seconds, and then let the breath rub out between your teeth to make an "s" aspirated sound. When doing this exercise, you can experience the confrontation between the waist and abdomen, and you can also do the long and short coordination exercises according to your own situation.
2.Exercise online.
The key to this exercise is to inhale and bury the breath control knowledge in the waist and abdomen, experience the expansion force between the waist and abdomen, and ensure that the attack does not leak. Keep an eye on a point, don't expand, and make sure that the breath doesn't leak out when changing the tone.
This exercise is a practice of a large line, all the sounds must be led by the breath, rely on the breath, pay attention to the breath in front of the sound, and drive the sound. The thing to pay attention to when singing the connection is to ensure that the breath is coherent and not frozen on a certain note.
3.Practice quickly.
This one is mainly an exercise for stiff breath. If you usually feel that the breath can't be pushed when singing, this exercise can help you to quickly push the breath and make the breath flexible. If you are having difficulty at first, you can try to run on the spot but fast at the same time, so that the breath will be forced.
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You can't sing with your voice alone, and you can't just use your breath. The most fearful thing about learning to sing is to go to extremes and emphasize a certain element biasedly. It is understandable for those who learn to sing to go to extremes, and it will be harmful to guide others to look at problems in such extremes.
I have been teaching vocal music for 20 years, and I only instill one concept in my students: don't think that singing is to sing with your voice, and don't think that singing is to sing with breath, but to think that singing is to sing with your voice and breath! The vocal cords are like shields, and the breath is like spears.
The spear should take the initiative to poke, the shield should take the initiative to block, and the two pieces will touch each other, and the "boom" sounds. - It's that simple. When the vocal cords and breath are aligned, there will be a sound coming out, and when the vocal cords and breath are aligned properly, a good voice will come out.
You can't hold a spear and poke it into the air for a while, or dance it around with a shield and ask if the spear is any good? Is this shield easy to use? You have to let both sides take the initiative to go towards each other, collide head-on, and then you know.
In the past 20 years, I have encountered many situations where I am struggling to dance a shield there, but there is no spear at all. Of course, this is what I encounter the most:
The students' vocal cords have long been out of breath at all, and the teacher still blindly yells at the students, "Use gas!" You're angry, you! "Hehe, does this work?
That's why students don't feel like they need it even after a lot of effort, so it's called dry puffing!
Singing is a sport, and as long as it is recognized as a sport, it must involve force. What is force? Anyone who has studied physics knows that force is the action of one object on another, and the action of force is reciprocal.
Therefore, don't teach others to exert force unilaterally, and it has nothing to do with lung capacity, the fundamental problem is that you must take the initiative to provide the right breath pressure, and at the same time, you must provide the right vocal cords to actively block the resistance, and the two are combined to sing. Through long-term rigorous training, I have caught the most suitable force, that is, the best force and the most economical force for singing.
Don't be afraid to use your voice when singing, you must use your voice. Isn't there such a four word, called "use the fee to refund"! It is better to use it than not to use it, and of course, in the end, we have to use it appropriately, and we need to use it just right.
As long as the vocal cords and breath will be strengthened, they will learn to make sounds, they will be able to make sounds, and as long as the upper cavity is opened well, there will also be good resonance.
Well, having told you so much, I am not teaching you how to sing, but teaching you the right concept. Because, if the concept is wrong, it will kill people!
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1 minute to teach you to sing and sing with breath.
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Breath can't be controlled, teach you the exercises to strengthen breath control with dog ha!
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How to use breath to sing?
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As soon as many people open their mouths, they have a big white voice, singing and squeezing their voices, pulling their voices, and using their breath, and these problems are solved.
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The breath requirement of vocal music is to sink the dantian through the three cavities, and to learn to sing with the breath, you must first practice the qi of the dantian! It's a process that is expensive to persevere
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Inhale to the dantian first, let the singing later, sing at the root of the throat, the qi of the dantian should be released with this singing, and every time you sing a sentence, you will take a breath, and it will be good to practice more.
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Celebrities and singers all sing with their breath, and the main thing is to sink the dantian, and the voice is rushed out by the dantian's qi.
Is it difficult to practice breath? Teach you some fun ways to practice breathing!
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I'm sorry to tell you that your method is completely wrong, I can pinch my nose completely when singing, there is no air flow in my nose at all, and there will be a "buzzing" muffled nasal sound, and it is impossible to sing beautiful high notes, your vocal state is like when I couldn't sing well many years ago, you still have a long way to go! >>>More
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The first floor is too long...
Your problem is too common, to put it bluntly, it is a matter of breath, I have always given an analogy that in the process of singing, your breath is like gasoline, without the support of gasoline, the car can't go, and your voice (timpani) is the rudder, so it's very easy to understand. >>>More