Seek the ancient translation of Li Bai from the end of Nanshan Mountain

Twilight descends from the Bishan, and the mountains and moons return with the people. But regardless of the way it came, the sky was wide and verdant. Hand in hand with the Tian family, the child opens the thorns. www. f a i nf o.c o m School of the Word.

Coming down from Bishan, the twilight is vast, and with my return, it is the cold light of the bright moon. From time to time, I look back and look forward to the way I came: the vast path, lying on the verdant slope. When the road met the mountain people, they were invited to his thatched cottage, and the children heard the sound and opened the Jingmen.

The green bamboo enters the secluded path, and the green pothos brushes the clothes. Talk happily, drink and talk together. The long song sings the pine wind, and the river and stars are scarce. I was drunk and happy, and I forgot the opportunity together. www. fa i nf o .c o m School of the Word.

A secluded path, deep into the lush bamboo forest, branches and vines, gently brushing my clothes. Laughter, the host left me to stay, set up wine, and talk about sericulture. The long song is sung, the wind enters the pine movement, the song ends the night, and the river and the stars are shining.

I am drunk, you are mad with joy, you are intoxicated with joy, and you have forgotten the world.

Summary. Hello dear! <>

The cool breeze blows the placket, and the night is deep for several degrees. At the end of Nanshan, the people of Husi Mountain returned, and they put wine in Chang'an City. You must worry about the short spring leakage, and don't complain about the night Changchun.

Juelai's eyes are clear, and thousands of miles are empty. Annotation: This poem describes a returning traveler who sings wine and sings in Chang'an City.

The poem takes Zhongnan Mountain and Husi Mountain as the background, and expresses the longing and nostalgia for the return and distance through the description of the transience and homesickness of the spring night. The whole poem is simple and simple, natural and pure, and full of poetic feelings.

At the end of the South Mountain, the people of Husi Mountain stayed in the wine and poetry eyes.

Hello dear! <>

The cool breeze blows the placket, and the night is deep for several degrees. At the end of the South Mountain, the people of the mountains returned, and the wine was placed in Chang'an City. You must worry about the short spring leakage, and don't complain about the night Changchun.

Juelai's eyes are clear, and thousands of miles are empty. Annotation: This poem describes a returning traveler who sings wine and sings in Chang'an City.

The poem takes Zhongnan Mountain and Husi Mountain as the background, and expresses the longing and nostalgia for the return and distance through the description of the transience and homesickness of the spring night. The whole poem is simple and simple, self-defeating but pure and beautiful, full of poetry and picturesqueness.

It was written by Li Bai.

This is a common misinformation, in fact, the author of this poem is the Tang Dynasty poet Wang Zhilian, not Li Bai. Wang Zhilian was a famous poet in the Tang Dynasty, and his poetic style was fresh and natural, mostly based on landscapes and pastorals, people and things. The author of the song "Climbing the Stork's Tower" is also Wang Zhilian.

This is the title of the poem.

The title of this poem is "Night Return to Nebo Niuzhu Nostalgia". This is the beginning of the poem "Night Park Niuzhu Nostalgia" written by the Tang Dynasty poet Yang Jiong, which was later misrepresented as written by Li Bai, and was listed as "Three Unique Songs of Long Hatred" with Li Bai's "Will Enter the Wine" and "The Ballad of Lushan". In fact, this is a miscommunication, the poem was not written by Li Bai, but a poem by Liang Shijian in "Climbing the Stork's Tower" written by the Tang Dynasty poet Wang Zhilian:

The end of the south is beautiful, and the snow floats in the clouds. The extreme eye looks at Cui Wei, and the yellow cliff is magnificent everywhere. Reading things is affectionate, and poetry is full of ambitions.

The dream of the past is vague, accompanied by the moon and clothed in clouds. ”

Original:

mù cóng bì shān xià ，shān yuè suí rén guī 。

Twilight descends from the Bishan, and the mountains and moons return with the people.

què gù suǒ lái jìng ， cāng cāng héng cuì wēi 。

But regardless of the way it came, the sky was wide and verdant.

xiāng xié jí tián jiā ，tóng zhì kāi jīng fēi 。

Hand in hand with the Tian family, the child opens the thorns.

lǜ zhú rù yōu jìng ， qīng luó fú xíng yī 。

The green bamboo enters the secluded path, and the green pothos brushes the clothes.

huān yán dé suǒ qì ，měi jiǔ liáo gòng huī 。

Talk happily, drink and talk together.

cháng gē yín sōng fēng ， qǔ jìn hé xīng xī 。

The long song sings the pine wind, and the river and stars are scarce.

wǒ zuì jūn fù lè ，táo rán gòng wàng jī 。

I was drunk and happy, and I forgot the opportunity together.

Translation:

Walking down from Jungnam Mountain in the evening, the mountain moon seems to return with pedestrians.

Looking back at the mountain path I walked when I came, the mountains and forests are vast and verdant.

When the people of Husi Mountain came to his house, the children came out and hurriedly opened the firewood door.

Walking into the bamboo forest and passing through the quiet path, the green radish branches and leaves brushed the clothes of pedestrians.

Laughter and conversation can be relaxed, and guests and hosts frequently raise their glasses after drinking fine wine.

Singing loudly to the tune of the wind, the Milky Way stars are already very rare.

I was drunk, and the master was very happy, and the joy forgot the treacherous scheming of the world.

Appreciation:

Chinese pastoral poetry is based on Tao Qian at the end of the Jin Dynasty as the founding ancestor, and his poems have a great influence on future generations. Li Bai's idyllic poem seems to have the style of Tao poems that describe trivial matters and human feelings, plain and straightforward.

The whole poem is written with a narrative title. The poem begins with "twilight", which opens up for "stay". Talking together, waving wine, singing long songs, enjoying the heart, naturally intoxicated and forgetful. These are the overflows of the author's true feelings.

This poem is based on the theme of Tian family and drinking, and is very influenced by Tao Qian's idyllic poetry. Tao Qian's scenes, although not ruthless, but seem plain and quiet, such as "ambiguous distant village, smoke in the ruins", "narrow grass and trees are always bright, and the evening dew stains my clothes", "picking chrysanthemums and feasting under the Hengdong fence, leisurely seeing Nanshan", "light rain comes from the east, good auspicious wind goes with it", etc., which are not stained, and the tone is so gentle and soothing. And Li Bai deliberately rendered, "But he cares about the path he came from, the sky is green and green", "The green bamboo enters the secluded path, and the green radish brushes the clothes."

Talk happily, talk about wine", not only the color is bright, but also the expression is flying, and the tone also has a clear and handsome taste. It makes people feel that Li Bai still has a heroic spirit in waving wine and singing, which is different from Tao Qian. Therefore, from Li Bai's poem, we can see not only the influence of Tao poetry, but also the difference in the styles of the two poets.