How to evaluate China s third generation of poets

A group of poets born in the 60s of the 20th century and appeared in the mid-to-late 80s.

Yes: Han Dong, Yu Jian, Xu Jingya, Chuan He, Nan Ye, Hai Nan, Yang Ran, Momo, Duoduo, Wan Xia, Yang Li, Li Yawei, Ma Song, Yang Ke, He Xiaozhu, Zhao Ye, Deng Xiang, Xiaoxiao, Wang Mingyun, etc.

This huge contingent of "schools" is numerous, manifested as "them" in Nanjing, "Shanghai Poetry Group" in Shanghai, "Black and White Poetry School" in Chuzhou, "Manghanism" and "Non-Africanism" in Sichuan.

It is famous for its popular poetry and private writing. Recently, he has developed in terms of creation and is known as the "new generation of writers".

The importance of the third generation of poets to the common people has its socio-historical background. In the mid-eighties, China entered a period of near-capitalist free competition, when the chaos of life made everyone uneasy but vague vision, opportunities began to increase, the shadow of politics began to recede from the lives of ordinary people, and most people seemed to be able to compete on an equal footing as commoners. The common people have become a new and huge group with a sense of subjectivity, and the third generation of poets is living among them, and they have the identity of the common people.

Therefore, they decided to express this most universal life, and they declared that they wanted to "live like citizens and think like God", and in their creations they tried to make poetry secular, popular, and close to the most mundane life. In this pursuit, their creations present a unique aesthetic style.

First of all, there is the repeated expression of the life experience of the "anti-hero" in their poems.

The so-called "anti-heroes" refer to those who live the most ordinary life. Many third-generation poets proceeded from the human instinct of survival, and experienced and reflected all the contents of ordinary life in their poems, such as love and hatred, life and death, bitterness and happiness, and even drinking and pecking, sleeping and going to the toilet.

The representative of this kind of work is Wang Xiaolong's "In Memory of the Space Shuttle Challenger", a tragic scene that once attracted the attention of the whole world, presents an absurd side in the poet's pen:

What this moment changed.

This strange-looking half-breed suddenly disappeared.

...... with the help of smoke and smoke

Undigested breakfast sandwiches.

The sky was shining.

This description may be true, but it completely absurdizes the image of the heroine who was seen as a hero by the world press, and thus deconstructs the existence of a hero.

Which three dynasties are you talking about?

The more important poems are the Wei, Jin, Southern and Northern Dynasties, Tang Dynasty, and Song Dynasty. The peak of metrical poetry is Tang poetry, Song poetry and Qing poetry.

The poetry of the Wei, Jin, Southern and Northern Dynasties is characterized by the division between the north and the south, and the northern poetry is open and atmospheric, extensive and proud, but the literary and artistic level is not high. The poetry of the Southern Dynasties was exquisite and gorgeous, and the artistic standard was very high, but the later development gradually became empty and flashy, lacking ideological content, forming the "Qiliang style" hated by thousands of people in the history of poetry. Although Qiliang style has no content, its exquisite phonological structure provides a four-tone basis for Tang poetry.

The poetry of the Northern and Southern Dynasties was the great forerunner of Tang poetry.

The Sui and Tang dynasties were unified, and the poetic styles of the north and south converged, and after the criticism of the Liang body in the early Tang Dynasty, the poetic style began to gradually return to the right and became high-spirited. On the basis of the four-tone rhyme of Qi Liang style, the court poets invented the pingxuan, formulated the rhythm norms, and gave birth to the integration of Tang poetry, that is, near-style poetry.

With the help of Gelu, Tang poetry quickly admired the pinnacle of poetry, Tang poetry not only has beautiful rhyme, rich content, but also more advanced expression, allegorical scenes, and scene blending, which are all necessary conditions for Tang poetry to reach the top.

Song poems were in the case of Tang poetry being cut off, and through the development of physical thought, Song poems also began to preach. Compared with Tang poems, Song poems are exquisite and beautiful, but cold and knowledgeable, which makes people feel that they can only be viewed from a distance and cannot be blasphemed. Poetry is divided, although Song poetry is also trying to get closer to the concept of poetry that is appreciated by both the elegant and the vulgar, but it can't change the coldness in the bones.

Even if it goes down, it is just a pretend gesture to enjoy with the people, and there is no strong emotion and life atmosphere like Tang poetry.

Qing poetry is a collection of great achievements in social progress to a certain stage and a certain level of cultural level, just like a big river, which has flowed naturally for so long, and when it encounters a dam, it naturally wants to form a big reservoir. Although the abyss is wide and lively, it is not as lively as it was born in the Wei and Jin dynasties, the heartiness of the peak of the Tang Dynasty, and it is not as calm and elegant as the two Song Dynasty.

These are the several apex dynasties in the history of Chinese poetry, each with its own strengths, with the Tang Dynasty as the honor.

1."Spring Dawn" [Tang] Meng Haoran is not aware of spring sleep, and he smells birds everywhere. The sound of wind and rain comes at night, and the flowers fall to know how much.

2."Yongliu" [Tang] He Zhizhang Jasper is made into a tree high, and ten thousand green silk ribbons hang down. I don't know who cut out the thin leaves, and the spring breeze in February is like scissors.

3."Happy Rain on a Spring Night" [Tang] Du Fu Good rain knows the season, when spring happens. Dive into the night with the wind, moisturizing things silently. The trail is dark.

4."Peach Blossoms of Dalin Temple" [Tang] Bai Juyi The world is full of fragrant flowers in April, and the peach blossoms in the mountain temple are in full bloom. I have nowhere to find the spring of long-hate, and I don't know how to turn in.

5."Spring Trip to Qiantang Lake" [Tang] Bai Juyi Gushan Temple is in the west of Jia Ting, and the water surface is flat at the beginning of the clouds. A few early warblers compete for warm trees, who is a new swallow.

The Three Kingdoms of the Qin and Han Dynasties: There are five words and seven words, with gorgeous rhetoric and subtle language.

Wei, Jin, Southern and Northern Dynasties: Idyllic poetry appeared, the language was simple, and the miscellaneous poems were gorgeous.

Sui and Tang Dynasties: Poetry is basically fully developed, and quatrains and rhythmic poems appear.

View Answer Analysis [Correct Answer] The poetry creation of the "third generation of poets" is not only very different from the previous "hazy poets" in terms of spiritual consciousness and artistic expression, but also a rather mixed group itself, which is different in many ways. Nevertheless, its literary and historical significance is very important. There are no poets with such worldwide influence as Ai Qing and Bei Dao, but their rich and mixed artistic practices have broken the previous literary situation of the binary confrontation between realist poetry and "hazy poetry" in the poetry world, and brought contemporary Chinese literature, especially the aesthetic form of poetry into a diversified historical period.

Answer Analysis] See textbook p276-277.

Knowledge points of this topic: Poetry in the new era,

1. Xu Zhimo (January 15, 1897 - November 19, 1931) was originally known as Zhang Yu, whose name was Shima, and was renamed Shima when he studied in the United Kingdom, and was born in Haining County, Zhejiang Province. Character evaluation: A modern Chinese romantic poet, the most outstanding representative of the Crescent School, and Wen Yiduo jointly promoted the development of the Chinese New Poetry Rhythm School.

Representative works: "Farewell to Cambridge", "One Night in the Emerald Jade", "Shayanara" classic poems: The fingers that once held hands were closed alone at night.

If you forget to wake up, then I'd rather Sheng Hengque close my eyes. The world is full of chances for us to meet, but I have never been able to meet you.

Second, Feng Zhi (September 17, 1905-February 22, 1993), formerly known as Feng Chengzhi, was born in Zhuozhou City, Hebei Province. Character evaluation: China's most outstanding lyrical poet [Lu Xun], the middle-aged Chinese new poetry [Zhu Ziqing], is the most underrated poet in the history of Chinese new poetry [author] representative work:

Snake", "The Man in Green", "Night in the South" classic verses: My loneliness is a long snake, cold and speechless. We sat quietly by the lake and listened to the swallows tell us about the quiet night in the south.

The stream was full of red flowers, the sky was dyed with spring glow, my heart was burning, and I quietly walked to her window. We were prepared to appreciate the unexpected miracles, and in the long years there was a sudden comet and a strong wind.

3. Dai Wangshu (November 15, 1905-February 28, 1950) Famous Cheng, the word Chao'an, nicknamed Haishan, once used the pen name Mengou, a native of Hangzhou, Zhejiang. Character evaluation: The "poetry leader" of the modern poetry school in the 1930s, an outstanding representative of symbolist poets, and a rare first-class poet in modern Chinese history.

Representative works: "Rain Alley", "Worries", "I ...... with a mutilated palmClassic verse: The evening clouds scatter brocade in the twilight sky, and the stream flows gold in the waning sun.

I am no longer in the garden, and my loneliness is as high as mine. I hope that she will always have the face of the person she likes, the face of the spring flower, and the heart of her first love. How many have not returned, but those who are alive have waited patiently.

Fourth, Ai Qing (March 27, 1910-May 5, 1996), formerly known as Jiang Zhenghan, the word Yangyuan, the number Haicheng, Zhejiang Jinhua. Character evaluation: One of the most representative poets of modern Chinese poetry, his aesthetic standards for the content and form of modern poetry have greatly promoted the standardization and modernization process of Chinese new poetry.

Representative works: "Dayan River - My Nanny", "Notice of Dawn", "I Love This Land" classic poems: The glorious laurels have always been made of thorns.

There is no eternal night on earth, and there is no eternal winter in the world. Why do I always have tears in my eyes? Because of my deep love for this land......Even if our bones rot after we die, we will turn into phosphorus fire and burn in the wilderness.