What about the 16 hole harmonica blowing? Various blowing methods about the 24 hole harmonica

I also have to ask the teacher how to blow the accompaniment of the 16-hole semitone.

The hole polyphonic harmonica is an upper and lower row of sound holes, the same note, and the sound blown out is relatively strong and powerful.

The hole accent harmonica is two rows of sound holes, the same note is 8 degrees apart, the sound is lower than the polyphony but the timbre is relatively full.

3. The performance techniques of the two are basically the same, but they have their own merits in the subtleties.

4. Harmonica blowing: 1 is blowing, 2 is sucking, 3 is blowing, 4 is sucking, and 5 is blowing.

5. Introduction to the basic blowing method of the harmonica:

1 is blowing, 2 is sucking, 3 is blowing, 4 is sucking, 5 is blowing; Introduction to the basic blowing method of the harmonica: The arrangement of the polyphonic harmonica scale is: with the bass on the left, the ninth hole is 1, and then the 2345617.

The arrangement of the basic wind method polyphonic harmonica scale is as follows: with the bass on the left, the ninth hole is 1, and then the 2345617.

6. Basic blowing method.

Bass: 7 for suction, 6 for suction, 5 for blowing, 4 for suction, 3 for blowing, 2 for suction, 1 for blowing.

Midrange: 1 for blowing, 2 for suction, 3 for blowing, 4 for suction, 5 for blowing, 6 for suction, 7 for suction.

Treble area: 1 for blowing, 2 for suction, 3 for blowing, 4 for suction, 5 for blowing, 6 for suction, 7 for suction.

7. Beginners first buy a C harmonica to practice.

1) Practice blowing and shalting.

2) Practice the 1 from the middle range to the treble, from the bass to the treble, and then from the treble to the bass.

3) From the one close to the bass and the one close to the treble, connect the midrange.

4) Practice short tunes.

5) Practice the telescopic exercise of one cover and one release of the tip of the tongue.

6) Perseverance.

7) The mouth should be moistened with warm boiled water, so that the harmonica is easy to slide in the mouth and prevent the mouth from being broken.

8) The person stands, the harmonica is placed between the two thumbs and two index fingers, and the two pairs of four fingers of the left and right hands are one by one (9) The basic blowing method of the polyphonic harmonica.

The 48-hole harmonica is in order from right to left, for inhalation, blowing, inhaling, blowing, inhaling, blowing, etc. The first hole on the right is inhalation, and the second hole is insufflation, and the sequence of the two phase cycles.

Aim the right corner of your mouth at the 48th or 28th hole, plug the left hole, and start blowing "1" and "2". Blowing gently is "1" and gently sucking is "2". Move the distance of the piano one square, this is the first light breath, blow lightly, and then move the piano one square, it will emit 3 and 4.

The premise of superblowing is to master the technique of circlip and suction spring.

1. a circlip. The point of the circlip is to adjust the reed gap by disassembling the piano housing, blocking the suction spring, then blowing the reed and slowly trying to blow the air pressure tone. It should be reminded here that although the ultimate purpose of overblowing is to make the suction spring sound when blowing a single hole, the circlip is really the first thing to achieve this purpose.

2. Suction spring. Reed SoundReed Sound Reed Sound is easy to do, just play the right tone. However, it is recommended that this step also be practiced as a clarinet. Gently blow out the desired tone to determine the correct tongue position and laryngeal movements.

3. Overblowing. Once you have the right control of the circlip and the correct tone of the reed, you can practice the first two steps together. First of all, don't think that you are practicing super blowing, but concentrate on blowing the blow spring, and then slowly press the sound and try to find the "snap point". If you find the circlip point, it is possible that the reed will produce the correct tone;

If the suction spring does not make a sound, then do not be discouraged, keep the posture of the circlip unchanged, and try to change the position of each sound cavity to adjust the tone of the reed; If that doesn't work, then make the gap between the two reeds smaller and it will be easy.

The 24-hole harmonica is in the order from left to right, which is blowing, inhaling, blowing, inhaling, blowing, inhaling, etc., the first hole is blowing, and the second hole is inhaling such a regular cycle.

The corresponding tone of each hole is double bass 5, bass 2, bass 1, bass 4, bass 3, bass 6, bass 5, bass 7; Alto 123456, treble 1, alto 7; Treble 3, treble 2, treble 5, treble 4, treble 1, treble 6, treble 3, treble 7.

On the left hand side of the piano is the bass part, in the middle is the middle part, and on the right side is the treble part. The mouth is half open, the lips are pulled in a little, and the corners of the mouth are pulled to the sides. Blow the do sound first, then blow the next one.

When practicing a single note, you should blow a long note, not a single blow, but all in one breath.

The harmonica is one of the easiest instruments to get started with, but it's definitely not the easiest to master.

The first stage of playing the harmonica, it is estimated that anyone can be competent, the mouth is reduced, mainly to practice the scale, the most important thing to pay attention to in this stage is to pronounce the pronunciation to be simple, for example, blowing 1, can only produce the upper and lower two holes, can not bring out the left 5 (bass) and the right 3. Practice the alto first, master it, speed up the blowing, and then slowly expand into the treble and bass parts (these two parts have a different scale arrangement than the bass part due to chord considerations).

Then there is the so-called new monophony, which is to make the most wide, about 7 holes, the tongue plugs the left hole, and only the right one (upper and lower two squares) hole is played, and it is very important to pay attention to the purity of the pronunciation. At first, your tongue may always run around, especially when blowing from right to left, it doesn't matter, blow slowly, force your tongue not to run, and you should be able to get used to it if you stick to it for a week.

The second stage is playing accompaniment, which is the most critical period, some people have been playing the harmonica for decades, and this simple accompaniment is still messed up, mainly because it is not taken seriously. When playing accompaniment, you must strictly follow the annotation of the harmonica score, and you can't do what you want, so as to achieve the purpose of exercising the tongue and breath to cooperate with each other. The method of playing accompaniment is actually very simple, and it will be mentioned in general textbooks, but you just can't rush it.

Most of the harmonica techniques are not difficult, but it is a kung fu job, and the most difficult thing is the use of breath, and different breath use can show different styles. If you've learned to play accompaniment, congratulations, you've got your harmonica started.

Other difficult techniques include treble accompaniment (tongue on the right), third, fifth, octave chorus (ear to mind), octave accompaniment (tongue in the middle), and the most difficult chord breaks (alternating thirds, fifths, octaves) and harmonica flipping (two or more harmonicas played together).

Some small techniques, such as violin articulation, snare drum strumming, mandolin strumming, echo staging, etc., are relatively easy to master and should not be the focus of practice. Collapse.

All harmonica trebles are going to take a bit more effort than the bass and alto, and I suggest you put a holster on the front of the do, or stick the block of transparent glue, so that it's much easier to find the do, which is what I did in the beginning.

Practice makes perfect, in fact, it is not difficult, blow the syllables first, breathe in and out generally will not be mistaken, remember the approximate position of **c, and the rest of the sound will be fine by feeling.

When I first started practicing, I first remembered the position of the middle do note, that is, pointed with the tip of the index finger of the left hand, and when I blew, I could feel whether it was that position, or use colored tape to glue a dot mark on the cover plate, it is best to see it, so that it will be accurate after a long time, and then blow to experience, how much distance is between each sound hole, so that when you move the piano, you will be sure, the high register is not as good as the middle tone, I don't know what kind of effort yours has, if you can blow out the normal sound, It's not a problem.

Tongbao 6624? Okay piano.

It's a matter of course to take the treble out of the air, it's all like this, take it apart and look at it, the reed of the treble is very short, and of course it takes the gas to blow.

It's still the same old saying, practice more. Naturally, there is a lot of practice. Hole spacing. Finish.

This is not a skill, if you can talk about skills, you can only say that Lian, all kinds of etudes, there are many on the Internet. First of all, it starts with the clarity and fullness of the monophony, and then the practice of various etudes, whichever makes perfect.

I practiced a lot and I got used to it, and that was a habit for up to 2 weeks, like when I started blowing 24 holes, and then changed to blues!