How to sing is to avoid using only your voice to make sounds

How to sing without a voice?

The most important point of singing is to get rid of the power of the voice, the key is to learn to completely relax and free the jaw, the reason why many people have been unable to sing easily, or the high notes are very tired and the voice is very crowded, it is because the jaw is too nervous.

Proper singing focuses on the "three points and one line", the three points refer to the diaphragm (the fulcrum of the strength of the breath on the waist), the fulcrum of the chest cavity (roughly at the position of the chest), and the fulcrum of the head cavity mask (the center of the eyebrows or the point at a very high position), and the first line refers to the breath.

The whole throat part is just an aisle of breath, the breath goes from the chest cavity to the head cavity, there is a chin in the middle, if the chin can not be completely relaxed, it will hinder the use of sound, the breath can not be transported to the high position of the head cavity, it is squeezed into the throat, then the throat must be uncomfortable, and the resonance of the head cavity is not good at all.

There are actually quite a few exercises to relax the chin, and you can usually sing with your hand slightly on your chin, without letting it strain or feel any stiffness. You can also hold a small amount of water in your mouth when singing or practicing your voice, and keep the water from flowing out during the singing process.

You can also use your powerful mind to imagine that you are a fool who can't control your jaw (think of the kind of person you see on the street who can't control their jaw with a drooling mouth).

When the jaw is completely relaxed, and then use the power of the breath to send the sound to the head cavity, you will find that the voice suddenly enters another channel directly without using the throat, and the throat is completely relaxed. That's when you find the right way to sing.

To achieve natural vocalization, it is necessary to practice abdominal breathing, learning abdominal breathing and using the power of the diaphragm is the basic skill of singing, and it is also a necessary condition for practicing the stability of treble and mid-bass;

When people are singing in a bad state, the diaphragm can make the upper force and airflow support the person's voice, so that the airflow naturally vibrates the vocal cords, and its voice is the best and most natural timbre of the singer.

Practicing breath is a long-term process, first of all, the breath must be enough, adhere to aerobic exercises, such as running, cycling, swimming, etc., practice diaphragm strength can be balanced with sit-ups, so that over time, people's breath will become better.

1. The body is relaxed as a whole and smiles. The more bad the singing, the more likely it is that the muscles will be tense and stiff due to exertion, and at this time, the organs cannot be opened and the breath cannot be smoothed. When singing, the corners of the mouth are raised, showing the teeth, and the smile is conveyed.

Because when people smile, their facial organs are the most relaxed, and the sound they make is the best and most pleasant, and it sounds like a kind of enjoyment.

2. Open your mouth. When singing, the mouth should be opened slightly more than the usual state of speaking, and after opening, it should be held so that the mouth feels like an egg in its mouth. The action of opening the mouth, not the chin dropping down, and the upper lip not moving, is wrong.

The correct way is to lift the upper part of the chewing teeth up and take the initiative to bite each word. The tongue should generally lie relaxed in the mouth, and the tip of the tongue should be gently touched to the root of the lower teeth, without force.

3. Whining (vowel u) sound, when pronouncing this sound, experience the feeling of opening the throat and cavity. At this time, the position of the throat is low, and it is not a singing with the voice raised. When singing, keeping the laryngeal organs stable instead of lifting up can solve the problems of voice squeezing, jamming, and sharpening.

4. Imaginary fulcrumThe hypothetical vocal cords grow at the mouth of the heart, which is the fulcrum of singing and vocalization, do not sing upwards when singing, but suck the voice to the mouth of the heart and sing. Actually, there are no vocal cords, the vocal cords are still on top, but this method allows the larynx to naturally relax, descend, and stabilize, and the throat opens up.

Ordinary people are in a very high position, that is, "singing with their voices" and the so-called "shouting at the top of their voices". The position of the voice should be back, you can deliberately stretch your neck back, try it. Practice your voice first, eg"The half-moon climbed up", sing it one level at a time, and when the throat is opened, it will be easier to sing the high notes.

Or sing a few simple songs first, open your voice, and then sprint to the high notes to contract your stomach, and try to use your stomach to push hard, so that you can easily sing the high notes, and it is not easy to get tired. The most important thing in singing is to use the dantian, not to shout and scream with the throat, only singing with the dantian is the best way to protect the throat. The professional teacher said:

When singing, you need to use interest, not capital. Experience slowly, train slowly, and there will be earth-shaking changes. You can practice your voice in a place where there is water, sing AAA, ooo, first find the position of the falsetto, and then release the real voice, your voice will be very mellow and beautiful And the treble will be on If you want to lengthen the voice, first of all, you must inhale enough, and you must also control the airflow, so that the voice will become longer Of course, you also need to strengthen the exercises of the abdominal muscles The specific is very complicated Singing a high note requires the support of breath, and the power of this support comes from the muscles of the waist, and the easiest way is to look for the feeling of straining in the waist when you are constipated, and singing needs to have a certain vocal position, you can try to practice with humming first, in layman's terms, you hum the song first, and then use the feeling of humming plus the strength of the waist to sing the high notes.

Don't be worried, be bold and shout high, it is good to shout more. When singing high notes, the breath must be based on the lower abdomen and dantian, and the Beijing accent pays attention to the "dantian qi" which also refers to this vocal position. The first is the fulcrum formulation:

When singing, it seems that the vocal cords do not grow in the throat, but in the chest, and sing every word without leaving this fulcrum, and sing with the mouth relaxed, so that when you think about it, the voice is balanced all of a sudden. This method can solve several problems: if the throat is easy to raise when singing a high note, you don't want to use the larynx when you think of the chest, and when the fulcrum is lowered, the larynx will naturally relax and lower, and when the larynx is lowered, the throat will naturally open.

There are also vocal cords that grow on the chest, and of course the breath cannot exceed the vocal cords, so it must be under the chest, and the breath will sink down and stabilize. It's basically finding the right way to make a sound. The second reverse formulation is the metaphor of "changing words under the throat".

The way to change words under the larynx is to say that the larynx is easy to be high when singing high notes, so change it an inch or two inches below the larynx, or "change it close to the shoulder, change it at the base of the neck". When singing like this, the throat is most likely to open, and the voice is more likely to be vertical, easy to enter the head voice, and easy to find the focal position of the treble. Let's practice "pharyngeal sounds" Follow-up question:

Everyone's vocal range is different, and you can't imitate songs that don't belong to your vocal range.

Eh, sorry I didn't understand, I don't need to sing with my voice, so what kind of organ do I use?

1.Find the state of yawning.

Finding the state of yawning is a method used to lower the larynx and enlarge the pharyngeal cavity during singing. The secret is to yawn, close your mouth after you don't type, remember this feeling, and sing high notes, long notes, etc. are necessary in the future.

When yawning, your mouth and nasal cavity will be completely opened, and the position of our throat will go down, and the mouth, nasal cavity, and pharyngeal cavity will be stretched to reach the farthest distance, which will allow all the channels of the sound to be expanded, and the sound can be completely released, and the stool will be unobstructed, which is the most important point in singing skills.

2.The sensation of inhaling upwards along the walls of the throat.

As mentioned above, the feeling of yawning is the best way to fully open the sound, but it can't be kept all the time, or it is very difficult to maintain, so we have to find another way to inhale along the throat wall, because when people inhale, your mouth, nasal cavity, and pharyngeal cavity are also completely open, and the feeling of inhalation is easier to keep all the time, so you can practice this method in the early stage as a transition.

This feeling of inhaling up along the wall of your throat not only keeps your throat going, but it also opens, very easily, completely opens your throat.

When we breathe, when we breathe, our throat is actually completely open, completely unobstructed, as long as we can learn this feeling, then we can always keep the low throat position when singing, and we can always keep all the sounds fully released.

So when singing or practicing, we have to think about the feeling of inhaling and yawning all the time, and you are the so-called practicing and singing with your mind.