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In the history of calligraphy, the influence of Wang Tie and the two factions, everyone agrees that it originated from the praise of Li Shimin in the Tang Dynasty, as the emperor's calligrapher, its influence played an absolute role, played a certain role, and there will be a lot. In fact, the history of calligraphy for thousands of years does not last forever because of the praise of one person. "Two kings"The lofty status of calligraphy lies in the contribution of Wang Xizhi and Wang Xianzhi's father and son to the ontology of calligraphy.
Yan Zhenqing's contribution to calligraphy is created by Lao Nai"Facial body"Outside the regular script, it has been influential, and it still has a strong vitality and will continue to influence.
Yan Zhenqing's achievements in writing and cursive writing are also outstanding, and the book "Manuscript of the Sacrifice of Nephews" is the second line in the world. Ouyang Liuzhao is known as the Four Masters of Regular Script, has its own characteristics, and is highly respected in the history of Chinese calligraphy. Because of these characteristics, each font has been favored by the relevant groups.
Of course, these fonts have also been criticized by many people because of their early Zen points. However, since Yan Ti and Ou Liuzhao are known as the Four Great Regular Scripts, their position in the history of calligraphy shows that they are scripted"Beauty"There is no doubt about it.
The reason why some people think it"Ugly", I think it's because of it"Beauty"For various reasons it was not discovered and understood. Yan Zhenqing is a master in the history of Chinese calligraphy from ancient times to the present. His calligraphy art is broad and profound, creating a strong calligraphy style, making calligraphy from advocating festivity to strength, and becoming one of the representatives of the Tang Dynasty.
Its regular script is thick and majestic, and the line and cursive script also have a strong atmosphere of antiquity, which is very masculine and beautiful, and has a far-reaching influence on the calligraphy of later generations.
The above is a detailed interpretation of the problem, I hope it will help you Lu Chen, if you still have any questions, you can leave me a message in the comment area, you can comment with me more, if there is something wrong, you can also interact with me more, if you like the author, you can also follow me, your like is the biggest help to me, thank you.
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Yes. Because Yan Ti is very testing calligraphy, and it seems to have a feeling of simplicity, the calligraphy world has always respected Yan Ti.
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Yes, Yu Xinqing, who has always admired Yan Ti in the calligraphy world, because the human body is very atmospheric, very good-looking, pleasing to the eye, very Tan's characteristics, and very popular, so Yan Ti has always been admired in the calligraphy world.
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The calligraphy industry has indeed been very respectful of Yan Ti, because Yan Ti is a kind of regular calligraphy, the words written are more vigorous and powerful, giving people a very solemn feeling, writing the words of the cong are also very majestic, can well highlight a person's bones, and the celebrant cherry can also reflect the huge momentum of our country.
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In the calligraphy world, sometimes Yuan's needs some land, mountains and iron, some people write better in this subway, and some people write badly, but most of them are written according to the process, that is, according to some calligraphy tutorials, it should not be very bad.
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The face body has the beauty of male masculinity and strength, and the word is like a person looking up to the Buddha!
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Yan Kai seems to be simple and easy to learn, and only by writing it can you realize his profundity!
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As shown below:
The shape of the face and body is new, the law is severe, and the momentum is majestic before the ancients. From an aesthetic point of view, the face and body are dignified and beautiful, masculine and artificial, and the number of beauties is at the same time, which is the rule for future generations. From the theory of the times, the early Tang Dynasty inherited the remnants of the Jin and Song dynasties, failed to stand on its own, and as soon as the face came out, the new body cast by the Tang Doutan became one of the distinctive aspirations of the Tang Dynasty.
His regular script is contrary to the style of calligraphy in the early Tang Dynasty, with the pen of the seal, turning thin and hard into plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, which is a perfect combination of calligraphy beauty and personality beauty.
Characteristics of the face body:
The font is square, majestic and dignified, with a strong and powerful pen, and Liu Gongquan is called "Yan muscle willow bone". Yan Zhenqing had a great influence on calligraphy in later generations, and most of those who learned to write big characters in later generations were "Yan Ti". Its impact on later generations is not only regular script, the book also has a huge impact, the Song Dynasty Mi Fu had on the "send Liu Taichong preface" said:
The look is bright, the dragon and snake are vivid, and the sight is amazing".
Su Shi of the Song Dynasty said in "After the Six Books of the Tang Dynasty": "Those who discuss books in ancient times also discuss their lives. It's not his own, even though the work is not expensive."
In other words, a good book must also be of high character in order for its works to be respected by the world. Those who are at fault and morally corrupt will not be appreciated by those who know how to write well, even if they can write well.
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His brushwork is unique, magnificent, unique, and self-contained, creating a calligraphy art form with a strong aesthetic taste in the Tang Dynasty, which has an important influence in the history of Chinese regular calligraphy and many people in later generations have been influenced by this brushwork.
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It has influenced some fonts, and it has also caused changes to the font, affected the aesthetics of many people, and also allowed this font to be well inherited and promoted to history.
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It has had a very important impact on later generations, and many people like this font very much, and they will imitate it.
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Mu Xiao Xun Yan Ti "Who founded it?"
1.Yan Zhenqing.
2.Liu Gongquan.
Correct answer: Yan Zhenqing.
Yan Ti is a font created by Yan Zhenqing, a scholar of the Tang Dynasty, and Liu Gongquan is called "Yan Liu", which is said to be "Yan muscles and willow bones".
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1. Wang Xizhi, his work "Orchid Pavilion Preface": a total of 28 lines, 324 characters, the chapter, structure, and penmanship are all perfect, and it is his proud work when he was 33 years old. Later generations commented"The font of the right army, the ancient law has changed.
Its majestic spirit is natural, so it is thought to be a teacher in ancient and modern times"。Therefore, calligraphers of all dynasties have recommended "Orchid Pavilion Preface" as "the first book in the world". Perfection has been reached.
2. Yan Zhenqing, in the history of calligraphy, Yan Zhenqing is the most accomplished and influential calligrapher after the two kings. His books are widely collected, and he has changed the ancient method into a kind of "face body" that is solemn and upright, simple and majestic, and magnificent, which has a huge impact on later generations.
Yan Ti has established his immortal leadership position in the history of regular script for thousands of years.
3, Zhao Mengfu, Zhao Mengfu is a calligraphy and painting master who runs through the ancient and modern times, erudite and talented, can be good at poetry and literature, understand the economy, work calligraphy, fine painting art, good at gold and stone, through the law of Lu, and understand the appreciation.
In particular, calligraphy and painting have the highest achievements, creating a new style of painting in the Yuan Dynasty, and are known as the "crown of the Yuan people". In painting, landscapes, figures, flowers and birds, bamboo and stone, and saddle horses are omnipotent; Gongbi, freehand, green, ink, and all are refined. "The stone is like flying, the white wood is like a tree, and the bamboo is also written in the eight laws.
If there are people who can understand this, they will know that calligraphy and painting are the same. This inscription poem by Zhao Mengfu has become the motto of China's calligraphy and painting circles.
Given that Zhao Mengfu is in.
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What kind of book does the calligraphy belong to?
1.Lishu. 2.Regular script.
Correct answer: Regular script.
Yan Ti is a font created by the Tang Dynasty calligrapher Yan Zhen slowly changed the Qing, and Liu Gongquan is called "Yan Liu", and there is a saying of "Yan muscles and willow bones". "Yan Ti" is Yunwu for Yan Zhenqing's regular script, its regular script body is square and dense, the strokes are horizontal and vertical, the pen is strong and round, and the momentum is solemn and majestic.
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Yan Zhenqing's calligraphy is a must in the Chinese calligraphy world, and Yan Zhenqing's life in calligraphy is very high. He studied calligraphy for a long time before the age of fifty, had a high cultivation in calligraphy, and established his own Yan body, which was Yan Zhenqing's early formation of his own calligraphy system. Later, Yan Zhenqing learned Zhang Xu's strengths, combined Zhang Xu's penmanship with his own Yan style, and started the stage of sharpening calligraphy, and retained a lot of inscriptions, and then An Lushan rebelled, and Yan Zhenqing participated in the counterinsurgency and temporarily shelved calligraphy.
Later, the rebellion of Chanhuai He'an was pacified, and Yan Zhenqing's calligraphy gradually matured, with both god and form, very imposing, and Yan Zhenqing's calligraphy gradually began to show fame. After Yan Zhenqing was sixty-five years old, his calligraphy completely entered the point of being superb, and the roundness of the Touhe School showed heroism, giving people a sense of majesty and power, so Yan Zhenqing's Yan School calligraphy is a treasure in the Chinese calligraphy world.
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