How to appreciate Lin Daiyu s white begonias

This poem has a bright rhythm, vivid rhyme, and relatively straightforward feelings. The first couplet of the poem explains the seasons and scenes. The word "slanting sun" at the beginning echoes the word "dusk" at the end of the poem, setting the tone of the whole poem somber and sentimental.

"Cold grass" indicates that the season is in autumn. "Mossy and green shop" describes the deep age, and the surface of the flower pot where the begonia grows has been covered with moss.

And the washing of a new rain makes the scenery look new at the same time, and a little more desolate, which paves the way for writing the "white" of begonias. On the whole, this couplet describes from far and near, from large to small, from "slanting sun and cold grass" to "heavy door", and then describes the flower pots that grow begonias in detail, although there is no direct description of begonias, but begonias are about to come out.

At the same time, this couplet also hints at the fate of the big family of Jiafu.

The jaw couplet writes the white of begonias, and uses white jade and ice and snow to metaphorize the plain white of the color of flowers and the purity of character. Its spirit is like jade, but it is still too insufficient to describe it as jade, and it is difficult to compare its nobility; Its muscles and bones are like snow, which makes people fascinated and intoxicated. This is actually a self-portrayal of Tanchun.

Growing up in a declining family, Tanchun is still indomitable and wants to make a difference.

The neck couplet uses a metaphor to write the delicate and weak figure of the flower and the beautiful shadow reflected under the moon through the environment, and writes the softness of the begonia. Although the begonia is vibrant, it is delicate and weak after all, and its drooping tiny stamens seem to be sighing.

That beautiful figure casts a heavy shadow in the moonlight in the middle of the night. This couplet implies the sadness of spring. As a daughter, Tanchun is powerless to reverse the fate of the family, so she can only worry in secret.

In the tail couplet, it is said that if the white begonia is accompanied by affection, you don't have to pay attention to the things that fly away, and the "amorous" begonia and the sorrowful poet are integrated. "Immortal" is to describe the begonia as a fairy in white, it has the possibility of becoming a fairy, but does not want to leave, but stays with the poet who sings in the twilight.

Extended information: Lin Daiyu's poem "Song of White Begonia" also uses begonia flowers to show her fresh and noble quality, she has the three-point whiteness of pear blossoms, and also has a fragrant soul of plum blossoms. Her sentence of "the autumn lady wipes the traces of the girl" shows that it is difficult to tell infinite thoughts.

Her feelings are like a "half-rolled and half-hidden" window, the open half of the door represents that she wants to pursue love, and the closed half of the door is the rules and regulations of secular etiquette.

Lin Daiyu was the last to submit the manuscript, and she wrote the poem after reading Xue Baochai and Jia Baoyu's poems, which may be that she deliberately disagreed with Xue Baochai, or this was originally the true emotion in her heart. The key is to look at the first sentence, Xue Baochai is "cherishing Fangzi and covering the door during the day", she closes the door tightly, while Lin Daiyu is slightly different, she is "half rolled Hunan curtain and half closed door".

She rolled up the curtains halfway and opened the door halfway. Lin Daiyu has some yearning for the novel world outside the window, and she is still full of longing for beautiful love, and the person who wants to open her heart is her most beloved Jia Baoyu, which is more in line with the true temperament of the girl.

Lin Daiyu's poem about Yong Begonia is "Yong Bai Hai Begonia".

Song of White Begonia" - Lin Daiyu.

Half-rolled Hunan curtain and half-closed door, grinding ice for soil and jade for pots.

Steal the pear stamen and borrow a wisp of plum blossom soul.

The moon cave immortals sewed and decided, and the autumn lady wiped the traces.

Shy and silently complained to anyone, tired of leaning on the west wind and the night was dark.

Appreciation] Everyone else has handed in a volume, but Daiyu hasn't done it yet. Li Kun urged her, she lifted the pen with a wave and threw it to Li Kun and others, showing the special agility of Daiyu's talent. and Baochai"Cherish the beauty of the day and close the door"On the contrary, Daiyu is"Half-rolled Hunan curtain and half-closed door", willful and willful, and does not particularly cherish the identity of the noble lady.

Ice grinding is soil and jade is a pot", indicating that she is jade and ice-clear, and her eyes are dust-free. She compares herself with white begonias, with the whiteness of pear blossoms and the fragrance of plum blossoms. "Moon Cave Immortals"Not really"The Bead Fairy"Is it?

Sewing white silk clothes in the cold Hail Moon Cave, how depressing; How pitiful it is to cry quietly in the deep boudoir of autumn.

I can't confide in anyone with my heart, so I have to send away one lonely dusk after another in the season of the west wind and falling leaves. Everyone in the poetry club read Daiyu's poems"The capital is this one", Li Kun said:"If the wind is first-class and the sail is chic, it is this one; If you talk about subtlety and thickness, you will eventually let the manuscript (Baochai) be made.

Li Kun's evaluation may not be fair, but her comments do point out the characteristics of Lin and Xue's poems. So-called"The wind is first-class and chic", is the idea of new ingenuity, chic and free, the so-called"Subtle and rich"It is gentle and gentle, sad but not sad.

Li Kuncong"Everyone's ladies"Measured by the standard, it is natural to rate the poems of Baochai, who are stable and stable, as the first. Only Baoyu, who understood Daiyu best, understood the connotation of her poems, and asked to re-evaluate the merits of Xue and Lin's poems, but was pushed back by Li Kun.

Xue Baochai and Lin Daiyu's poems about white begonias are as follows:

Yong Baihai which imitates Tang "Xue Baochai".

Cherish the fangzi day and cover the door, and join hands with the urn to stare at the moss pot. The rouge washes out the shadow of the autumn steps, and the ice and snow attract the soul of the dew. The light pole knows that the flowers are more colorful, and the jade is so sad that there is no trace. If you want to repay the White Emperor for cleanliness, he is silent and dim.

Song of White Begonia" - Lin Daiyu.

Half-rolled Hunan curtain and half-closed door, grinding ice for soil and jade for pots. Steal the pear stamen and borrow a wisp of plum blossom soul. The moon cave immortals sewed their robes, and the autumn boudoirs wiped their cries. Shy and silently complained to anyone, tired of leaning on the west wind and the night was dark.

Xue Baochai's white begonia is the embodiment of a dignified, reserved, steady and peaceful lady, and it is also her ideal self-image. The first couplet "cherishes the fragrant posture and closes the door during the day, and hands in the urn to fill the moss pot", depicting the poet's dignified and solemn character. The poet used a "hand urn" to hold water to water the white begonia, which is also an expression of cherishing flowers and cherishing oneself.

This poem deliberately uses white begonias to close himself and flowers to write about people, reflecting Xue Baochai's inner world of being steady, dignified, elegant, quiet and clean.

Lin Daiyu's "Song of White Begonias" is characterized by writing flowers with people, which is novel and chic. The flower planter, the white begonia flower and the "Li Moxian Autumn Girl" in the poem are all self-portrayals. The chic, clever, noble, sorrowful, and affectionate images shown in the poem are the embodiment of Lin Daiyu's ideological character.

Appreciation

Through the chant of Bai Haitang, the whole poem expresses the appreciation and cherishment of his own beautiful appearance and ice-like soul, and shows the author's dignified, steady, generous and gentle, pretending to be foolish and clumsy, retreating as advance, seeking for himself, and not complaining about the lady's personality and code of conduct. His poems are in the form of a seven-word rhythm, rigorous in their approach to battle, good at argumentation, philosophical and philosophical, and read "subtle and vigorous.""。

It rhymes with Xiaoxiang's "Song of White Begonia".

The autumn appearance is faint and there is no heavy door, and the lonely fragrance is full of pots.

There is a cold wave of hatred that rises with dreams, and the ruthless remnants accompany the soul of the banana.

The thick frost is shallow and the shadow before the wind, and the deep resentment is sad after the rain.

The wine woke up and the flowers fell asleep, and a new goose passed the dusk.

This poem rhymes with "door, basin, soul, trace, and faint", and appears in the thirty-seventh chapter of "Dream of Red Mansions".

Although Li Kun and others commented on Daiyu's poem as the second, how can Daiyu be my favorite, and this is the best in the poem of Red Mansion Begonia.

Today coincides with the autumn mood, thinking of Dai Nian Pengyu's poem and laughing, I feel it. It is according to the rule of the rhyme of seven words, compose a poem, which should be used to commemorate Daiyu.