Xin Qiji s specific expression of the text as a word

The structure of scattered cultures.

Narrative technique into words.

Allusions.

Features: 1. In the use of imagery, Xin Qizhi also has its own characteristics. He rarely uses orchids, willows, flowers and pink beauties that are common in traditional lyrics

In line with the sad and majestic emotional tone to be expressed, the natural scenery depicted in his pen has a kind of soaring and towering and invincible style.

For example, "the gorge bundles the Cangjiang River, the dangerous building, and the desire to fly back" ("Water Dragon Yin Pure Oak Qi"), who believes that the Tianfeng flies to the ground, and the lake opens a green wall" ("Manjianghong").

2. Xin Qiji's words are used as words, and in the hands of Xin Qiji, the language of words is more free, and the key is liberated, and the changes are gratuitous, and there are no longer rules. In Xinci, there is a very popular and clumsy folk language, such as "some bottom things, misleading people." can't really be homesick" ("Partridge Heaven"), recently it seems to be a big day, who will sympathize with each other?

Who will take pity on each other, and make sorrow a day" ("Ugly Slave").

3. In addition, his works that describe rural scenery and reflect the life of farmers, such as "Qing Pingle" (low and small eaves), "Xijiang Moon" (bright moon and other branches and magpies), "Yulou Spring (Three, Three, Two and Two Who's Girl)", etc., are full of life and give people a sense of freshness.

Xin Qiji. The characteristics of the word are as follows:

1. Xin Ci is mainly bold, but eclectic, gloomy, bright, inspiring, charming, and both. He is good at using the technique of comparison.

and peculiar imagination, giving emotion and character to the mountains, water, wind, moon, grass and trees in the natural world, and giving them some sustenance. He is good at absorbing folk colloquial words, especially good at using dictionaries, things and quoting the poems and sentences of his predecessors, often slightly transformed and new.

2. Xin Ci has a wide range of themes. More than 600 of his extant poems are written about politics, philosophy, friendship, lovers, pastoral scenery, folk customs, daily life, and reading feelings.

3. Strong patriotism and fighting spirit are the basic ideological content of Xin Ci. Such as: in "He Bridegroom".

In words such as "Touching the Fish", he used words such as "the remaining water and the remnant of the mountain", "the slanting sun is becoming, and the smoke willow is broken" and other words and phrases to satirize the lingering Nanming Mountain Sanwei Qing Song.

The small court expressed his dissatisfaction with the corner of the country and did not want to go north. There is nowhere to be ambitious, and it is expressed in words that it is difficult to hide grievances.

The artistic style of the words is diverse, mainly based on the potato reform, and the style is heavy and heroic and there is no lack of delicate and feminine. The subject matter of the lyrics is broad and the use of allusions is good at using allusions into the words, expressing the patriotic enthusiasm for trying to restore the unity of the country, pouring out the grief and indignation of the unrewarded ambition, and the humiliation and reconciliation of the rulers at that time quite a lot of condemnation and judgment; There are also many fierce works that chant the rivers and mountains of the motherland.

The characteristics of the words of the Southern Song Dynasty poet Xin Qijian are very bold, atmospheric, and courageous. His words and Su Shi's words are known as the poems of the bold school.

In Xin Qiji's hands, the language of words is more free and liberated, and the changes are gratuitous, and there are no longer code rules.

One of the major characteristics of Xinci in terms of language skills is that the form is loose, the semantic flow orange ruler is coherent, and the sentences are often written relatively long. The way in which literati often use dense imagery to assemble sentences and connect sentences to form an overall artistic conception is completely broken in Xin Ci. But it doesn't mean that Xin Qiji's so-called "using text as words" no longer has a ** rhythm.

While making extensive use of prose sentence structure and taking care to maintain a lively tone, he is still able to create a changing rhythm with a variety of means. For example, in "Water Dragon Yin", "The sunset is at the head of the building, in the sound of broken Hong, the Jiangnan wanderer." Wu hook looked, the column stem was patted all over, no one would, and the meaning was coherent, and it was a very long sentence in the word, but.

In Xin Qiji's hands, the language of words is more free and liberated, and the changes are gratuitous, and there are no longer rules.

One of the major characteristics of Xin Ci in terms of language skills is that the form is loose, the semantics flow and coherence, and the sentences are often written relatively long. The way in which literati often use dense imagery to assemble sentences and jump to connect sentences to form an overall artistic conception is completely broken in Xinci. But it doesn't mean that Xin Qiji's so-called "text as words" no longer has a ** rhythm.

While using a lot of prose sentence structure and taking care to maintain a lively tone, he is still able to create a changing rhythm with various means. For example, in "Water Dragon Yin", "The sunset is at the head of the building, in the sound of broken Hong, the Jiangnan wanderer." Shi Yingzi looked at Wu Hook, and the column was patted all over, no one would, and the meaning was coherent, and it was a very long sentence in the word, but.