What is the name of the wife of Zhao Mengfu, one of the four masters of regular script in the Yuan D

Guan Sheng (1262 1319), a native of Huating (now Qingpu, Shanghai), was a famous female calligrapher, painter and poet writer in the Yuan Dynasty. Smart since childhood, able to poetry and painting, married Zhao Mengfu, and canonized Mrs. Wei. Yuan Yanyou died of illness on May 10 in the sixth year of Yuan Yanyou and was buried in Donghengli Xitai Mountain (now Dongheng Village, Luoshe Township).

He is good at painting ink and bamboo, and his brushwork is pure. It also works landscapes, Buddha statues, poetry and calligraphy. He is the author of 1 volume of "Ink and Bamboo Spectrum".

The hand-me-down works include "Water Bamboo Picture Scroll", "Autumn Late Post", "Mountain Tower Embroidered Buddha Picture", "Changming Nunnery Picture" and so on. Yuan Renzong tried to combine Zhao Mengfu, Guan Sheng and Zhao Yong's calligraphy into a scroll, and the secretary of the Tibetan superintendent, said: "Let future generations know that there is a husband and wife in my dynasty who are good at writing and wonders."

It is said that Zhao Mengfu wanted to emulate the famous man at that time when he was 50 years old, and he was embarrassed to tell his wife, but his wife knew and wrote this poem, and Zhao Mengfu couldn't help but be deeply moved after reading "My Nong Ci", and never mentioned the matter of concubine again. The full text of "My Nong Ci" is as follows: "You and I are nong, and there are many feelings; There are many feelings, and the heat is like fire; Put a piece of clay, twist a you, shape a me.

Break the two of us together and mix them with water; Twist another you, and shape another me. I have you in the mud, and you have me in the mud: I am born with you in the same coffin (qin, read a sound), and die in the same coffin (guo, read three sounds).

Pipeline promotion husband and children, inheritance of calligraphy and painting, cultivation of future generations, "Zhao family" for a hundred generations, three generations of seven great painters. Zhao Yong, Zhao Lin, and Zhao Yan are famous.

The wife of Zhao Mengfu, one of the four masters of the Yuan Dynasty, was promoted.

Zhao Mengfu was a famous calligrapher in the Yuan Dynasty. His regular script pen movement is natural, and the dot painting is round and colorful, with the brushwork of calligraphy; The structure is rigorous, flat and wide; On the whole, it looks beautiful and feminine, steady and generous. "The Legend of the Three Gates" is one of his masterpieces in regular script.

Zhao Mengfu Everyone should know that he is a well-known calligrapher, leaving a lot of calligraphy works, calligraphy works are very personal, so what are the representative works of Zhao Mengfu's calligraphy works? Zhao Mengfu's calligraphy works are representative works.

Four-Body Thousand Character Text", "Tao Te Ching", "Lanting Eleven Treks", "Idle Fu", "Bilba Tablet", "Huzhou Miaoyan Temple Record", "Qiu Gong Tablet", etc.; Xiaokai has "The Legend of Ji Di" and so on; There are many works of calligraphy, such as "Luo Shen Fu Volume", "Red Cliff Two Fu Post", "Dingwu Lanting Thirteen Trek" and so on. Wait. Zhao Mengfu's calligraphy occupies a very important position in the history of Chinese calligraphy, and its influence is also very great.

Zhao Mengfu's calligraphy is very distinctive, effectively combining the calligraphy characteristics of many famous artists, and better highlighting the charm of its calligraphy. And the foundation is very solid, and there is a retro atmosphere. What's more important is the combination of form and meaning, so that calligraphy has a high rhyme.

The former masterpiece of Kaishu friends "The Tomb of Qiu Gong Trembling Inscription" is so clear.

It is generally said that Zhao Mengfu is a descendant of the royal family, and the common basis for this is the "Yuan History. Zhao Mengfu Biography", which begins with the words: "Zhao Mengfu, the word Ziang, after Qin Wang Defang, the son of Song Taizu."

In this way, it seems that there is no problem in recognizing distant ancestors, and Zhao Mengfu is indeed not an ordinary ordinary person with the surname Zhao, but has a distant blood inheritance relationship with Zhao Kuangyin. However, we also know that the family of the ancient Chinese emperors was huge, and after two or three hundred years of the founding of the country, there were tens of thousands of "Tianhuang nobles" who could claim to be the descendants of the founding fathers of the country, and the same problem existed in the Song Dynasty. However, there are big doubts about whether Zhao Mengfu is a "true imperial family" who enjoys state welfare benefits.

According to the "Late Han Lin Bachelor's Undertaking of the Great Yuan Dynasty" written two months after Zhao Mengfu's death, "The Late Hanlin Scholar of the Great Yuan Dynasty Inherits the Will of the Elder Ronglu Doctor Zhi Zhi Zhi Zhi Hao and Cultivates the History of the State Zhao Gongxing" (equivalent to "the life of Comrade XX" at today's memorial service), Zhao Mengfu's biological father, Zhao Heyi, was originally a "clan sparse subordinate" who was far away from the family of Emperor Xiaozong of the Southern Song Dynasty, and belonged to the "Lanxi House". This old lady is the real imperial family, the wife of Zhao Xiyong, the nephew of Emperor Xiaozong, her husband died early, and there is no son, the old lady saw that Zhao Hewei looked delicate and intelligent, and courteous and respectful, and loved it very much, so she asked to pass him on as his son, and after applying to the relevant departments of the imperial court, the emperor himself personally "lowered the approval of the emperor" (it can be seen that the matter of conversion is quite serious and important, and the emperor has to write the instructions), so Zhao Heyi suddenly became the true imperial prince within the five suits who enjoyed the legal status, and Zhao Mengfu enjoyed this when he was born He loves art, calligraphy and painting have extraordinary attainments, and is good at collecting antique cultural relics, the young Zhao Mengfu was nurtured in this elegant environment, and naturally laid a good artistic foundation, which was mentioned in the articles he later wrote reminiscing about his father's education. It is also this fate that accidentally gave the status of the true emperor, while giving Zhao Mengfu an artistic cell, but also made him bear the burden of the imperial family's obligation to "be supported by the state, and the country must be in danger of dying", Zhao Mengfu himself in 1276 13 years after the fall of the Southern Song Dynasty, most of the northern capital held the first official position of the Yuan Dynasty, and before he enjoyed the true emperor's personal share of several "Meng" descendants of the royal family bravely resisted the Yuan Dynasty, it is no wonder that later generations will criticize him for "integrity loss". After he became famous, he "made a big splash," and his status as a royal family, which he had obtained by chance, also became the most likely place for others to be stigmatized.

The eleventh grandson of Zhao Kuangyin, Taizu of the Song Dynasty, and the descendant of Zhao Defang, the king of Qin.

Zhao Mengfu (fǔ), the character Ziang, Han nationality, Songxue Daoren, also known as Crystal Palace Daoren, Oubo, middle-aged once signed Meng Zhuan. A native of Wuxing, Zhejiang (now Huzhou, Zhejiang). He was a famous calligrapher, painter and poet from the end of the Southern Song Dynasty to the beginning of the Yuan Dynasty.

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He is the eleventh grandson of Zhao Kuangyin, Taizu of the Song Dynasty, and the descendant of Zhao Defang, the king of Qin.

Zhao Mengfu (October 20, 1254 - July 30, 1322), the word Ziang, Han nationality, Songxue Daoren, also known as Crystal Palace Daoren, Oubo, middle-aged Zeng Meng Zhuan. A native of Wuxing, Zhejiang (now Huzhou, Zhejiang). He was a famous calligrapher, painter and poet from the end of the Southern Song Dynasty to the beginning of the Yuan Dynasty, the eleventh grandson of Zhao Kuangyin, Taizu of the Song Dynasty, and the descendant of Zhao Defang, the king of Qin.

In the twenty-third year of the Yuan Dynasty (1286), Zhao Mengfu was recommended by Cheng Jufu, the imperial servant of the Xingtai, and was respected by Kublai Khan, the ancestor of the Yuan dynasty, and successively served as a bachelor of Jixianzhi, the governor of Jinan Road, a Confucian scholar in Jiangsu and Zhejiang, and a bachelor in Hanlin. Tired official Hanlin bachelor Cheng Zhi, Rong Lu doctor. In his later years, he gradually retired, and then begged for illness.

In the second year of Zhizhi (1322), Zhao Mengfu died at the age of sixty-nine. He was presented with Pingzhang Political Affairs of Jiangsu and Zhejiang Zhongshu Province and Wei Guogong, nicknamed "Wenmin", so he was called "Zhao Wenmin". He is the author of "Songxuezhai Anthology" and so on.

Zhao Mengfu is erudite and talented, can be good at poetry and literature, understands economics, works calligraphy, fine painting art, is good at gold and stone, and understands Lu, and understands appreciation. In particular, he has the highest achievements in calligraphy and painting. In painting, he created a new style of painting in the Yuan Dynasty and was known as the "Yuan Ren Crown"; Zhao Mengfu is also good at seal, subordinate, true, line, cursive, especially in Kai, Xingshu is famous in the world.

His style of writing is charming, Xiuyi, strict and neat, the penmanship is familiar, and he creates a "Zhao Ti" book, and Ouyang Xun, Yan Zhenqing, and Liu Gongquan are called "the four masters of regular script".