Where is the art of cultural relics photography?

Summary. Hello! According to the official inquiry:

Precautions for cultural relics shooting: taking a picture will not harm the collection, and what can cause harm to the collection is the "flash". Two fabrics, paper fabrics, paper is most likely to "see the light to die" from the purpose of cultural relics protection, in addition to sculptures, bronzes, ceramics, seals and other cultural relics, books, archives, tablets, leather, fur, feathers, ink paintings, calligraphy, bamboo and wood lacquerware and other light-sensitive cultural relics are generally not allowed to tourists to take pictures, especially yellow, brown and red silk is easy to fade under the light.

Second, the recommended place to take pictures must be a place with more yang energy, and the place where it is forbidden to take pictures is basically a place with strong yin energy.

Hello! According to the official inquiry: Precautions for cultural relics shooting:

Taking a picture will not harm the collection, but what can cause damage to the collection is the "flash". 2. Fabrics, paper fabrics, and paper are most likely to "see the light and die" from the purpose of cultural relics protection, in addition to the sculptures, bronzes, ceramics, seals and other cultural relics, books, archives, tablets, leather, fur, feathers, ink paintings, calligraphy, bamboo and wood lacquerware and other light-sensitive texts and information are generally not allowed to tourists to take pictures, especially yellow, brown and red silk is easy to fade under the light. Second, the recommended place to take pictures must be a place with more yang energy, and the place where it is forbidden to take pictures is basically a place with strong yin energy.

Why is it forbidden to take pictures at the Zhengcha scenic spot of cultural relics: 1. For religious reasons, taking pictures is not allowed according to religious customs, and we should respect it; 2. When taking pictures, the repeated irradiation of the flash is very damaging to some cultural relics, and the prohibition of taking pictures can prevent the damage to cultural relics and natural resources caused by the flash; 3. Some cultural relics and scenic spots are related to copyright and resource mining issues, and it is not allowed to take pictures due to copyright and cultural relics safety considerations.

The following points should be noted: When moving cultural relics, you should be cautious and cautious, and you should not damage the letter and air injury. Wear gloves and don't use them directly.

Pay attention to the abundance of light. Especially for underground archaeology, the environment is dark, and there should be appropriate auxiliary light. The intensity of the light should be based on the clear visualization, but no reflection should occur.

The color of the background of the cultural relics should be contrasted with the color of the cultural relics, so as to achieve the effect of highlighting the cultural relics. Take pictures in all aspects. To have a full picture, there should also be top, bottom, front, side, bottom.

Important text of cultural relics, the texture is best to have close-ups. There are authoritative experts present, and there is also a map of the archaeological site.

When photographing cultural relics, we need to pay attention to the following aspects.

The first is the protection of cultural relics. As a precious cultural heritage, we need to do our best to protect these cultural relics, so we need to comply with the relevant regulations and requirements when shooting, and strictly adhere to the protection measures for cultural relics. For example, we need to take care to protect the surface of cultural relics, not to touch cultural relics, and not to use flashing lights and other equipment that may cause damage to cultural relics.

At the same time, it is necessary to keep quiet when shooting and try not to disturb the viewing experience of other tourists.

The second is the shooting angle. Photographing cultural relics requires choosing a suitable angle to highlight the characteristics and charm of the cultural relics. In general, we need to choose the most distinctive features as the focus of the photo, such as the ornamentation and carving of the cultural relics.

At the same time, we need to choose an appropriate distance and angle so that we can capture clear details and the whole picture. If you need to use a tripod or other auxiliary equipment, you need to apply in advance and get the consent of the person concerned.

Again, the shooting equipment. Photographing artifacts requires the use of high-quality cameras and lenses to get a better shot. Especially when shooting some smaller artefacts, we need to use a higher magnification lens to get a more detailed picture.

Finally, there are environmental factors. When photographing cultural relics, we need to consider the impact of environmental factors at the same time. For example, the brightness and color of the light, the amount of background noise, etc., will have a certain impact on the shooting effect.

Therefore, a thorough investigation and evaluation of the environment is required before shooting in order to make the best shooting decisions.

In conclusion, photographing cultural relics requires a comprehensive consideration of various factors and doing our best to protect the safety and integrity of the cultural relics. Through the reasonable selection of shooting angles and equipment, the reasonable control of liquid accompaniment and environmental factors, we can obtain the best shooting effect and make due contributions to the cause of cultural relics protection.

Summary. Dear, cultural relics photography is an application of photography, but it is very different from other photography applications. Cultural relics photography is based on photographic documentary, better express the artistic value and scientific value of cultural relics themselves, and reflect the authenticity of cultural relics photography.

Dear, cultural relics photography is an application of photography, but it is very different from other photography applications. On the basis of photographic documentary, the photographing of cultural relics is to better express the artistic value and scientific value of the cultural relics themselves, and reflect the authenticity of cultural relics photography.

In the use of propaganda means, the effect of the image of Zheng in Tuzhen is more prominent than the effect of words. ** itself has a certain visual impact and attractiveness, is a direct way of vivid performance of the ode to the royal mission, can also reflect the value of cultural relics, to achieve a good publicity effect. In the process of cultural relics publicity, the use of cultural relics for publicity and display is also a commonly used means.

Therefore, the publicity of cultural relics photography is also one of the main value embodiments. Aesthetic significanceCultural relics are items formed in a certain historical period, each cultural relic has a unique aesthetic value, and the cultural relics of each dynasty have the aesthetic significance of a specific historical period. The work of cultural relics photography is carried out, and the beauty of cultural relics is constantly discovered and displayed by using the celebratory method recorded by the camera, and the beauty of cultural relics is constantly excavated to show their historical value.

What type of camera is best used to photograph the archaeological areas of the northern wilderness in winter? Why?

Pro, with a mechanical camera, because the cold resistance of the mechanical shutter is higher.

Summary. Hello dear offers you the following answers:1

Photography of cultural relics: In the cultural relics industry, photography is an important tool used to document and display cultural relics. Through photography, the appearance and details of cultural relics can be carefully presented, which is convenient for conservation and research.

2.Comparison before and after the restoration of cultural relics: In the process of cultural relics restoration, the changes of cultural relics before and after restoration can be recorded through photography, and the restoration effect can be evaluated.

3.Cultural relics exhibition: In cultural relics exhibition, photography can help display the characteristics and charm of cultural relics and improve the exhibition effect.

At the same time, photography can also facilitate the publicity and promotion of the exhibition.

Three application scenarios of photography in the cultural relics industry.

Hello dear to provide you with the following answers:1Artifact shooting:

In the antiquities industry, photography is an important tool used to document and display cultural relics. Through photography, the appearance and details of cultural relics can be carefully presented, which is convenient for conservation and research. 2.

Comparison before and after the restoration of cultural relics: In the process of cultural relics restoration, the changes of cultural relics before and after restoration can be recorded through photography, and the restoration effect can be evaluated. 3.

Cultural relics exhibition: In cultural relics exhibition, photography can help to display the characteristics and charm of cultural relics, and improve the effect of the exhibition. At the same time, Tongxianghu photography can also facilitate the publicity and promotion of the exhibition.

What type of camera is best to use to photograph the archaeological areas of the northern wilderness in winter? Why?

A: Mechanical cameras, because the mechanical shutter has a higher cold resistance.

About 4000 yuan, the body with a lens, it can only be an entry-level digital SLR.

The most cost-effective entry-level DSLR currently on sale is Pentax K30.

In addition to the functions that Nikon and Canon's entry-level DSLRs have, K30 also has the following functions, performance or configurations that Canon and Nikon's entry-level SLRs do not have: 1. Dual dials; 2. a pentaprism; 3. an electronic level; 4. Automatic fine-tuning function of camera level; 5. Focus fine-tuning function; 6. Dustproof and waterproof water drop function (the above are only available on Canon and Nikon's SLRs in APS-C format and above in the mid-range format); 7. Body anti-shake (N and C SLRs do not have); 8. Time-intervaled continuous shooting function (this function is very weak in Nikon, and it is not available in any Canon model). In addition, there are the following aspects that are also stronger than Nikon and Canon entry-level machines:

1. The maximum shutter speed is higher; 2. High continuous shooting speed; 3. Multiple focus points; 4. Good low temperature performance; 5. The battery lasts for a long time.

Pentax K30's comprehensive performance is not only stronger than Canon and Nikon's current entry-level machines, but even better than Canon 60D and Nikon D90, the two best-selling mid-range machines, and K30's ** is indeed a real entry-level machine.

Cultural relics generally cannot be manipulated and photographed casually.

Full-frame machines are recommended.

5DIII + 100 micro + ring flash + softbox + tripod + polarizer.