Are the cultural relics of the Old Summer Palace still there, and what are the cultural relics of th

A small number are still in their place, and some have been looted by the Eight-Nation Coalition and bought back into museums, such as cattle. Bronze statues of horses, etc., there are also in foreign museums.

Some of it goes abroad, some of it is in the Louvre, some of it is still in our museums, and the rest is in the antiquities of some lovers.

Some are in and there are two auctions next year, and France will auction the rat head and rabbit head of the Old Summer Palace for 200 million.

Some are here, and some have been snatched by those coalition forces!!

1. Bronze statue of the monkey's head.

The Shen monkey of the Chinese zodiac, a national treasure-level cultural relic, was originally placed in front of the Haiyan Hall of the Old Summer Palace one of the 12 bronze statues of the zodiac. Due to the invasion of the Eight-Nation Alliance, it was purchased back by China Poly Group Corporation and is now in the collection of Beijing Poly Art Museum. It has extremely high historical value.

In 1860, after the "burning of the Old Summer Palace", it was plundered and lost overseas, and was later purchased by China Poly Group Corporation, and is now in the collection of Beijing Poly Art Museum.

2. Seal of the Old Summer Palace.

Xue Fucheng, a diplomat at the end of the Qing Dynasty, recorded in his "Diary of an Envoy to Britain, France, Italy and Belgium" that in the sixteenth year of Guangxu (1890 AD), he found in the Chinese exhibition room of the Oriental Museum in Paris that "there are two jade seals of the Old Summer Palace. One said:

Baohe Taihe', green jade square seal, slightly larger;One is called 'Old Summer Palace Seal', the white jade square seal, slightly smaller". In 1904 (the thirtieth year of Guangxu), Kang Youwei traveled to Paris, and saw the treasures of China's inner government and jade seals in the Strange Rules Museum, and thought that they were cultural relics of the Old Summer Palace.

3. Forty scenes.

The 40 views of the Old Summer Palace refer to the 40 garden scenery groups with unique patterns in the garden. A view is a "round garden" or garden complex.

In the first month of the first year of Qianlong (1736), Hongli passed the decree to the painter Leng Mei of the Ruyi Museum: according to the 36 scenes of the summer resort drawn by the Kangxi Dynasty, the draft of the "palace premises" of the Old Summer Palace was divided into scenes. Soon after, Tang Dai and Shen Yuan were ordered to paint.

Shen Yuan painted the house, and Tang Dai painted the earth, mountains, trees and stones. Later, Zhou Kun and others also participated in the drawing of this set of "Yuanmingyuan Album".

4. Female history proverbial map.

The Female History of Zhen is a silk painting created by Gu Kaizhi of the Eastern Jin Dynasty of China. The original work has been lost, there are copies of the Tang Dynasty, the original 12 paragraphs, because of the age, only 9 paragraphs remain, for the silk color book, now in the British Museum.

The work depicts the deeds of female fans, including the story of Feng Da in the Han Dynasty and letting Yuan Yuan defend himself against bears and protect Emperor Yuan of the Han Dynasty; There are stories of Ban Jieyu refusing to be with Emperor Cheng of the Han Dynasty, in case Emperor Cheng was greedy for women and mistook the government. The rest of the paragraphs are all about the moral sentiments that upper-class women should have, with a certain didactic nature.

5. Panorama of the Old Summer Palace.

Forty Views of the Old Summer Palace was drawn by Qing Dynasty court painters Shen Yuan and Tang Dai, and inscribed by Qianlong.

In 1860, when the British and French forces burned down the five gardens and three mountains in western Beijing, they plundered these forty paintings. It is now in the collection of the Bibliothèque Nationale de France, Paris, France. Since the British and French forces invaded Beijing in 1860 and burned the Old Summer Palace, not only the Chinese garden, which can be called the "treasure house of oriental culture and art", was burned, but a large number of treasures and cultural relics were also taken away by the British and French forces (including these 40 sets of 80 panoramas of the Old Summer Palace painted during the Qianlong period), and have refused to return to China.

Summary. Hello dear, it's an honor to answer your <>

According to your question [Where did the cultural relics of the Old Summer Palace go] made the following: In addition to the cultural relics in the Old Summer Palace destroyed in the war, most of them were looted abroad by the British and French forces, and now most of them are collected in the hands of foreigners. There are also some in China, mainly bought back at auction.

In addition to the architectural relics left in the Old Summer Palace, there are Summer Palace, Peking University and other places.

Where have all the cultural relics of the Old Summer Palace gone?

Hello dear, it's an honor to answer your <>

According to your question [Where did the cultural relics of the Old Summer Palace go] made the following: In addition to the cultural relics in the Old Summer Palace destroyed in the war, most of them were looted abroad by the British and French forces, and now most of them are collected in the hands of foreigners. There are also some in China, mainly bought back at auction.

In addition to the architectural relics left in the Old Summer Palace, there are Summer Palace, Peking University and other places.

Hello dear. The Old Summer Palace, a large royal garden of the Qing Dynasty in China, is located at No. 28, Tsinghua West Road, Haidian District, Beijing, covering an area of more than 350 hectares, of which the water surface area is about 140 hectares, consisting of the Old Summer Palace, Qichun Garden, and Changchun Garden, and the Old Summer Palace is the largest, so it is collectively referred to as the Old Summer Palace (also known as the Three Yuan Ming Palaces). The Old Summer Palace not only brings together a number of famous garden scenery in the south of the Yangtze River, but also transplants Western garden architecture, which is the culmination of ancient and modern Chinese and foreign gardening art at that time.

It was one of the treasures of human culture and one of the largest museums in the world at the time.