The way in which Leo Tolstoy is described in the text is to cite two example sentences

The author uses a lot of metaphors, comparisons and other rhetorical methods to portray the appearance, temperament and character of the characters. There are many of these sentences that are impressive, such as the metaphor of Tolstoy's appearance as a "tropical forest".

The forehead is likened to "a tree of wood chopped with a knife"; ** Likened to "the outer wall of the village made of branches", plus "nose to the sky" and "ears to the wind". The popular and approachable "face of the farmer in the field" is depicted delicately and vividly. At the same time, the author also uses exaggerated rhetorical devices, which, although exaggerated, are proportionate and not pretentious.

For example, the description of Tolstoy's gaze describes it as "like a bullet piercing through a camouflaged armor, like a steel knife cutting through glass." This enlarged, exaggerated depiction vividly expresses the sharpness and sharpness of Tolstoy's gaze.

In this article, the author uses a lot of metaphors, comparisons and other rhetorical methods to portray the appearance, temperament and personality of the characters. There are a lot of sentences in it that are impressive. For example, when portraying Tolstoy's appearance, the beard is likened to a "tropical forest":

The forehead is likened to "a tree of wood chopped with a knife"; ** Likened to "the exterior wall of the village made of branches", coupled with "nose facing the sky" and "ears to the wind", Tols's popular and approachable "face of the village man in the field" is depicted delicately and vividly. At the same time, the author also uses exaggerated rhetorical devices, which, although exaggerated, are proportionate and not pretentious. For example, the description of Tolstoy's gaze describes it as "like a bullet piercing through a camouflaged armor, like a steel knife cutting through glass."

This enlarged, exaggerated depiction vividly expresses the sharpness and sharpness of Tolstoy's gaze.

Proficient writing skills.

In this article, the author uses a lot of side descriptions in addition to the frontal description. For example, when describing Tolstoy's figure, he writes indirectly through the visitor's doubts and surprises? Tolstoy's "small and exquisite" not only imaged, but also gave 7 readers a new perspective on Tolstoy.

In addition, the author also compares Leo Tolstoy's mediocre and even crude appearance with his achievements, which highlights Leo Tolstoy's approachable, unframed character traits from the whole article.

Zweig not only uses words precisely and appropriately, but also has a perfect grasp of various writing techniques, and can show a striking linguistic charm between the lines.

Structural analysis of the article.

This article is a "portrait" of Leo Tolstoy, the author not only shows us Tolstoy's unique physical characteristics, but also reveals Tolstoy's profound spiritual world.

Summary. 1.It pierces camouflaged armor like a bullet, and it cuts through glass like a vajra knife. What rhetorical devices are used and savor the effect of expression.

Technique: The exaggerated description shows the sharpness and sharpness of Tolstoy's eyes very vividly.

2.Tolstoy had a hundred eyeballs in his eyes.

Technique: Use exaggerated techniques to show Tolstoy's ability to see everything.

Sentences and functions of rhetorical devices used in Leo Tolstoy's essay.

1.It pierced through the disguised armor like a bullet, and it cut through glass like a vajra knife. What rhetorical devices are used, and how to taste the effect of expression:

The exaggerated description shows the sharpness and sharpness of Tolstoy's eyes extremely vividly. Tolstoy accompanied the pair with a hundred eyeballs. Technique:

Using exaggerated techniques, Tolstoy's ability to see everything in a panoramic way. Grinding.

1.It pierces camouflaged armor like a bullet, and it cuts through glass like a vajra knife. What rhetorical devices are used, and how to taste the effect of expression:

The exaggerated description of the grinding shows the sharpness and sharpness of Tolstoy's eyes very vividly. 2.Tolstoy's eyelids had a hundred eyeballs.

Technique: Yun Ran sells stupid and exaggerated techniques to show Tolstoy's ability to see everything in full.

Thank you, remember to praise you.

The figurative sentences of Leo Tolstoy's text are as follows: 1. The long hair covers the cheeks, the lips, and the dark face that is wrinkled like tree bark, and flutters in the wind one by one, which is quite the demeanor of an elder. 2. The eyebrows about one finger wide are like entangled tree roots, upside down.

3. A lock of gray curls piled up on the forehead like foam. 4. No matter from which angle you look, you can see the lush beard like a tropical forest. 5. Like Michelangelo's Moses, Tolstoy left an unforgettable image of his fatherly beard like a surging white wave.

6. The beam above the small window - the forehead above the small eye looks like a firewood chopped with a knife. 7. The panels are dirty and lacklustre, as rough as the outer wall of a cottage made of branches, and in the middle of the square face, we see a wide lion's nose with two holes facing the sky, as if it has been knocked down by someone's fist. 8. Because of this, he soon let his beard grow all over his face, and hid his lips in a sable mask-like beard, and it was not until he was old that his beard turned white, and thus showed a certain kindness and respectability.

9. Suddenly, the guest held his breath in amazement, only to see that under the pair of thick bush-like eyebrows of the little man in front of him, a pair of gray eyes shot out a panther-like daylight, although everyone who has seen Tolstoy has talked about this sharp gaze, but no matter how good ** can not reflect it. This gaze was like a steel knife stabbing at it, steady and accurate, hitting the vital point. 10. It pierces the camouflage armor like a clump of pistol bullets, and it cuts through the glass like a vajra knife.

11. Although the corners of the mouth are closed and there is no change, the pair of eyes can be full of smiles, like magical starlight. Hello! We will be happy to answer your questions as soon as possible.

If you have any questions, please ask them when you don't have them. If satisfied! Leo Tolstoy's figurative commentary: The long hair covers the cheeks, the lips, and the dark face that is wrinkled like tree bark, fluttering in the wind one by one, with the demeanor of an elder.

Tolstoy's beard is described in a figurative rhetorical device, which evokes reverie. The hut was shoddy by a rural carpenter, not by an ancient Greek craftsman. The use of a shoddy hut as a metaphor for the contours of the face vividly depicts the roughness of Tolstoy's face.