Wang Anyi s detailed life journey introduction, Wang Anyi s profile?

Wang Anyi (female) (1954—) was originally from Tong'an County, Fujian Province, born in Nanjing, and is the second daughter of writer Ru Zhijuan.

In 1955, he moved to Shanghai with his mother. In 1961, he entered Huaihai Middle Road Primary School, and in 1967, he entered Xiangming Middle School for junior high school. In 1970, he went to Wuhe, Anhui Province to join the team.

In 1972, he was admitted to the Xuzhou Art Troupe in Jiangsu Province, played the cello in the band, and participated in some creative activities. He began publishing in 1976. In 1978, he was transferred to the Shanghai China Welfare Association for "Children's Age".

In 1980, he entered the Literature Workshop of the China Writers Association. She is eye-catching for publishing the short story ** "Rain, Rustling and Rustling" ("Beijing Literature and Art" 1980, 6 issue) and other Wenwen series**. In 1987, he was transferred to the creative studio of the Shanghai Writers Association to engage in professional creation.

Later, he served as a director of the Chinese Writers Association. Vice Chairman of Shanghai Writers Association. He is the author of short and medium-sized stories "Rain, Rustling", "Flow", "Xiao Baozhuang", "Epilogue", "Love in the Barren Mountain", "Dream of Prosperity on the Sea", "Sacred Altar", "Utopian Poems", etc., and the long "69th Junior High School Students", "The Old Taoist of the Yellow River", "Thirteen Chapters of Flowing Water", "Mini", "Documentary and Fiction", "Song of Long Hatred", etc.

Among them, "The End of the Train" won the 1981 National Outstanding Short Story Award, and "Passing Away" and "Xiao Baozhuang" won the 1981-1982 and 1985-1986 National Excellent Novella Awards respectively, and his works have a great influence at home and abroad. Most of his works before the mid-80s were based on the theme of educated youth, expressing their pursuit and yearning for life, and he was known for his psychological description. Since the mid-80s, he has focused on the exploration of human nature and human life, such as "three loves".

After the 90s, she began to pursue a new narrative style, represented by "Uncle's Story" and "Utopian Poems", etc., she used the raw materials of the real world to fictionalize, and used the spiritual power of ** to transform the increasingly banal object world, and create a spiritual tower that embodies the tradition of the intellectual community. Recently, the language has changed more significantly, from concise to crowded, such as "Song of Long Hatred", which depicts the city of Shanghai in a nuanced and complex way.

Rain, Rustling", "Flow", "Xiao Baozhuang", "Epilogue", "Love in the Barren Mountain", "Dream of Prosperity on the Sea", "Sacred Altar", "Utopian Poems", "69th Junior High School Students", "The Old Taoist of the Yellow River", "Thirteen Chapters of Flowing Water", "Mini", "Documentary and Fiction", "Song of Long Hatred", etc.

In fact, his father and mother were Japanese spies, who were killed in 19 or 50 and sentenced to death for life.

"Black Black and White White", "Passing Away", "Love Stories in the Hair Salon", etc....