About Stephen Chow s Kung Fu Filming Program 15

Cinematic stunts refer to the special techniques employed in the production of films. It usually consists of two parts: stunt photography and stunt art. In the process of film production, it is common to encounter some scenes and scenes that are difficult, costly or dangerous, and difficult to shoot in real life.

Since conventional filming techniques are difficult to complete, this must be done with special effects. Modern cinematic stunts create entirely new shots and tense, thrilling atmospheres that can dazzle and captivate the viewer for an immersive on-screen effect. Stunt photography is a technique commonly used in film stunts.

In addition to fast photography, slow photography, reverse shooting, etc., there is also a pause and reshooting, and the effect of objects suddenly disappearing or appearing on the screen is created. Multiple positions of the picture** or multiple times in the neighborhood**. Multiple times of the same picture can produce the effect of one picture being overprinted on another screen, and is often used for dreams, memories, imaginations, etc.

Stunt model refers to the stunt method of replacing the real thing with a model. Models are generally smaller than the actual model. Strict attention should be paid to the proportions, dimensions and surface texture of the model.

The painting synthesis method, also known as "painting scene", is a common technique for film stunts. It uses the principle of perspective to connect the painting and the real scene to form a complete composite picture. Electronic blue screen shooting is an electronically controlled method of stunt shooting.

It consists of a camera car in the foreground and a camera in the background to form a servo control system. With the accelerated development of electronic technology, electronic analog photography and digital special effects use computers to calculate and program. Advanced electronic effects for correction and recording have been widely used in film and television films.

This will certainly open up a new situation of combining electronic and traditional stunts.

Stephen Chow's kung fu is not ** on the set.

"Kung Fu" began filming in July 2003 and was completed in October 2003, and was released on December 23, 2004.

"Kung Fu" tells the story of Guangdong, China in the 40s of the 20th century, there is an incorrigible gangster Ah Xing, who can speak well and play tricks, but his will is not strong and he can achieve nothing. He is hell-bent on joining the ruthless and notorious Axe Gang, and dreams of becoming a Clankler in the Underworld.

At this time, the Axe Gang was pouring all their strength into fighting with the landlady and the cowardly husband and second uncle who contrasted with it, leading a group of hidden martial arts masters.

I always felt that the kung fu was average. My favorite works of Stephen Chow are Jiupin Sesame Official, Tang Bohu Ordering Autumn Fragrance and God of Food Talking about Chi Peng. Personally, I think these three stories are the most fluent, grown-up, adventurous, and have some cute villains.

Kung Fu always feels that it is in a very gray tone, and the funny component is also very embarrassing, starting with Shaolin football, the design of the language in the movie has been cut a lot. This part should be something he is not good at.

In the previous movies, the fun brought to us by those language passages, with the nonsensical feeling and the dubbing of grouper, are the most classic in our hearts. But from Shaolin football to kung fu, he has always proved himself. After the past, it seems that using the routine of traffic stars is obviously making money.

Nonsensical movies are to bake some vulgar, embarrassing, and-pee-fart plots in some movies with Stephen Chow's own acting skills.

It doesn't look so abrupt, except for Stephen Chow, no one can perform this feeling. Since the day Stephen Chow retired as an actor, nonsensical movies have disappeared from the world. Or nonsensical movies never really appeared.

When Stephen Chow acted in Hong Kong films before, there would be some particularly vulgar and even erotic jokes in them. Li Cha's aunt, everyone knows it, right? At that time, the jokes in it were a little smaller and fresher than Li Cha's aunt!

Stephen Chow's personality is inferior, sensitive, and melancholy, and he doesn't like comedy at all. I don't think Stephen Chow doesn't dislike nonsense, but as he gets older, his thinking about movies and comedy causes him to move away from nonsense and get farther and farther away. He is not a real child, but he always hopes that Han Ze himself is a child, and this is the contradiction.

His heart longs most for that kind of real simple joy, but he doesn't have it, so he keeps looking for it.