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The factors of the times should be regarded as fake words.
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They all learned from Lu Xun and used fake words.
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Originally, it was "thrown" Where did you look?
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Did you buy pirated books?
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This poem is Wen Yiduo's masterpiece, written in the spring of 1926. The poems prominently show the poet's thoughts and understanding of reality at that time. It is not only a description of the poet's image of old China, but also a true portrayal of the poet's attitude towards the dark reality at that time.
The author uses a symbolic technique to lash out at the dark state of China under the rule of the warlords. The poet captures the figurative and symbolic meaning of "stagnant water", providing the reader with an ugly picture of stagnant water, which makes the reader emotionally resonate with the poet. When the author wrote this poem, it was at a time when the "May 18" movement had passed, the "March 18" movement was silent, and the whole country was shrouded in a dull dead air.
This makes a deep emotional impression on people, and makes people feel that no one can change the reality of a dark society. Next, Wen Yiduo gave a very detailed description of the stagnant water. However, the use of words such as "jade", "peach blossom", "Luo Qi", "Yunxia", "green wine", "pearl" and so on to describe this desperate backwater is not beautiful.
In fact, this kind of scene, which is depicted in beautiful words, makes people feel unusually ugly. This way of writing deepens the reader's understanding, and at the same time clearly expresses the poet's indignation and mockery. Stagnant water, which represents silence; And silence is always associated with despair.
The poet describes this death-like silence with a rather clever technique: "The laughter of the little beads turns into big beads, and they are bitten by the flower mosquitoes who steal the wine", which is a silent description. And in addition to the sound that cannot be heard in this world, there are still voices:
If the frog can't bear the loneliness, it is considered a stagnant water and cries out. This monotonous sound of frogs adds to the silence of the backwater. At the end of the poem, the psalmist writes:
This is a desperate backwater, this is not the place of beauty, it is better to let the ugly to reclaim it, and see what kind of world he creates. "What the poet reveals here is his hatred for the old China, and he hopes for a bright and beautiful China to be born, but he can't find a way out in real life. The contradiction between ideals and reality caused the poet to be depressed and angry.
From here we can see a feeling of deeper love and more hatred. This is just as Zhu Ziqing said: "This is not a praise of the 'flower of evil', but simply let the 'ugly' be 'full of evil' earlier, and there is hope in 'despair'."
Throughout the poem, we can feel a strong feeling contained in it, which is the poet's patriotism. This kind of fire-like feeling is not something that can be experienced literally, but is hidden deep in the feelings expressed in the poem. This poem is also quite successful in the use of technique, and it is a new poem with national characteristics and rhythm.
The poet's use of symbolism, analogy, contrast, description and other techniques adds to the charm of the poem.
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Wen Yiduo's "Dead Water", "Dead Water" is a metaphor for the dark and corrupt old China under the rule of warlords.
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It is a poem, and at the same time the name of a collection of poems.
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The original text of Wen Yiduo's masterpiece "Dead Water":
It's a desperate stagnant water, and the breeze can't blow the slightest ripple.
It's better to throw more broken copper and iron, and splash your leftovers.
Maybe the copper ones should be green into jade, and the iron cans will rust out a few peach blossoms;
Let the greasy weave a layer of Luo Qi, and the mold will steam out some clouds for him.
Let the stagnant water ferment into a ditch of green wine, bleached with pearl-like white foam;
The laughter of the small beads turned into big beads, and they were bitten by the flower mosquitoes who stole the wine.
Then a ditch of desperate backwater can be boasted a little vividly.
If the frog can't bear the loneliness, it is considered a stagnant water and cries out.
This is a desperate backwater, this is not the place of beauty, it is better to let the ugliness reclaim it, and see what kind of world it creates.
Period: Modern and contemporary.
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The first half of this article introduces Mr. Wen's writing of three books, "Miscellaneous Treatises on Tang Poetry", "Chu Ci Proofreading" and "Classical New Meaning", which depicts Mr. Wen Yiduo's dedication to academics in the early stage, fearless of hardships, forgetting to sleep and eating, and decades of professionalism, and focusing on the spirit of Mr. Wen Yiduo's "doing and saying again, doing not saying", reflecting Mr. Wen's "scholarly aspect"; In the second half of the article, Mr. Wen Yiduo "said" and "did", and his words and deeds were completely consistent, and the author chose three things as examples: drafting political leaflets, making speeches at mass meetings, and participating in demonstrations, showing Mr. Wen's "revolutionary aspect". The two parts complement each other, so that Mr. Wen Yiduo's rigorous and assiduous academic attitude, selfless and fearless fighting spirit, surging and persistent patriotic enthusiasm, and noble personality consistent with words and deeds are vividly put on paper. Mr. Wen Yiduo devoted himself to academics in the early stage, was not afraid of hardships, forgot to sleep and eat, and worked hard to show the spirit of Mr. Wen Yiduo's "do it and say it, do it without saying it", and reflected Mr. Wen's "scholarly aspect"; In the second half, Mr. Wen Yiduo "said" and "did".
Maupassant: The king of short stories.