If there are quarter notes, eighth notes, half notes in the score, what fraction should my metronome

There's no need to put a score. Let's start with music theory.

The two, four, and eight points all refer to the division of four beats, 1. A circle (hollow) is a whole note, that is, 4 beats. (Similar to this, I didn't find ** either).

2. A loop (hollow) plus a small tail (that's it?) However, it should be noted that the small circle below is hollow), which is a half note, that is, 2 beats, (it can also be understood as dividing the fourth beat into two parts, that is, two notes).

3. Then a solid loop with a small tail (that's it?) ), which is a quarter note, that is, 1 beat, (same as above).

4. Next, a solid circle, add a small tail, and a small crutch on the small tail. (Such?) , which can also be written like this? ), which is an eighth note, which is 2 1 beat. (Same as above).

5. If you add a small turn to the note described in 4, it is a sixteenth note? , that is, 4 1 beats.

6. In the same way, there are thirty-two notes, which is 8 1 beat. (And then, I can't find ..........)It's hard to find).

7, if there is sixty-four, then I don't know if there is one, at least I haven't seen it, but it stands to reason that it is 16 1 beats.

Piano technology is not so high-end...

Then talk about metronomes, metronomes don't have a fraction of a fraction.

The metronome clicks, and the sound is one beat, and the second note is two beats, that is, the time value of the half note is the time when the metronome vibrates once completely, that is, the time when the needle goes from right to left and back to right, simply saying that the metronome starts with a click, clicks and then clicks.

The quarter note is a beat, and the value is the half-full vibration of the metronome, which is the time that the pointer travels from right to left, or left to right, or from the beginning of the first click to the end of the second click.

The eighth note is 2 1 beats, which is the time it takes for the metronome hand to vibrate to the metronome's ** from the start of a click.

If you don't feel like it's good to calculate, you can multiply the speed by two.

If you're playing a tune at 60bpm, then you're going to 120bpm. Every time it clicks, it's the same half-beat .........

Use whatever you think is easy to use

I'll give you another insert**, I hope you can understand it, it's really hard to find ...... of the notes of the Eight Classics

If you have a few beats in a bar, you can multiply it by two.

You put the spectrum up and take a look.

There are several tails of the staff that draw a horizontal line under the notes, the quarter notes are the numbers, and the more than the quarter notes add a "-" such as 4-, 4--, etc., and the dots are copied.

The picture below is a quarter note beat.

For example, 3, a dotted eighth note is represented by a 3 (3 is underlined), which is 3 4 beats. The dotted quarter note is represented by 3, which is 1 and a half beats.

Dotted eighth notes:1 beat.

Dotted quarter notes:1 3 4 beats.

Not quite. Didn't see the bar line at the back.

If it's a beat, there should be an Arabic numeral on top of the three notes.

3, which means that it is a triplet.

At this point, it should be a shot.

Otherwise, it's a shot and a half.

Since you said that it is a quarter note, it is a quarter note as a beat, and two eighth notes are the time value of a quarter note, which is a beat. Three eighth notes is one and a half beats.

It should be a triplet, and the total time value of the three notes is one beat, and the time value is evenly divided. In measure 141 of the second line, there are also six notes, where the total time of the six notes is one beat.

It's called a triplet! That is, one beat contains three notes.

The number of beats depends on the time signature. For example, 4 4, the quarter note is one beat, the eighth note is half a beat, and the half note is two beats, but if it is 3 8, the eighth note is one beat, and the quarter note is two beats.

You just need to remember the relative relationship between the time values of these notes, and the specific time count still depends on the time signature.

A whole note is a hollow, white note that has no stem or ending.

A half note consisting of a stem and a hollow head is called a "half note", and its time value is 1 2 of the whole note.

A quarter note is a note time value. In staff notation, a quarter note is a solid elliptical head plus a stem without a tail, and the quarter note is a quarter of the whole note in length.

An eighth note is a note time value. If you divide the whole note into eighths, you can get an eighth note, the more you divide it, the shorter the value, the time value of the eighth note is 1 8 of the whole note, and since the whole note is four beats, the eighth note is half a beat. In staff notation, an eighth note is represented as a solid elliptical head plus a stem with a flag-like ending.

Sixteenth notes are notes with two tails on a blackface. It is half as small as an eighth note (it is equal to the whole note 1 16) and can be divided into equal quarters, each of which is a sixteenth note, and is twice as fast as an eighth note, with two sixteenth notes on a full beat and the other two on the starting beat. Sixteenth notes beat like this:

1、e、&、a。

Take 4 4 beats, for example, an arbitrary note that doesn't have any other notation in itself, and we call it a quarter note. An eighth note is to add a ** below it. Because it is 4 4 beats, the length of the eighth note is only half a beat.

Then the dotted eighth note, hence the name, is that it has a dot in front of it. There is also a note in front of the dot. This dot is not meaningless, it represents the delay of the preceding note.

How long is the delay? It's also half a beat. The previous note was a beat.

In total, a dotted note is also a beat.

This dotted note refers to a note that has a ** below it plus a preceding point. Add the first note, a total of two beats. But remember, that point is the delay of the previous note.

Doing the math this way, you will understand that it makes sense that there are as many beats per bar.

Dotted notes: The dots attached to the right of the note are called dotted notes, which indicate half the value of the original note when extended. The premise is that a quarter note is a beat, and a dotted half note is to draw a short horizontal line on the right side of the note, and then dot a dot on its right, which means that the quarter note is a beat and a total of three beats are sung; The dotted quarter note is x, which means that the quarter note is sung in one and a half beats;

The dotted sixteenth note is to draw two short horizontal lines below the quarter note, and then dot a dot on its right, which means that the quarter note is sung in one beat for a total of 3 8 beats, and so on to know the dotted thirty-second note, when the eighth note is a beat, the above mentioned beats are all doubled.

How to play dotted notes well:

First of all, we want to divide the beat of the first measure into four beats, that is, divide a quarter note by four, and it becomes four sixteenth notes, with our first so corresponding to the first beat and the second sharp fa corresponding to the fourth beat.

If you want to play right, you must first sing right, the recommended speed of this track is 100 quarter notes, if you count 1,2,3,4 in the mouth with a beat of the metronome at this speed, it will definitely feel too fast, so we will reduce the speed to 80 first, and then count 1,2,3,4,1 must correspond to the metronome beat point, the difficulty is whether the 2,3,4 beats are average, whether to grab the beat, this needs to be judged by your own hearing.

The second step is to start counting the beats while playing, playing so when counting one, and playing fa when counting four. After the first two steps are done, we need to find a teacher or a classmate who has mastered the dotted sound to listen to whether your rhythm is correct, supervise you, and if the FA is too fast, remind you to "slow down, the FA is fast" and so on.

By constantly adjusting the timing of the rise of fa again and again, our dotted notes will become more and more accurate (the reason why I didn't mention so is because so corresponds to the beat, and the rhythm will not be wrong, but the mistake is that the rise of fa comes out too early or too late).

The dotted quarter note is a hundred and a half beats. A quarter note is a beat, and the dots represent half of the original note, which is half a beat in the case of a quarter note, and a beat plus half a beat is a beat and a half.

In a beat with quarter notes, four beats are sung for whole notes, two beats for quarter notes, one beat for quarter notes, 1 2 beats for eighth notes, and 1 4 beats for sixteenth notes.

A dotted note represents the original duration of a note that needs to be played by half a degree. For example, a dotted quarter note in 2 4 beats indicates that the actual duration of the note should be one beat plus half a beat, and a dotted quarter note in 4 4 beats indicates that the actual duration should be two beats plus one beat, i.e. three beats.

A floating-point 4th note is a solid black dot directly after the notation number.

A floating-point 8th note is a notation with a horizontal line under the number and a solid black dot after the number.

Adding a float is equivalent to extending the original sound by one-half.

If a 4th note is a beat, then a floating-point quarter note is a beat and a half. A floating-point eighth note is three-quarter beats.

As for the materials, any music theory book has these contents.

One beat – 4th note.

Second beat – 2nd note.

Quarter Beat – Whole note, that is, a quarter note (one note sings four beats).

Sing two notes in one beat – 8th notes.

Sing four notes in one beat – 16th notes.

Sing eight notes – 32nd notes.

The relatively simple algorithm is to reduce the whole note by double, and then by doubling the quarter note, it is the quarter note.

Syncopation is a rebeat shift by lengthening and shortening the original rebeat to a tapping Tapping to a rebeat Syncopation refers to a rebeat after a rebeat shift. It is to change the law of the beat of strength and weakness.

Answer: The whole note is 4 times longer than the quarter note, which is 4 beats out of 4 4 beats. Similarly, the "some" notes in the score are one-half of the length of the whole note, the half of the note is one-half of the length of the note, the eighth note is one-eighth of the length of the note, and so on.

At the time of 4-4 beats.

Whole note 4 beats.

Half note 2 beats.

Quarter note 1 beat.

Eighth note beats.

Sixteenth note beat.

If it's 4 or 4 beats, it's two beats, one beat, half beat, and quarter beat.

The whole note is 4 beats, the half note is 2 beats, the quarter note is 1 beat, the 8th note is 2 beats, and the 16th note is 1/8 beat.

One whole note equals two quarter notes, one half note equals two quarter notes, and so on.

The notes in a song with different beats also represent different time values.

For example, 4 4 beats. The whole note is equal to 4 beats. Half notes are equal to 2 beats. A quarter note is equal to a beat ......

When a quarter note is used in one beat, the dotted quarter note should be sung in half a beat.

The use of dots, in fact, is solved in one sentence, it always accounts for half of the time value of the note that you follow.

Example: 1. Whole note + dot = 4 beats + 2 beats.

2. Half note + dot = 2 beats + 1 beat.

3. Quarter note + dot = 1 beat + beat.

A musical note is a progression symbol used to record notes of different lengths. Whole notes, half notes, quarter notes, eighth notes, and sixteenth notes are the most common notes. It is the most important element in the staff.

Different notes represent different time values. Usually, the commonly used notes are whole notes, half notes, quarter notes, eighth notes, and sixteenth notes.

The time values represented by the half, quarter, eighth, and sixteenth notes are 8, 1, and 1 16, respectively, of the whole note.

If a note is followed by a dot, the note will be 1 2 longer than the undotted value.

A double attachment point, also known as a double attachment point, is half of the value of the first attachment point.

So, the dotted quarter note = quarter note + eighth note + sixteenth note.

If a quarter note is a beat, then this note is one and three quarters beats.

Answering the double attachment point, also known as the double attachment point, the second attachment point is half of the value of the first attachment point. So, the dotted quarter note = quarter note + eighth note + sixteenth note. If a quarter note is a beat, then this note is one and three quarters beats.

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One whole note equals two quarter notes, one quarter note equals two quarter notes, one quarter note equals two eighth notes, and one eighth note equals two sixteenth notes.

So, if the metronome is 60, the hour value of a quarter note is 1 second, the hour value of an eighth note is a second, and the hour value of a sixteenth note is a second.

So, if the metronome is 60, a quarter note is worth 1 second, and an eighth note is a second.