How to judge the appreciation potential of a painter, the collection of calligraphy and paintings, a

Guo Yidong's works are one of the pure land of the Tianshan Mountains.

First of all, it is necessary to judge the academic status of the artist, if the artist has enough academic influence, then the future market will leave enough room for appreciation. For example, when Huang Binhong was alive, the market value was not recognized, and nearly half a century after his death, the market value of his works was recognized, so the appreciation space of the artist, in addition to the insurmountable academic status, is also related to the social environment, economic development and market atmosphere at that time.

Recommended: Wuxi local artist Guo Yidong. Guo Yidong's landscape paintings, rich in poetic painting, fine and elegant, build a dust-free Tianshan Pure Land world, look at his paintings, let people's souls get refuge, thoughts are sublimated, is a local artist in Wuxi with great appreciation potential.

Guo Yidong was born in 1947 in Zhangjiagang, Jiangsu. As a young man, he studied under Mr. Qin Guliu, a famous painter in the south of the Yangtze River. He graduated from the Fine Arts Department of Wuxi Institute of Education and studied in the studio of Wang Wenfang of Beijing Fine Art Academy.

He is now a professional painter, director and associate researcher of Wuxi Art Museum. Mainly engaged in landscapes, good at both work and writing. His works have participated in dozens of domestic art exhibitions at all levels, and have been published, published or collected by relevant cultural and museum departments, and have been compiled into a variety of large-scale albums.

Moganshan Village" and many other works have been selected for various cultural exchange exhibitions such as "Chinese Youth Chinese Painting Exhibition", "Japan-China Art Exchange Exhibition", "Chinese Gongbi Heavy Color Boutique Exhibition" and other cultural exchange exhibitions in France, the United States, Japan, Singapore, Malaysia, Thailand, Hong Kong, Macao and Taiwan. Zhou Zhou.

The artistic concept, the innovation and creativity of the art form, form a symbol of unique beauty. This is determined by the laws of artistic aesthetics. Only the works of symbolic artists with unique beauty, such as the artworks of the real school masters, have room for appreciation.

The symbol of unique beauty is the hallmark of the artist. It is the highest form of artistic (product) value.

1.Academically: have a unique artistic concept and creative artistic ideas. It is better to have an artistic work.

2.A work of art: an artist's artwork that has only a symbol of unique beauty.

That is, a work of art with distinctive personality characteristics, unique artistic style, and unique art form. Only the artworks of the famous painters of the painting school have artistic value, historical and cultural value, economic value and collection value.

3.Internationally: Only the art of the real school of painting is collectible. No matter how much ordinary art line painting garbage painting is, it is useless.

Painting school: refers to the form of painting that forms a "symbol of unique beauty" by a unique artistic concept of painting.

Summary. The income of the two professions of painter and calligrapher is not only related to the nature of the work, but also related to various factors such as personal skills, market demand, and sales channels. Generally speaking, if two professions are top talent under the same conditions, such as skills, experience, and popularity, there may not be much difference in income.

But for most people, calligraphy tends to be more widely appreciated, and at the same time, the process of calligraphy works is more contemplative, but the mental consumption is more, and the current demand for calligraphy market may also be more vigorous, so in the actual sales market, calligraphers tend to have a relatively more advantage, and their income level may be correspondingly higher.

I'm still a little confused, can you be more detailed?

The income of the two professions of painter and calligrapher is not only related to the nature of the work, but also related to personal skills, market demand, sales channels and other factors. Generally speaking, if two professions are top talent under the same conditions, such as skills, experience, and popularity, there may not be much difference in income. But for most people, calligraphy tends to be more widely appreciated, and at the same time, the process of calligraphy works is more contemplative, but the cost of Jingyan is more, and the current demand for calligraphy market may also be more vigorous, so in the actual sales market, calligraphers tend to have a relatively more advantage, and their income level may be correspondingly higher.

Mr. Liu Baochun, a famous master of Chinese painting.

He is currently a member and researcher of the China National Academy of Painting, the honorary chairman of the Shandong Federation of Literary and Art Circles, the honorary chairman of the Shandong Artists Association, the honorary president of the Shandong Academy of Fine Arts, a first-class artist, a visiting professor at the University of Houston, and a visiting professor at the Pasadena Art Research Center. He has successively served as a member of the Academy of Chinese Painting, a director of the China Artists Association, a member of the Standing Committee of the Shandong Provincial Committee of the Chinese People's Political Consultative Conference, the president of the Shandong Academy of Painting, and the vice chairman of the Shandong Federation of Literary and Art Circles.

Shandong Province has made outstanding contributions to cultural and artistic work since the founding of the People's Republic of China, and is specially awarded a general order. Awarded the provincial professional and technical top-notch talents twice. Enjoy ***** special allowances.

He won the Lifetime Achievement Award of the first Taishan Art Award (Fine Arts) in Shandong Province and the first Taishan Literature and Art Award - Outstanding Contribution Award in Art issued by the Shandong Provincial Party Committee and Provincial Government.

Since the 50s of the 20th century, Liu Baochun has made great efforts and achieved remarkable results in expressing the true landscape on the basis of learning from his predecessors, taking nature as his teacher, and sketching the three mountains and five mountains, the Yangtze River and the Yellow River. He has always adhered to the concept that the purpose of inheriting the tradition is to seek its development and the purpose of going deep into life is to seek its sublimation, and actively reflects the relationship between the times and life through his works, and is an important representative of the continuous development of China's new landscape painting school since the 50s of the 20th century. He has created more than 100 Chinese paintings for the Great Hall of the People, Zhongnanhai, Tiananmen Square and the Memorial Hall, Chinese embassies abroad, etc., and the work "Mountains and Rivers" was presented to Sumitomo Group by Comrade *** when he visited Japan in 1978.

The work "The Garden Mouth of the Yellow River" participated in the Centennial Chinese Painting Exhibition and was selected into the "Centennial Chinese Painting Collection". The People's Fine Arts Publishing House published "Collection of Chinese Modern and Modern Masters - Liu Baochun" and "Selected Chinese Modern and Modern Masters - Liu Baochun". Shandong Fine Arts Publishing House published three collaborative sketch albums of "Yellow River", "Haihe River" and "Huai River", "Liu Baochun's Sketch Collection of Visits to Japan" and "Liu Baochun's Taiwan Sketch Collection".

Tianjin Yang Liuqing Publishing House published the collection of "Contemporary Artists Painting Library - Liu Baochun". The Cultural Affairs Bureau of Macao publishes the Collected Paintings of Liu Baochun. Edited by the Chinese Artists Association, "Centennial Chinese Painting Exhibition Famous Masterpiece Series - Liu Baochun"**.

Chung Hwa Book Company published "Liu Baochun's Poetry Collection". People's **, ** TV, Japan's NHK TV, the United States, Taiwan, Macao and many other ** special reports on Liu Baochun's artistic achievements. He has held many exhibitions at the National Art Museum of China, the United States, Japan, New Zealand, Singapore, South Korea, Macao, Hong Kong and Taiwan.

The City of Houston awarded honorary citizens and goodwill ambassador certificates, the Texas State Assembly presented the state flag, and the city of Dickens designated January 27, 1994 as "Liu Baochun Day" and presented certificates and "city keys".

There are many of his representative works, such as "Red Valley", "Penglai Immortal Pavilion", "Ode to the Yellow River", "Taishan Pine Spring", "Moon is the Hometown Ming", "Pine Wind Spring Rhyme", "February Sunshine by the Flower River", "Dongfang Hong" and so on.

The works of Mr. Liu Baochun, a master of Chinese painting, are 300,000 yuan per square foot. He has made outstanding contributions to the development of Chinese landscape painting, and is an important figure in the history of Chinese art.

Powerful faction, I haven't hyped it yet, and now it's gone up a lot!

Shanghai painter Zhou Zhengmin, the word stone man, the number of old wood. He has been engaged in the creation and research of Chinese painting for a long time, absorbing the form and composition of modern expressionism on the basis of traditional Chinese painting, so that his Chinese painting has a new artistic appearance and style. He studied under Fang Zengxian and Liu Danzhai, the executive director of the Shanghai Pudong New Area Artists Association, and a national first-class artist.

In 1972, Zhou Zhengmin was selected for the Shanghai Art Exhibition with his Chinese painting "Test Needle" depicting the "barefoot doctor", and the following year he joined the Chinese painting creation group of the Shanghai Art Creation Office, and before the age of 30, he made a small success in the Shanghai art world, and became as famous as Zhang Guiming. His works have been collected by the National Art Museum of China in Australia, the Shanghai Artists Association, the Memorial Hall and other domestic and foreign institutions and people. Dozens of works have been shortlisted for domestic and foreign art exhibitions and large-scale albums.

Last year's solo exhibition at the Zhangjiang Museum of Contemporary Art was covered by a lot of **, and recently, his work was selected for the Milan Expo. This person is very low-key, but recently the **** has begun to increase, and he is a collector-level potential painter in the modern art world. There are not many works on the market, most of them are collected by senior collectors, although the current ** is a little higher than ordinary painters, but the overall cost performance is still good, if you want to collect you can consider, maybe when** will suddenly rise very high.

You can pay attention to the works of the painter Ban Youhong, although it is currently monopolized by the brokerage investment company, in addition to the auction promotion, the auction transaction is relatively high and has exceeded more than 2000000, and the other works do not seem to be ** for the time being, we have collected 7 artists' collections, one of which is his 3 pieces, at present, his value-added is the fastest, if you want to **, someone will buy it at any time, which shows that he should have a lot of space**. But more than 10 years ago in the major galleries ** is not very expensive, the cheapest is only a few thousand yuan, it is worth digging out, but it needs to be found out, in fact, as long as you find a brokerage company that has not risen sharply, there is basically room for appreciation, for reference only.

What are the calligraphers and painters who have great appreciation potential for painting and calligraphy collection?

A painting and calligraphy will be different in different places, editions, different times, and different auctions. For example, some of the calligraphy and painting of the same person are worth 10 yuan or 20 yuan a square foot, some are worth 50 yuan or 100 yuan a square foot, some are worth 1,000 yuan square foot, some are 2,000 yuan square foot, and some may be 3,000 square feet. Even 10,000, tens of thousands of square feet... And changing to another auctioneer or intermediary is another situation... So it's hard to judge, and it's not an absolute one. Any personal evaluation is only a one-sided, personal opinion.

Distinctive, celebrity, and particularly favorite buyers want to make ** higher. But if it's just because someone has a position now, or it's pure hype, the calligraphy and painting are high; Then when he retreats, or no one hypes it up, ** will soon come down, and it will not even be worth much. The same is true for any other work of art.

As long as it is good, it is collectible.

As the name suggests, a potential painter is a painter with potential, and potential is the potential ability and strength; There is no inner strength or ability to exert oneself.

That is, the ability that human beings originally possessed but forgot to use: to unleash their potential and tap their potential. A potential painter is a painter who still has a lot of room for development.

Tong Yongjie, Du Haiyan, Song Xiaoxiao, Chanmeng, Chen Bao Na Lu Zhen, Jin Yongzhe, etc.

They are all very potential painters, and their works are treasured by Bo Baobao as a treasure collection.

If you're investing in art, you might as well bet on young potential painters.

There are two main types of art collections: personal collections and investments. Answering this as an investment in art depends on the collector's investment vision and understanding of the Chinese painting market.

Generally speaking, the water of artwork is deeper, whether it is calligraphy, painting, device, ......There is a way to do it, which means that it is not a matter of liberty for a layman to invest in art.

For example, the paintings of Zhang Daqian and Qi Baishi are very suitable for both investment and personal collections. But the works of such national treasure artists must not be affordable by ordinary collectors, a few years ago, a painting of Zhang Daqian could be sold for more than 100 million, and even if it is a local tyrant with a fortune of 100 billion, it may not be collected.

In recent years, the momentum of investing in modern non-famous painters has risen, and it depends on the eyes of investors. There are two main points for a painter to become famous: strength and luck.

Strength is the premise, indispensable, no matter how much the painter without strength hype, it is just a flash in the pan, even if it is fried, no real kung fu expert will buy it.

Luck is also crucial for artists, there are not a few artists who have a good hand in painting but are depressed, not to mention how many painters are unknown during their lifetimes, and their works are only popular after their deaths. Therefore, for collectors, it is not a bad idea to collect the works of some painters who are not well-known and have good strength.

If you are purely collecting, you still see people's wisdom and personal preferences, after all, artworks also pay attention to a fateful word. Investment collection is another matter, before the sale of the painter to have a detailed understanding of the need to understand, such as whether the art association member, whether there is a calligraphy association title, etc., but these titles can not absolutely explain the question of the shengliang, after all, such members and so on, the key is to see the quality of the painting. In addition, where the teacher is is also an important reference, after all, only a famous teacher can produce a high apprentice, not to mention that the teacher's reputation has a certain effect on the students.