Why didn t ancient Chinese poetry like alliteration?

Many of the continuous words in Chinese are also alliteration, such as 蒹葭萑苇 Tang Di loquat spider 蚣蝑蠑 蠛頓.

Grubs, Zhan Zhu, grubs, grubs.

Cricket. Ewey shines and shines.

Mandarin ducks, wandering, swinging, glazed, reeling, tosy, dysentery, minions, generosity, haste, command, melancholy, vague, hesitant, hesitant, enthusiastic, uneven, as if surging, exquisite, clever, lingering, tossing, hesitating, prostrating, prostrating, sloppy, bright, trance, hesitation, trembling, embarrassment, ragged.

Alliterate is almost absent in Chinese poetryYes, which can be in the Book of Songs.

Looking for it, there is not much hope, but in the Zhuang people, the way their poetry rhymes is another situation. In Zhuang literature, whether it is a poem written with the "vulgar" character of the square Zhuang script, or an oral poem circulated among the people, or a poem created with Latinized Pinyin Zhuang script, it has the most basic and significant feature of rhyming with the waist, and its rhyme is on the "membrane". This is very peculiar in the sea of Chinese poetry.

Quasi-rhyming means that the end of each line of poetry needs to rhyme, and the rhyliteration is like the kind that rhymes at the beginning, but does not necessarily rhyme at the endIt is close to the no-makeup rhyme foot poetry class.

Finals refer to Chinese Chinese phonological terms, the parts of Chinese characters other than initials and character tones. It was formerly known as rhyme. The finals are composed of the rhyme head (mesophone) and the rhyme belly (The main vowel), rhyme and tail; According to the structure of finals, it can be divided into single finals.

Compound rhyme, nasal rhyme.

The part of the Chinese character that is other than the initials and the intonation of the character. It was formerly known as rhyme. The finals can be divided into three parts: the beginning of the rhyme (mesophon), the rhyme belly (the main vowel), and the rhyme ending.

For example, the finals of "Niang" niáng are iang, where i is the rhyme head, a is the rhyme belly, and ng is the rhyme ending. Each vowel must have a rhyme, and the beginning and end of the rhyme are dispensable. For example, the finals of "big" dà are a, a is the rhyme, and there is no rhyme beginning and rhyme ending; The finals of "melon" guā are ua, where u is the rhyme head, a is the rhyme belly, and there is no rhyme ending; The vowel of "knife" dāo is ao, where a is the rhyme belly, o is the rhyme end, and there is no rhyme.

There are a total of 39 finals in Mandarin.

Because alliterate doesn't mean much, and rhyming is meant to make us read catchy.

Alliterate is more tongue-twisting, and it doesn't feel catchy, but it's easy to make mistakes.

Because such poems are not easy to read, and it is easy to read them wrong.

In this way, it is very easy to mispronounce it, and it is more difficult to hear if it is mispronounced.

It's a bit of a struggle to read that way, and it's not very nice.

In that case, it would be a bit tongue-twisting to read, and it should be called "stuttering poetry".

The poet will not deliberately put the image of a white head at the end of the sentence.

If that's the case, it's a bit of a rap, like rap.

Ancient poets. The implementation of the work is in. It looks like it's all done. Good. That's why I said. So the process has been passed down to this day.

Rhyme, also copied as pressure rhyme, refers to the creation of rhyme, in the last word of some sentences, du uses words with the same rhyme or similar to dao, so that when reciting or singing, there is a sonorous sense of harmony. These places where the same vowel is used are called rhyme feet.

In poetry and songs, the last word of some sentences uses words with the same or similar finals to make the tone harmonious and beautiful.

The so-called rhyme (also called pressure rhyme, leaf rhyme) is to put the words of the same rhyme part in the specified position.

The so-called rhyme is to classify the words with the same vowel into one category, and this category is the rhyme.

Words in the same rhyme are all rhyming words. Any poem requires rhyme, ancient and modern, Chinese and foreign, the difference, the restriction on rhyme is more and less, strict and wide. This is also the biggest difference between poetry and other literary genres.

Any literary genre has its own characteristics and writing standards, and this is especially true of ancient Chinese literature. For example, the prose, fu or the eight strands in the imperial examination, the examination poems, etc., all have their own writing norms and requirements.

Song words are not talked about here, as poems, including ancient style poems and near-style poems, although there are also detailed classifications, but in general, poems (here specifically refers to ancient poems, including ancient style poems and near-style poems, except for modern free-form poems and prose poems!) The most basic, common norm of writing is rhyme. Different types of poems may have different requirements for rhyme, but they all must rhyme.

Some people may say that not all ancient poems rhyme, but the poems in the "Book of Songs" do not rhyme! Of course, the poems in the "Book of Songs" also rhyme, but now I feel that they don't rhyme, because the pronunciation of the text has been irrestorable with the changes of the times.

Some people may say that I just don't follow the rhythm of my poems, and I don't want to rhyme, otherwise it will interfere with my expression. In fact, this statement is not valid for many reasons. I'll just say one, write poems without rhyme, and use an inappropriate analogy, like a football player saying to a referee:

You can't give me an offside position because it will affect my goal! I think whoever really says that can be sent off with a red card from the referee because he doesn't agree with the common rules of the sport, so he can't participate with anyone else.

Many consecutive words in Chinese are also alliteration.

Frog Frog Worm Cocktail Cocktail Worm Mandarin Duck Frog Worm Mandarin Duck.

Wandering, wandering, swinging, glazed, reeling, soil, dysentery, minion, generosity, haste, command, melancholy.

vague, hesitant, reluctant, enthusiastic, jagged, as if surging, exquisite, clever, lingering, tossing and turning, hesitating.

Whispering, creeping, bright, trance, apprehension, blindness, ruggedness, embarrassment, ragged.

Alliterate is almost non-existent in Chinese poetry, and it can be found in the Book of Songs, with little hope.

In the Zhuang people, the way their poetry rhymes is a different story. In Zhuang literature, whether it is a poem written with the "vulgar" character of the square Zhuang script, or an oral poem circulated among the people, or a poem created with Latinized Pinyin Zhuang script, the rhyme is the most basic and significant feature of the rhyme, and the rhyme point is on the "membrane". This is very peculiar in the sea of Chinese poetry.

Thanks for asking.

Did you know)

How accustomed I am to living alone, alone )

When dawn comes, you don't seem to be with me when you wake up).

I stood in front of the window for a long time, carefully guessed and found that it was only me) You know what? I often walk barefoot on the street at night).

His heart is in your hands, please do not abandon or break him).

I'd rather find him along the way).

c The ruins of love are still in your hands, and the broken feet are still in a pool of blood) His heart is still in your hands, please don't lose it or break it).

c Let the grey rain fall in January).

Let him stop deceiving me, I already know everything anyway) Let my name just appear in front of him inadvertently).

Let's end it all).

Burn the rain-soaked lanterns in front of the window).

My gentle boy, you have forgiven me tremblingly )

Just let all this be through tears, quietly goodbye).

Please don't forget, please don't forget).