Game art or film and television post production, which job is relatively better?

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It depends on your hobby, because both are good. There's a big problem with your thinking, and most people with little experience probably think the same way you do.

You only have been in contact for a few days to know that staying up late and working overtime in film and television post-production is commonplace, and in your opinion, the work of film and television post-production is a lot of overtime and staying up late.

In fact, you are wrong here, is it not common to stay up late overtime, not because it is a game artist or because it is a film and television production, but because of the company's benefits, good benefits, then there will be a lot of overtime, and the benefits will be bad, and there will be little overtime if there is less business. If you go to a company with very little business, then even if you are doing film and television production, you don't even have business, why are you working overtime? Are you right, so don't say that staying up late and working overtime in the later stage of film and television production is commonplace, but say that your company has a lot of business and good benefits, so overtime is commonplace.

If you go to a game company with a lot of business, then you will definitely work a lot of overtime as a game artist. Your thoughts and perceptions need to be changed.

I used to do film and television post-production, but now I have changed my career to do game art, not because game art is better than film and television production, but because I can do both, so when I was looking for a job, the company needed a game artist, so I did game art. The people in our company who do film and television post-production are the same as me, they all commute to and from work on time, have weekends, and occasionally work overtime, and the salary is about the same. So if you want to say which one is good, it all depends on your hobby, and you can do which one you like.

Whether to work overtime or not is decided by the company's business, not by the work of film and television post-production.

Personally, I feel that there are more companies that recruit post-production of film and television, so it is easier to find a job, and there are not many companies that recruit game artists, although it is not easy to find the right job, but most game artists can be qualified for graphic design work, so it is not difficult to find a job.

Look at your own interests, in fact, these two are very late jobs, and those who learn these can be said to be IT migrant workers.

I've been hesitating about these aspects lately, so I'll summarize them roughly.

Game special effects Advantages: high salary, the work has about 2 years of experience, the salary is 10k, disadvantages: the employment is narrow, there are few positions in the early stage, no experience or internship is not good for employment (except for excellent works), there is no shortage of newcomers but cattle.

Film and television advantages: a wide range of employment, many positions, and relatively easy pre-work internship. You can do odd jobs, and if you want to do it alone, it's easier than playing.

Disadvantages: The salary is relatively low, and the salary is 8k for about 2 years of experience.

Anyway, it's not easy to go to any line, it is recommended to learn both aspects of the Internet first, depending on which aspect you like, and which software is more convenient to use without feeling boring. Consider your preferences and have the same future as you have the passion to make good works. There is also a plan, whether you want to work in the company or start a business in partnership in the future.

It's good, the game industry is thriving now, and if you do well in the future, there will be at least a month.

It's still the late stage of film and television, although the game is popular, it's too difficult to develop.

Actually, both are good! The point is to see which one is better suited for!

1. Game art. This focuses on three-dimensional aspects, such as game character design, which is the use of three-dimensional software for character production in the game, and the realization process of changing from two-dimensional to three-dimensional requires you to have a certain ability to understand three-dimensional space! However, relatively speaking, the demand for employment in first-tier cities is also relatively large, and it is easy to find a job with a high salary!

2. Film and television post-production. This skill is now very practical, and it is also a relatively popular technology at the moment. The threshold for entering the industry is relatively low, as long as you know the basic operation of the computer, you can learn.

So it's really easy to get started, and finding a job in the future is also a skill-based major that is not very picky.

Summary. 1. Salary range for post-production of TV programs: 2500-5000 yuanThe general technical requirements for post-production personnel working in TV stations will not be particularly high, and they only need to be proficient in operating Premiere or similar software.

2. Film post-production salary range: 6000-30000 yuan The post-production difficulty of the film can be said to be the highest, so the general salary is also high. Of course, the movies mentioned here are generally high-quality movies, and the corresponding wages for low-cost movies are of course lower.

3. Salary range for post-production of advertising: 3000-10000 yuan In fact, the production of advertisements is difficult and easy, and a simple advertisement can be fixed, and there is almost no difficulty in production, and difficult advertisements can also be film-level.

4. Salary range for post-wedding production: 3,000-10,000 yuan Speaking of the salary of post-production personnel, it is necessary to mention the post-wedding period here. In fact, the post-wedding system is now very popular for many young people to make a commemorative short film similar to a micro-film when they get married, which is used to treasure.

Is it easy to find a job in film and television post-production and design?

The main thing depends on whether you are good or not, and it is difficult to find a <> job now

What are the jobs.

1. Salary range for post-production of TV programs: 2500-5000 yuanThe general technical requirements for post-production personnel working in TV stations will not be particularly high, and they only need to be proficient in operating Premiere or similar software. 2. Salary range for film post-production:

The post-production difficulty of 6,000-30,000 yuan movies can be said to be the highest, so the general salary is also high. Of course, the movies mentioned here are generally high-quality movies, and the corresponding wages for low-cost movies are of course lower. 3. Salary range for post-production of advertising:

3000-10000 yuan In fact, the production of advertisements is difficult and easy, and a simple advertisement can be fixed, and there is almost no difficulty in production, and difficult advertisements can also be film-level. 4. Salary range for post-wedding production: 3,000-10,000 yuan Speaking of the salary of post-production personnel, it is necessary to mention the post-wedding period here.

In fact, the post-wedding system is now very popular for many young people to make a commemorative short film similar to a micro-film when they get married, which is used to treasure.

There are no cram schools.

It's available everywhere.

Wuhu city. Diligent education.

What are the main courses of the film and television production major.

Basic courses for majors: "Extensive Reading of Literary Works", "Intensive Reading of Literary Works", "Film Studies: Film History", "Film Studies".

Creative Techniques", Fundamentals of Film Technology, Audiovisual Language of Film, Film Drama, Film Creation, Performance, Director, Photography, Lighting, Editing, Film Visual Design, Cinematography Techniques: Cameras, Lenses, Filters, Film, **, Film Recording, Digital Image and Post-Production.

Basic requirements for film and television post-production professional courses:

1.Proficient in the installation of Premiere and familiar with the working interface of Premiere.

2.Proficiency in the use of basic Premiere tools.

3.Proficiency in how to add text, the types of text, and the transformation of text.

5.Proficient in the basic operation of frames and layers.

6.Understand the basic concepts of editing.

7.Understand the basic concepts of post-compositing.

Is it good to find a job after graduating from a film and television production major.

First of all, you need to be clear: what is the position of post-production? Judging from the current public perception, it is basically special effects production and packaging.

But this concept is wrong. At present, a lot of people are needed for program editing, which is the post-production in the true sense. You studied journalism, so use "News Network" as an example.

Daily programs, half an hour of program volume per day, means that one program must be completed every day.

This job position is "column post-editing". The same goes for other programs, except for "TV dramas" and "documentaries", which belong to the category of trading and purchase. All other programs broadcast by the TV station need to be completed by the deadline before the broadcast. Do your own calculations on how much production is needed?

As for the effects of 3D, Maya, etc., in the program application, it is basically the title or the label, but these will not be reworked at all without revision. So if you do TV show editing, there is a demand. In addition, it depends on the city, Beijing, Shanghai, Guangzhou, Shenzhen and other ** cities, the demand is very large.

Others have not yet been separated from production and broadcasting, and the demand is small. If the progress of the State Administration of Radio, Film and Television is followed, the separation of production and broadcasting across the country will be completed very quickly. Then the demand in each city is large.

There are more than 700,000 people, especially in high-level choreographers, directors, planning, and production talents.