Do you have any artistic features of Dream of Red Mansions ?

Dream of Red Mansions is a great work with a high degree of ideology and high artistry, from the perspective of the ideological tendency reflected in this book, the author has a preliminary democratic thought, he has a deep understanding of the reality of society, including the darkness of the court and officialdom, the decay of the feudal class and its family, the feudal imperial examination system, the marriage system, the slave and maid system, and the social ruling ideas that are suitable for the hierarchy, that is, the way of Confucius and Mencius, Cheng Zhu Lixue, social morality, etc. All of them were profoundly and critically criticized, and put forward vague propositions with a rudimentary democratic character. These ideas and propositions were a tortuous reflection of the embryonic factors of the capitalist economy that were growing at that time.

There are many people, especially women.

The description of metaphors, the life of ancient dignitaries and nobles, the description of the working people at the bottom, the extravagance of the emperor's front room, and the sinister officialdom are all described in great detail in the Dream of Red Mansions.

First, its overall structure is delicate and detailed. Second, borrowing mythology to laugh and roll the story. Third, the storylines prepared in it are interlocking, and the language of the characters is subtle and inward-looking.

Fourth, the intricate psychological expression of the characters in the manor is vividly and vividly. Fifth, the characters have distinct personalities.

The character portrayal of Brother Li is very expressive, showing the complexity of human nature. Yun Lu Raid used the technique of blocking the foreshadowing, and made the final ending a metaphor at the beginning of the story. A lot of dishes from Red Mansions are described, such as eggplant.

The description is delicate and points directly to the hearts of the people. Writer Yang Daxia Yang Ke expressed.

Compared with Brother Fan's other three masterpieces, the story it tells is unique. "Dream of Red Mansions" tells us a story of the decline of a family in the late feudal society with the love of Jia Baoyu and Lin Daiyu as the main line.

The characters involved in the story, the love-hate relationships between the characters, the environment in which the characters are moved to the forest, the clothing, etc., cannot be written by anyone who has not personally experienced the story.

This is not the case with the stories told in the other three masterpieces. The story of "Romance of the Three Kingdoms", the story of "Water Margin", and the story of "Journey to the West", even if they are not told by these famous works, will be preserved by relevant historical books or folklore, and there will be no situation where they will be lost without these masterpieces.

Because he reflected that when Tong smiled and the clothes at that time were some cultural heritage, let us go deeper, and the shape of each character was very prominent; Their thinking structure on this ** book is relatively unique, and the images and expressions of the characters are more delicate and detailed, which also shows what the background was like at that time.

Among the four masterpieces, Dream of Red Mansions has the most artistic value, because Dream of Red Mansions shows many characters with different personalities and reflects the social background of the time.

Dream of Red Mansions" tells the history of the rise and fall of the four major families of Jia Shi, Wang Xue, and the relationship between the characters is intricate, and it also contains the cultural early customs of many dynasties.

The artistic style of Dream of Red Mansions is simple, natural, philosophical, and a transformation of the proverb, that is, "it is as rich and complex as life and nature itself, and it is naturally blended", and it writes life realistically and tastefully. It creates a large, complete and natural artistic structure, so that many characters move in the same space and time, and the passage of the plot is also integral, showing the author's outstanding artistic talent.

Dream of Red Mansions, one of the four great classics of Chinese classics, is generally believed to have been written by the Qing Dynasty writer Cao Xueqin. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, from the perspective of the rich and noble son Jia Baoyu, and the tragedy of Jia Baoyu's love and marriage with Lin Daiyu and Xue Baochai as the main line, it depicts the life of a group of beautiful women in the boudoir who have behaved and seen from the eyebrows, showing the real beauty of human nature and tragic beauty, which can be said to be an epic work that shows the beauty of women and the world of ancient Chinese society from all angles.

The Dream of Red Mansions version has two systems: 120 "Cheng Ben" and 80 "Fat Ben". The Cheng book is a typeset copy by Cheng Weiyuan, and the lipo copy is an early manuscript copied and commented by Yan Zhai at different times. The fat book is the base of the Cheng book.

Dream of Red Mansions is a world-influential human sentiment, a world-recognized pinnacle of Chinese classics, an encyclopedia of Chinese feudal society, and a collection of traditional culture. **The author exhorts himself to "talk about love and record his affairs", only according to his own affairs, follow the traces, get rid of the old clichés, fresh and chic, and have achieved extraordinary artistic achievements.

A unique style of language.

The language and art achievements of "Dream of Red Mansions" represent the highest peak of China's classical language arts. Its basic features are:

1) Rustic and natural. This is the basic style of language art in Dream of the Red Chamber. For example, Liu Xianglian said to Jia Baoyu: "In your Dongfu, except for the two stone lions, I am afraid that even the cats and dogs are not clean (Chapter 66). ”

2) Philosophical. The language of philosophy, with its image, timelessness, metaphor, simile and other physical points, is extracted from life experience. This kind of language often explains abstract truths in the form of a simple idiom, so it has universal meaning and lasting vitality.

For example, "although the outer shelf has not fallen, the inner bag has also come up" (the second chapter), "either the east wind overpowers the west wind, or the west wind overpowers the east wind" (the 80th Episode of the Second Chapter), and so on. These philosophical sayings give people wisdom and enlightenment from life experience and struggle experience.

3) The use of the adaptation of proverbs. The use of proverbs is a linguistic tradition since the script, and the use of proverbs in "Water Margin" and "Golden Vase Plum" is relatively good. "Dream of Red Mansions" takes it to the next level, and the transformation it creates is more appropriate, more in line with the identity of the characters and the essence of things.

For example, "plucking a Yunyun erection of cold hairs is thicker than our waists" (the sixth chapter, Grandma Liu's words), "Since there is today, why bother in the beginning" (the twenty-eighth Baoyu language) and so on.

4) Fun. **, the most interesting text, with Sister Feng the most, followed by the love entanglement between Baoyu and Daiyu Baochai. For example, the thirtieth episode of "Baochai borrowed a fan machine to double knock" is a typical text of this kind of interesting taste.