Is there a learning catalog for learning entry level photography?

It's not clear what you mean by entry-level, and I don't know what level you're at right now, so start writing @ from a complete newbie

First, the first thing to do is to basically master your camera (here I mean the SLR camera), so that every function of his must be understood, so the camera manual is your first teacher, find a way to fully understand it, do not understand the nouns must understand, first, not Google, really not good and then ask others (information is so developed today, asking Xiaobai questions will be annoying, at this time at least you have to understand what is the aperture, shutter and the like).

Second, start to try to practice when you understand the "**" in your hand, or you can practice while reading the manual, and get twice the result with half the effort. This is all about cultivating a sense of photography and a way of self-learning.

Third, the basics are understood, go and see books like "New Photography", "New Photography" is old, some can't keep up with the pace of the times, but the essence of the film era is an eternal classic, understand the history of photography, and take a look at the eternal capture of the classic (I think it's good to look at the things of Magnum ** Society, I recommend it) ponder what photography is, and what is photography!! I think the values of photography are very important.

Fourth, with a preliminary understanding of photography, as well as a vague concept of photography, you can go to the forum, hummingbird, Mowgli and the like, often take a look, look at the works of the masters (exquisite combination of light and shadow, just the right composition, and even the sobering connotation), and then look at the sugar water tablets, irrigate more, appreciate and support, take their essence and remove their dross. At this point, I think you'll have your own ideas.

Fifth, to sum up, see more, think more, practice more, think more, this is a process, look at what others shoot, think about how people shoot, try to do it, think about what you need to shoot, what you want to shoot, slowly establish your own style, never resist others, feel that your ** is good, photography is originally a matter of opinion, learn to tolerate. Leave yourself a piece of what you want, and you'll be delighted to find yourself moving forward.

Finally, I want to say, if you want, in fact, you can completely ignore these things written above, how you want to shoot, what you want to shoot, no dogmatism, no noble pursuit, no constraints, don't care how others can, no matter what he thinks, this is my **! In my heart, Mr. Chen is always great, although he is not professional, but he uses the camera, he records all his happiest moments, this is enough, remember, photography is happy first! Hey.

The best way to do this is to go to a bookstore or buy a two-volume copy of the New York Institute of Photography Photography Textbook! It can teach you to learn photography in a comprehensive theoretical system, and it has had a wide influence in the mainland since the 80s. Soon you'll learn professional skills, listen to me!

It doesn't cost much to buy the online electronic version.

Learn how to read your manual and when to use those buttons and functions before learning how to shoot.

My photography reference book.

<> "Encyclopedia of Photography Terms——

Telephoto lens: 200mm and 300mm are telephoto lenses, which can be used to shoot birds, lotuses, moving objects, and those that are not very far away can be "hit.""Got it. Therefore, this focal length lens is also called a telescopic lens or a telephoto lens, and it is mostly used to shoot distant scenes in Xunpeng Zheng.

Super telephoto lens:

Lenses with a focal length of 300mm or more are suitable for shooting wild animals, sports themes, etc. It is also suitable for taking close-ups of sunrises, sunsets, full moons, string moons, etc.

Macro lens: A macro lens is a lens that can be focused very close to the subject of the photograph, and the image formed by the macro lens on the film or sensor is about the same size as the object being tweezed itself.

Standard wide angle. 24 28mm is a more standard wide-angle focal length, which is mainly used to shoot landscapes.

Small spittoon: Canon EF50mmF lens.

Doghead: Finger sleeve lens, entry-level lens, the more representative is Canon 18-55mm.

Biscuit head: refers to the single-lens reflex lens, which is very thin and similar to a biscuit head, and the maximum aperture is generally only.

Zeiss lenses: Zeiss SLR lenses currently mainly include three series: classic, milvus, and otus, but they are all relatively expensive.

Aperture: The aperture is made up of on the camera"f"It means that it is used to control the amount of light transmitted by the lens, and the amount of light entering the camera will be doubled for each stop of aperture, and the amount of light entering the camera will be halved for each stop of aperture.

Shutter: The shutter is a device in the camera that controls the time. In general, the larger the shutter time range, the better. The low number of seconds is suitable for shooting moving objects and yards, and it is easy to grasp fast-moving targets.

Color temperature: The color temperature is represented by k, and the color is adjusted by white balance, which is divided into cold and warm color temperature due to different light sources. Generally, the color temperature of natural light is 4500K, the higher the value, the colder the picture, and vice versa.

Chromatic aberration: Appears as color streaks in the image where the shadows intersect the highlights because the lens cannot focus all the colors at the same point. It can be adjusted with PS or LR.

Excessive: Excessive refers to the phenomenon of excessive duration caused by inaccurate metering. This will distort the color of the picture, lose the details and layers of the highlight area, and make the image look white, and the excessive will bring irreversible damage to the picture.

Red Eye: When the camera takes a portrait with a flash, the pupil of the human eye in ** will show red spots. This can be alleviated by the red-eye pre-flash, which pre-flashes before the formal light, causing the person's pupils to shrink.

Sensitivity: Sensitivity, also known as ISO, refers to the sensitivity of a camera to light. The higher the number, the higher the sensitivity, and the more sensitive the camera is to light; The lower the number, the lower the sensitivity and the less sensitive the camera is to light.

**The more the amount, the brighter the picture, the higher the picture noise, which will affect the image quality, on the contrary, the lower the ISO, the darker the picture, less noise, and the clearer and more textured.

Focal length: Focal length refers to the distance between the optical center point of the lens and the imaging plane, the unit is mm (millimeter), which is similar to the distance between the lens of the human eye and the retina, and is one of the key parameters affecting imaging.

First of all, there must be a camera, and the camera is roughly divided into three types: SLR, digital, card, that is, full manual, semi-manual, and fully automatic, that is, a point-and-shoot camera, as soon as you press the shutter, everything is solved, easy to use, quick to use, and you say that if you want to learn photography, then you must buy a DSLR camera The reason is very simple: the SLR is fully manual, the lens can be replaced, the camera is relatively complex and powerful, the function of the SLR is a lot of rough encounters to learn, this can be done slowly, and you have learned to a certain extent, you may feel dissatisfied with the function of the camera itself Then you will buy related photographic equipment And sometimes a small photographic equipment may be more expensive than you buy a camera So playing SLR requires a certain amount of money The price of a SLR camera ranges from 3000 to 7000 SLR SLR is also divided into entry-level entry-level cameras that are suitable for novices to learn SLR Generally** control is about 3000-4000 Beginners It is recommended to **door-level SLR is enough.

After having a camera and being familiar with its functions, you need to learn some photography skills, such as what subject matter you need to shoot, how to compose and use light, etc.

In short, photography is an inexhaustible knowledge, and it is important to sharpen one's patience, and when you are exposed to photography, you will find its charm, and you will be more likely to discover the beauty that ordinary people can't perceive.

It's just to find a better master.

Chapter 1 Playing with Digital Cameras.

Section 1 Camera Settings.

1. Storage format.

2. Resolution.

3. Sensitivity.

Fourth, white balance.

Section 2 Use of Mode Adjustment Rings.

1. Program settings.

2. Shutter priority mode.

3. Aperture priority mode.

Fourth, manual mode.

Fifth, the B door mode.

6. Compensation.

Section 3 Use of Zoom Lenses.

1. Wide-angle end.

Second, the middle focus range.

3. Telephoto end.

Section 4 Main Accessories of Digital Cameras.

1. Memory card.

Second, the battery. 3. Tripod.

Chapter 2 Changeable Compositions.

Section 1 Juche First.

1. Concise picture.

Second, ** point.

Section 2 Accompaniment 2.

First, planning prospects.

Second, the design background.

3. Frame composition.

Fourth, the contrast of shadow tones.

Section 2 Line Conception.

1. The power of a straight line.

Second, the grace of the curve.

Section 4 Balanced Layout.

First, the stability of the picture.

Second, the screen is left blank.

Section 5 Angle Transformation.

First, the new angle is the new composition.

2. Comparison of shooting angles.

Section 6 Sublimation of the connotation of the work.

First, the pursuit of artistic conception.

2. Enhance the sense of space.

3. Rhythm and pattern.

Chapter 3: Magical Light.

Section 1 Modeling of light.

1. Interesting backlighting.

2. Wonderful side lighting.

3. Plain and smooth light.

Section 2 Morning and evening light.

1. Morning light.

2. The light of dusk.

3. Light at night.

Fourth, the shooting of the glow.

Section 3 Reproduction of light and shadow.

1. Light and texture.

2. Black, white and gray tones.

Chapter 4 Subtle Aperture.

Section 1 Playing depth of field in real and virtual situations.

1. Several factors that affect depth of field.

2. The basic law applies to the depth of field.

Section 2 The Utility of Small Apertures.

1. A small aperture means a large depth of field.

2. Dynamic objects at small apertures.

Section 3 The charm of a large aperture.

1. Unpredictable point light sources.

2. The illusory and ethereal background.

3. Close-up of the character under a large aperture.

Chapter 5: Extraordinary Speed.

Section 1 Shutter speed competition.

Section 2 The perfect combination of movement and stillness.

1. Virtuality and reality express dynamics.

2. Create a dynamic charm.

3. Follow the shooting method.

Fourth, try the best method.

5. Painting with light.

6. Reflection on the surface of the water.

Section 3 Slow Door Topic.

1. Night view of the city.

2. Fireworks and tree shadows.

3. Stage light and shadow.

Chapter 6 Digital PS is easy to understand.

Section 1: Basic Modification Methods.

1. Regional adjustment method.

2. Picture trimming.

3. Post-cutting.

Fourth, splicing skills.

Section 2 Unleash your creativity.

First, the grafting of flowers.

2. Secondary re-creation.

3. Filter magic.

Section 3 Quickly build your own ** collection.

1. Photoshop's web** gallery.

2. Use ACDSEE to make a digital photo album.

Chapter 1 Familiarize yourself with the camera code.

Section 1 Camera.

Section 2 Main Components of the Camera.

Chapter 2 Using Cameras.

Section 1 Installing and Removing the Film.

Section 2 Shooting Posture.

Section 3 Filming Process.

Chapter 3 Using Depth of Field.

Section 1 Depth of field.

The second section of the late annihilation model depth of field use.

Chapter 4 Photographic Composition.

Section 1 Screen Format.

Section 2 Rules of Composition.

Section 3 Photographic Composition Methods.

Section 4 Common Techniques for Composition.

Section 5 Photography.

Section 6 **Tailoring.

Chapter 5: The Use of Light.

Section 1 Natural light.

Section 2 Artificial light.

Section 3: Categorical Application of Light Conversion Sales.

Chapter 6 Digital Cameras.

Section 1 Purchase of Digital Cameras.

Section 2 Use of Digital Cameras.

Section 3 Digital Photographs.

Chapter 1 Overview of the Development of Photography.

Chapter 2 Gwangju Studio for Photography.

Chapter 3 Photographic Light.

Chapter 4 Common Photography Techniques.

Chapter 5 Photographic Composition.

Chapter 6 Color Photography.

Volume 1: Chapter 7: Thematic Photography.