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Anthologies include "Wuxing Collection", "Luzhou Collection", "Linchuan Collection" and so on.
Yan Zhenqing's most important achievement should be in calligraphy, he wrote a lot of steles in his life, and the steles that have been handed down to this day are: "Duobao Pagoda Stele", the structure is dignified and dense, beautiful and colorful; "Oriental Shuo Painting Praise Monument", the style is clear and majestic; "The Inscription of the Shrine of the Golden Heavenly King" is more dignified and vigorous; "Zang Huaike Monument", majestic and vigorous; "Guojiamiao Tablet" is graceful and smooth; "The Legend of Magu Immortal Altar" is rich and solemn, the structure is exquisite, and it is full of charm; "Ode to Zhongxing in the Tang Dynasty", is a cliff carved stone, for Yan Zhenqing's largest regular script, calligraphy is square and stable, does not show muscles and bones, "Song Xun Tablet", also known as "Song Guangping Tablet", calligraphy is open and majestic; "Baguan Zhai Bao De Ji", the weather is strict; "Yuan Knot Monument", strong and profound; "Ganlu Character Book", holding on to comfort; "Li Xuanjing Tablet", the calligraphy is strong, but the strokes are thin and thin, and the other inscriptions are not quite the same. "Yan's Family Temple Tablet", calligraphy is rich, and it is also his proud work in his later years.
The hand-me-down inkblots include "Fighting for the Seat Post", "Manuscript of the Sacrifice of Nephews", "Liu Zhong's Envoy Post", "Self-written Confession Post" and so on.
Xingcao's "Manuscript for the Sacrifice of Nephews" is known as "the second line of books in the world", and I think its momentum is far from being comparable to the "first line of books" "Orchid Pavilion Preface".
What's even more respectable is that Yan Zhenqing is also a famous patriotic general in the Tang Dynasty, he is upright, honest and pure, has a sense of justice, never sucks to the powerful, succumbs to flattery, and is famous for righteousness and martyrdom at the time, which is really a spiritual model for calligraphers in the past dynasties.
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He is the author of "Wuxing Collection", "Luzhou Collection" and "Linchuan Collection".
Here are some of his calligraphy works:
1. Dongfang Shuo's portrait praises.
2. Manuscript of the nephew.
3. Duobao Pagoda Monument.
4, Magu Immortal Altar.
5. Yan Qinli Monument.
6, Zhongxing Song.
7. Yanjia Temple Monument.
8. Fight for seats.
9. Self-written confession.
10. Begging rice post.
11. General Pei Monument.
12. Persuade to learn poetry.
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When Yan Zhenqing was three years old, his father died of illness, and he was educated by his mother, Mrs. Yin. Later, Mrs. Yin took him south and lived in his grandfather's house. His grandfather was a calligrapher and painter, Yan Zhenqing was smart and clever, and he was very fond of him, so he taught him to read and write.
Yan Zhenqing practiced calligraphy very seriously, and it took most of the day to write.
On the one hand, Mrs. Yin was pleased that the child studied hard, but on the other hand, she was worried about the money. It is difficult at home for Yan Zhenqing to buy paper, ink, pen and inkstone to practice calligraphy. But I didn't want to delay my child's education, and my hair turned gray.
Yan Zhenqing learned of her mother's suffering, and she thought of a way to tell Mrs. Yin that she didn't have to worry about buying paper and pens for him.
Mrs. Yin said: "Does it cost money to practice calligraphy? ”
Yan Zhen judged Chan Qing to hold a bowl and Qi Chong a brush, and said: "The bowl is an inkstone, the brush is a pen, the yellow mud in the bowl is ink, and as for the paper, this whole wall is it." ”
After that, Yan Zhenqing practiced calligraphy on the wall, and when the wall was full, he washed it off with clean water. With this persistence and diligence, Yan Zhenqing's words are getting better and better day by day.
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Hello dear dear, I'm glad that Bu Tong answered for you, Yan Zhenqing was a famous calligrapher and politician in the Tang Dynasty, and his calligraphy works are of great artistic value and cultural significance. His representative works are: "Yan Qinyu Monument":
The inscription written by Yan Zhenqing in memory of his father Yan Qinyu is one of his masterpieces and a classic in the history of Chinese calligraphy. "Manuscript for the Sacrifice of Nephew": Yan Zhenqing wrote a memorial text to commemorate his nephew Yan Zhenyan, which is one of his masterpieces and one of the representative works of calligraphy in the Tang Dynasty.
Seventeen Posts: A group of Yan Zhenqing's calligraphy works, including "Duobao Pagoda Tablet", "Sacrifice Gu Type Number Tanwen", "Jiucheng Palace Liquan Ming", etc., are classics in the history of Chinese calligraphy and are known as the representative works of "Yan Ti". "The Legend of Magu Immortal Altar":
The inscription written by Bi Shirt Yan Zhenqing to commemorate the famous Taoist priest Magu in the Tang Dynasty is one of his masterpieces and a classic in the history of Chinese calligraphy.
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