The nine days of the march to think of the hometown of Chang an, the wonder of the word Yao .

The beauty of the word "Haruka" is as follows:

1. It is to render the distance between himself and his hometown Chang'an, and to see homesickness. The author writes about homesickness, not in general terms, but especially emphasizes missing and pity the chrysanthemums in Chang'an's hometown. Written in this way, not only to represent the general with individuals, but also to represent the entire hometown of Chang'an, with a clear image and specific feelings.

2. This is made up of ascending.

The narrative of drinking is a natural development from the above-mentioned Tao Yuanming.

The allusion to sitting in the chrysanthemum bush because of no wine has the festival characteristics of the Double Ninth Festival, and the "Nine Days" in the title is still pasted, and the "Chang'an Hometown" is pointed out, which can be said to be timely and close to the title of the poem.

3. The poem is still relatively plain when it is written so far, but it is written in this way in order to force out the key last sentence, which is a kind of imaginary rhetoric that follows the previous sentence. Originally, there can be all kinds of imagination about the chrysanthemums in the hometown, and the poet does not write anything else, but sets it up to "open the battlefield", such imagination detains the word "march" in the title of the poem, combined with the Anshi Rebellion.

and the characteristics of the times when Chang'an was trapped, written in a new and natural way, with a real image, so that readers seem to see a vivid picture of war: Chang'an City.

The flames of war are raging, blood stains the heavenly street, and between the broken walls and remnants, clusters of chrysanthemums are still lonely and open. The imaginary words here have broken through the simple cherishing of flowers and homesickness, and enshrined the poet's sympathy for the people who had suffered from the war and his desire to quell the Anshi Rebellion as soon as possible. This concluding sentence uses narrative language, which is simple and unpretentious, but it is clever and simple, and the aftermath is profound, and it is intriguing to chew, which suddenly makes a leap in the ideological and artistic realm of the whole poem.

The word "remote" is to render the distance between himself and his hometown Chang'an, and it is even more homesick.

The march lasted nine days to think of the hometown of Chang'an.

I wanted to climb high, but no one brought wine.

Pity the old garden chrysanthemum, should be open on the battlefield.

Carry the pure finger army for nine days to think of the hometown of Chang'an

With the theme of Chongyang Ascending, it expresses not ordinary holiday homesickness, but worries about national affairs and deep concern for the suffering of the people in the war.

From: Tang Dynasty poet Cen Shen.

Original poem: I want to climb high, but no one sends wine.

Pity the old garden chrysanthemum, should be open on the battlefield.

Interpretation: Reluctantly wanted to climb to the top to drink according to custom, but no one like Wang Hong brought the wine. I miss the chrysanthemums in the hometown of Chang'an in the distance, and they should be blooming lonely next to the battlefield at this time.

This poem expresses the poet's sympathy for the tens of millions of people who have suffered from the war, and his desire to pacify the Anshi Rebellion and achieve peace.

"Nine Days of Marching to the Hometown of Chang'an" is a poem composed by the Tang Dynasty poet Cen Shen. This poem is titled to the Chongyang Ascending, which expresses not ordinary holiday homesickness, but the anxiety about national affairs and the deep concern for the suffering of the people in the war. The language of the poem is simple, the conception is exquisite, and the rhyme is infinite, which is a concise and intriguing lyrical masterpiece.

The first two lines express the poet's longing for his hometown and his desire to end the war as soon as possible. The ancients had the custom of climbing to drink chrysanthemum wine on the Double Ninth Festival on September 9, and the first sentence of the word "ascending" was closely related to the "nine days" in the titleThe word "strong" at the beginning shows the poet's bleak situation in the war.

The second sentence uses Tao Yuanming's allusions. According to the record of "Southern History: The Biography of Yinyi": Tao Yuanming once celebrated the Double Ninth Festival, and he sat alone in the chrysanthemum bush by the house for a long time without drinking.

Later, Wang Hong sent wine, so he returned drunk. The reverse meaning here is to say that although he also wanted to reluctantly climb the heights and drink according to the custom, but in the war, there was no one like Wang Hong to send wine to help the fun. This sentence follows from the previous sentence, connects naturally, and is written clearly as words, so that people do not feel that it is a dictionary, and meets the highest requirements of "using things" put forward by the predecessors:

If you don't make people feel it, you can talk about it. (Xing Shaoyu) It is precisely because of the clever use of allusions here that it can arouse all kinds of associations and speculations: what is the reason for "no one to send wine"?

This alludes to the specific environment of the "march" in the title.

The march lasted nine days to think of the hometown of Chang'an.

Tang Dynasty: Cen Shen wanted to climb high, but no one sent wine.

Pity the old garden chrysanthemum, should be open on the battlefield.

The translator reluctantly wanted to climb the heights to drink according to custom, but unfortunately no one like Wang Hong brought the wine.

Pity the chrysanthemums in the distant Chang'an Homeland, which should be blooming lonely next to the battlefield at this time.

The word "remote" is to render the distance between himself and his hometown Chang'an, and it is even more homesick.