What do you need to pay attention to when watching a play? How to appreciate or evaluate?

1 Stage Scenery The ancients regarded simplicity as beauty, unlike modern people who made bells and whistles, so it lies in the individual's natural aesthetic ability, and there is no such thing as how to appreciate it.

2 Character actions The ancients all set it up so it depends on whether the individual understands the play and is familiar with all the details of the play If you understand it very well, there is a way to see it, so there is no way to appreciate it As for the evaluation, doing the rules (even if the rules are not good) is good, and doing it is not in accordance with the rules, and wantonly innovating is bad.

3 Lyrics Generally speaking, those who have just started listening to opera know the lyrics before they can understand them, and how to appreciate them depends on the level of education.

4 The difference between the end and the life The introduction upstairs makes a lot of sense, so you don't need to be verbose.

In conclusion, the appreciation of the play is a matter of personal self-cultivation, and the evaluation of the play is a matter of personal preferences, and it is not possible to cling to things.

The freehand set depends on whether it helps to set off the plot, and the realistic set depends on whether it conforms to the plot.

The action of the character also depends on whether it conforms to the identity of the character, age, relationship with the opponent, the environment, etc., any seemingly gorgeous and difficult action as long as it does not conform to it, it is a show of skill, and the lyrics also depend on whether it is the voice of this character at this moment. Plain comprehension is paramount (but not vulgar or vulgar, and never like some two-person turns).

Halo: I don't say anything about any drama.

Peking Opera has old students, small students, dolls, martial arts, Kunqu opera, and subdivisions, big officials and small officials.

Peking Opera does not end in this profession. Kunqu opera retains the last line, and the following is subdivided into three families: the old students, the vice end, and the outside.

Let's make your question clear.

The main content of the primary school text "Watching the Opera" is: Mei Lanfang, a master of Peking Opera art.

In that year, the Peking Opera "Mu Guiying in Command" was performed at the Beijing Amphitheater

The moving scene shows that Mei Lanfang is a highly skilled and enthusiastic artist, and praises the audience's love and enthusiasm for art.

Part of the original text:

The curtain on the stage parted, the ** played, and the actors stepped on the beat of the ** and walked to the footlights with solemn and rhythmic footwork. The light shines on their colorful silk embroidery and headdress, stirring up a golden glow. A mirage suddenly appeared on this misty sea.

There was singing and dancing; There are joys and sorrows, and there are clutches; There is loyalty, and there is treachery; There is determination, and there is doubt; There is the sacrificial spirit of the Grand Duke, and there are also selfish personal intentions. But what dominates all of this is a passion for loyalty and service to the country and the people. This enthusiasm is concentrated and concretely manifested in Mu Guiying.

When the heroine came out of the scene with a light and vigorous step, the calm sea swelled up sharply, and a storm rolled up on it.

The audience applauded the heroine like an electric shock. She started singing. Her mellow voice vibrated in the night sky, sounding distant and approaching, soft and sonorous.

This article mainly describes Mei Lanfang using her posture and singing voice to mobilize every audience present. It shows that Mei Lanfang is a highly skilled and enthusiastic artist.

This article mainly describes the scene of Mr. Mei Lanfang, the master of Peking Opera performance, performing "Mu Guiying in Charge".

The central meaning of this article is to praise "we have such an enthusiastic audience and such passionate artists".

Hello, it's not easy to answer the question.

Thanks if it helps.

Is there anything special about watching a play?

The first one is for the gods. The last one is for ghosts and the like; As soon as the last scene ended, I left immediately because I wanted to sweep the stage, and there would be an actor wearing a mask to praise on the stage.

For several hundred years, in traditional Chinese rural society, the most common and high-level form of cultural entertainment was to invite opera groups to sing big operas, and opera was the most important channel for Chinese people's life entertainment, cultural dissemination, and spiritual education.

My grandmother, born in the last years of the Qing Dynasty, was in that"A woman's lack of talent is virtueIn the traditional society, I naturally don't know a few big words, but whenever I tell me about the old family and the story of the village, I can always quote historical allusions or opera stories, and render them by analogy, which makes the ordinary stories much more vivid and profound. It can be said that the historical knowledge and life ethics of their generation owe a large part to the subtle evolution of the art of opera.

The most popular in Shanxi are Pu Opera, Qin Opera, and Henan Opera, but especially the first two operas. Pu Opera and Qin Dialect, both of which have the nickname of "random playing", sing in a high and urgent tone, and the voice is dry. However, for the township party members who grew up on this land, Qin dialect and Pu opera are undoubtedly the most upscale and beautiful art forms in the world.

In all villages where conditions permit, the most popular practical thing for the villagers to do every year is to invite a regular troupe to perform in the village. This time is tantamount to a festival in the countryside.

The people in the village notified their relatives and friends in the neighborhood early and invited them to ** when the time comes, and they all think that this is a very glorious show-off. A large classroom in our village primary school usually holds classes, but when there is a performance, the door panel is removed and it becomes a big stage. The large playground under the classroom is full of Taishi chairs, benches, and small pestles that occupy seats.

Some people have many relatives in the neighboring villages, so they simply bring two wooden rafters, one stone and one brick on both sides, and can sit on more than a dozen people.

Once, because I was fighting for space with a neighbor's child, I smashed the back of a black lacquered Taishi chair. But at that time, the rural customs were simple, and the adults thought it was a normal fight between children, so they were not overly harsh.

Looking back now, the Taishi chair is an old piece of furniture inherited from their family, and it is worth a lot of money now. In addition to preparing seats for relatives, each family has to bring out their new bedding and leave some relatives and elders in distant places to stay overnight. At this time, it is a critical time for relatives to exchange feelings and for younger generations to respect their elders.

1.Keep quiet and don't make loud noises that affect the viewing experience of other spectators.

2.Do not use mobile phones, electronic devices, or other objects that emit sound, and keep the venue quiet. If you need to use it, it should be set to silent mode.

3.Do not take photos, videos and other behaviors during the process, so as not to interfere with the performance of the performer, Changhan and other audiences, and even affect the concentration and performance of the cast and crew.

4.Do not eat or drink in the venue, so as not to dirty the venue and affect the perception of other spectators.

5.Do not appear in the theater wearing inappropriate costumes to avoid disturbing the audience and causing unnecessary visual distractions.

6.When queuing up to buy tickets, entering the trembling laughter field, leaving the venue, etc., it is necessary to abide by the order and proceed in a civilized and orderly manner.

From the scene to the love, the plot of the play is constantly changing. The play is generally performed with classic allusions in reality, the play is like life, we must experience the wonderful performance in the play, the emotional development in the storyline, the good and evil of the characters, the ups and downs of life, and the unspoken rules of society, so that we can look at life correctly and treat life correctly.

Whimsy:1The audience's emotions change as the storyline changes. 2.I learned from it: the editor is **, the director is a madman, the actor is a ruler, and the audience is a fool.

Why do you care so much about other people's changes, don't you know if you feel it yourself? Everyone's emotional changes are completely different, and you are unique in this world.

1。Thanks to the hand listening, and listen to the famous master. Only by listening more can you compare and improve your eyesight.

Not only should you listen to more singing segments, but also choose more genres and professions. For example, a few years ago, many people sang "Su San left Hongdong County" very cheerfully, and if you listen to more singing at this level, your appreciation level will also decline.

2。Understand the context. If the listener does not know the Three Kingdoms, it may be difficult to appreciate the conciseness of the description of several generals of Shu in "Persuading Chitose to Match Suspicion", and cannot appreciate the conciseness and accuracy of the lyrics.

3。Feel the emotions of the characters. For example, if you can't hear the hero's resentful emotions in "Asking the Sky" in "Snow Drifting", it will waste most of the artistic value of this singing.

4。See expert reviews and drama reviews. Experts can point out the "wonderful". Imagine, if there is no Mr. Wang Yaoqing, when will we be able to experience the style of the Mei School, the singing of the Cheng School, the stick of the Shang School and the wave of the Xun School.

After seeing your question, I summarized my experience. (*Hee-hee....Sell mess....