Say the beauty of this ancient poem, and appreciate the beauty of the poem

Write the color of the natural world, give people a vibrant scene, but also give people a dynamic beauty, "charming eyes" and "no horseshoe" write the poet intoxicated with the fragrance, and the beauty of spring makes people have a sense of leisurely and self-satisfaction, "the flowers gradually want to charm the eyes" writes the beautiful scenery makes people dizzy feelings, expressing the poet's love for nature and longing for the future!

This is just my personal opinion, thank you for your understanding!

The flowers are gradually charming to the eye, and the asakusa can have no horseshoe. Meaning: looking at the wildflowers on the shore, gradually fascinated by visitors; The light green grass on the road can only cover the horse's hooves.

These two sentences describe the early spring scene from the changes of plants. Wildflower, refers to a variety of unknown wildflowers. "Charming eyes" refers to the colorful and varied forms of wildflowers, which make people dizzy.

Gradually" is used very accurately, indicating that it is not "wildflowers everywhere", it has the meaning of gradually blooming and blooming. Asakusa, the grass that has just grown, "no horseshoe" not only writes the grass shallow, but also points out the traces of riding a horse and stepping on the spring. This poem writes that the poet is intoxicated with the beautiful scenery of spring, and now people use it as a metaphor and gradually indulge in the most drunken and other bad things

The poet pushes his gaze away a little again, looking at it like a medium distance, and turns to focus on the flowers and plants of the West Lake in early spring. The warbler in the upper couplet flies dexterously, while the poet is basically immobile, looking left and right, looking around. The flowers and plants in this couplet are stationary, and the poet still refuses to describe them statically.

He turned against the guest, let himself move, and watched the flowers, so the flowers and plants that did not move also moved. If we do not understand the change of movement and immobility between the poet and the scene, we cannot understand why flowers are "random flowers" and how flowers can be charming; Why is it "Asakusa" to "no" and "horseshoe", instead of "horseshoe" stepping on "Asakusa". In fact, the flowers are not "messy", nor are they intended to charm the eyes, this is just the subjective feeling of the poet riding through the horse.

In the first four sentences, the scenery in the picture is moving, but the whole picture itself is not moving. In this couplet, the scenery in the picture is basically unchanged, and the whole picture is quickly switched, constituting a kind of staggered movement and stillness. At the same time, "gradual desire", "talent" and "early peace" echo each other, once again highlighting the characteristics of the early spring scenery.

Is it appreciation? This couplet writes flowers and plants, and the picture is full of emotional color and vitality. The horse walks very briskly on the shallow grass, and people naturally feel comfortable on the horse's back, but after looking at it for a long time, the eyes are full of purple and red, which makes people dizzy and confused.

It vividly depicts the beauty of spring and the feelings of people who indulge in the beautiful scenery of spring outing.

The appreciation of poetry is nothing more than two major aspects: content and form.

Angle 1: From the perspective of language, the figurative (shaping the image), the implicit (meaning one or the other), the conciseness (the lack of words), the jumpiness (the sense of rhythm and the imagination and association) and the overall style of the language of classical poetry often become the proposition doubts of the college entrance examination. From the perspective of refining words, you can grasp the role of key words to express meaning, and experience the "meaning" refined by the poet.

When appreciating poetry, special attention should be paid to verbs as predicates, adjectives and modifiers, overlapping words, words with table colors, and virtual words with strong encompassing.

Angle 2: From the perspective of capturing imagery - what is imagery? Qing man Wu Qiao said:

The poetry is about the side. The creation of poetry is very subtle and concise. The lyricism of a poet is often not a direct expression of emotions, nor is it a direct indoctrination of thoughts, but the words are here and there.

The "scene" and the "thing" written here are the objective "images"; The "feelings" expressed by the scenery and the "aspirations" spoken by the Yongwu are the subjective "meanings"; The perfect combination of "image" and "meaning" is "image". It is not only a portrayal of real life, but also the crystallization of the poet's aesthetic creation and the carrier of emotional ideas, and the basic unit of poetic lyricism.

There are two types of poems: one is won by simple imagery and rich connotation; The other type of imagery is rich in structure, complex in structure, dazzling at first glance, and it is not difficult to grasp its inner and clear emotional context when chewed carefully.

Angle 3: From the perspective of expression - the poems mainly use four modes of expression: narrative, argumentation, description, and lyricism, among which description and lyricism are the focus of the examination. There are frontal descriptions and side descriptions (foiling, rendering, movement and static, and point-and-surface combination); There are direct lyricism (direct lyricism) and indirect lyricism (lyricism through the scene or fusion of feelings in the scene).

Answer]: This poem uses metaphors to describe ** very successfully: the sound of the big strings is written "like a torrential rain" to express the heavy and rapid sound of the sound; Write small strings with "such as a whisper" wheel skin positive, describing the sound is soft and soft; The staggered plucking of small strings and large strings is used as a metaphor for "big beads and small beads falling on the jade plate", and the grip of the sound is mellow and staggered; Use "Yingyu" to express the melodious, tactful, crisp and pleasant music; The words "under the ice" and "cold and astringent ice springs" are used to express the slow and stagnant sound; The high-pitched, strong and majestic music is expressed with "Silver Bottle Breaking" and "Iron Riding Highlighting the Sound of Swords and Guns"; "Cracked silk" is a metaphor for the sound of the four strings plucking the repentance in unison.

The poet uses a series of metaphors to depict the virtuosity of the pipa girl's performance.