Huang Binhong s profile, who is Huang Binhong s master

Huang Binhong (January 27, 1865 - March 25, 1955), the original name was Mao, and later changed his name to quality. Originally from She County, Huizhou, Anhui Province, he was born in Jinhua, Zhejiang. He is a modern Chinese painter who is good at painting landscapes and is a grandmaster of landscape painting.

Huang Binhong likes painting and seal carving since he was a child, and at the age of six he was able to copy the family collection of Shen Tingrui (Zhangya) landscape book, and at the age of thirteen, he should take the boy's test and rank among the best. At the age of sixteen, he graduated from Kim Hua Li Zheng College. He made friends with Ni Suquan and Jiang Lianseng.

At the age of twenty-one, he was born and served as the secretary of the two Huai salt transportation envoys.

In 1907, he went to Shanghai, participated in the activities of the Maritime Inscription Hall presided over by Wu Changshuo, and assisted Deng Shi, Huang Jie, Liu Yazi and other "Political and Art Bulletin", "National Quintessence Journal", "National Quintessence Series", etc., and successively organized the Zhou He Society, the Art View Society, the Brilliant Man Society, the Bee Painting Society, etc., and also worked in the Shenzhou Guoguang Society, the Commercial Press, Youzheng Book Company and other units for thirteen or fourteen years.

Huang Binhong (1865-1955), formerly known as Mao Zhi, was born on the New Year's Day of the lunar calendar, and was also named Yuanji, and because of the name of the tenth ancestor Yuanji, he changed his name to quality, and the word exists. There are many aliases, with Binhong as the most. His ancestral home is Tandu Village, Xixiang, She County, Anhui Province, and he was born in Jinhua, Zhejiang.

In 1930, he served as the principal of the China Art College in Shanghai. In 1937, his family moved to Peking to teach. In the autumn of 1948, he was invited by the Hangzhou National West Lake Art School to teach in the south.

After liberation, he served as a member of the Second National Committee of the Chinese People's Political Consultative Conference and a director of the Chinese Artists Association. On his 90th birthday in 1955, he was awarded a certificate of merit by the East China Administrative Committee and was known as an outstanding painter of the Chinese people; He died on March 25 of the same year. The collection of more than 10,000 books, calligraphy and paintings, gold and stones, as well as self-made paintings, calligraphy, paintings, manuscripts, etc., were all donated to the state.

**In his former residence in Qixialing, West Lake, a memorial room for painter Huang Binhong was established.

Huang Binhong first learned to paint in Yiwu Chen Chunfan, after the attack on the landscape, Zongxin'an faction, imitate the Song and Yuan dynasties, and visit the famous mountains and rivers, sketching and painting, after repeated changes, then become its own style. His paintings are green and moist in middle age, and in his later years, he is particularly refined in ink method, sometimes in the thick ink and heavy color, which is good to see the stains and antiquity. He uses the expression technique of "Ming Yi and Thousands of Presents" to write the rich and gorgeous mountains and rivers with deep artistic conception.

Intercropping flowers, birds, grasses and insects is also interesting. He has also studied painting theory and painting history, and has written books such as "Art Series", "Ancient Painting Micro", "Honglu Painting Talk", "General Theory of Painting", etc. Huang Binhong is not only an outstanding representative of modern Chinese landscape painting, but also a poet, calligrapher and seal carver.

The poems are clear and sparse, and the calligraphy is full of gold and stone. Life paintings, no less than 10,000 frames, most of them are gifts and souvenirs, not in the presence of gold. Since the liberation, after Qi Baishi and Xu Beihong, he has become a national painter.

Huang Binhong's life spanned two centuries and two eras, and finally became famous as a master of Chinese painting. What is important is that his thinking and practice bear the imprint of profound changes of the century. In the face of the spiritual and cultural dilemmas caused by the drastic changes in society and the many problems in the development of art, Huang Binhong adhered to the excellent tradition of Chinese intellectuals, started from exploring the source of national culture, and reshaped the aesthetic guidance of artistic creation with the ideal of "vigorous Huazi", the ideal of healthy and peaceful survival and the spirit of pure and uplifting, and worked diligently for decades.

Therefore, his achievements are multifaceted, and his paintings epitomize his deep enthusiasm and insight into the tradition of art history, as well as his unique insights and creations on the development prospects of Chinese painting. The significance of this creation is to erect a new milestone in the history of Chinese painting into the modern era. At the same time, his creative spirit also shows us the perseverance and wisdom of a great Chinese artist in the torrent of the times.

When Huang Binhong was six or seven years old, he met two teachers who had a great influence on his art, Ni Qianfu and Ni Yifu's brother, and Huang Binhong also studied with Huang Jichuan as a teacher when he was six or seven years old, and studied calligraphy and painting. When Huang Binhong was 12 years old, he hired Zhao Jingtian and Ying Qinsheng as teachers, and studied poetry, calligraphy and painting in addition to the "Five Classics". At the age of 16, Huang Binhong was admitted to Jin Huali College.

It was Huang Bin's father's fiftieth birthday. They specially invited Li Kuhe and Yiwu painter Chen Chunfan to make "Family Celebration Picture". Huang's father asked Huang Binhong to worship Chen Chunfan as a teacher, and let him visit Yiwu with Chen Chunfan.

Huang Binhong, a modern Chinese painter, is good at painting landscapes and is a grandmaster of landscape painting. The original name was Mao, and later the name was changed to quality, the word is simple, and the number is Binhong. Originally from She County, Huizhou, Anhui Province, he was born in Jinhua City, Zhejiang Province.

Huang Binhong likes painting and seal carving since he was a child, and at the age of six he was able to copy the landscape book of Shen Tingrui (Zhangya) in his family. In the early years, under the influence of the "Xin'an School", it was characterized by dry brushes and light ink tongs, sparse and elegant, and was "Bai Binhong"; After the age of eighty, it is characterized by black, dense, thick and heavy, and is "Black Bin Hongzhou Slip". His technique, thanks to Li Liufang and Cheng Di, attaches importance to the unity of the virtual and the real, the complex and simple, and the dense and dense, and the so-called "black, dense, thick, and heavy" painting style is his remarkable characteristic.

An amazing master with the richest spiritual resources".

He elevated Chinese landscape painting to a supreme realm, and he was a model for all those who came after him. ”…

In the history of modern Chinese painting, there is a saying that "Northern Qi and Southern Huang", "Northern Qi" refers to the well-known Qi Baishi, and "Southern Huang" refers to Huang Binhong, which shows Huang's artistic status. He has studied calligraphy, painting, seal carving, gold and stone writing, calligraphy, painting theory, and painting history, and there are indeed not many artists in the 20th century who could have such extensive learning.

Huang Binhong's painting style can be said to have gone through three stages: learning from the ancients, melting the ancients, and forming his own style. "Five Brushstrokes and Seven Inks" refers to his theoretical experience based on his many years of painting, and "Five Brushstrokes" refers to "flat, staying, round, heavy, and changing".

"Seven inks" refers to "thick ink, light ink, broken ink, stained ink, splashed ink, scorched ink, and dead ink". This theoretical experience has been passed down to future generations and has provided valuable experience for future generations of painters.

Although the master Huang Binhong's paintings have been appreciated and recognized by everyone in modern times, they are not appreciated by everyone at the beginning, it is said that the master donated paintings, people still don't want it, he repeatedly asked for a forced donation, but it was not until 30 years later that the package was opened, and even one of his painter friends at that time said: "My painting can be exchanged for a gold bar, and I can't appreciate your painting...""That's the case. Therefore, Huang Binhong's paintings have also gone through the stage where no one wants them for nothing.

In fact, the direct reason why his paintings are disliked by some people is that his paintings are full of too much cultural information, the aesthetic sense of history is too desolate, and his paintings are not as beautiful as the paintings of other painters of the same period. Huang Binhong himself once said: "It will take 50 years for people to understand my paintings."

Master Huang Binhong once said that the level of painting is deeply rooted in character, and it is the assessment of a person's comprehensive quality, which requires a long period of accumulation and experience of knowledge, culture and cultivation. Huang has always associated character with paintings. No matter how unrecognized his paintings were in the early years, or how high modern critics raised him, in fact, it is not hindered, at least one thing remains the same, the master has indeed added theoretical experience to Chinese painting, and provided new artistic ideas for the Chinese literary and artistic circles.

Huang Binhong's works include: "Mountain Dwelling Smoke and Rain", "Xin'an River Boat Works".

1, "Mountain Dwelling Smoke and Rain".

This painting "Mountain Dwelling Smoke and Rain" was made by Huang Binhong after 80 years, and it was a work of the late Beiping period. At this time, Huang Binhong had already completed the transition from his painting to the appearance of black Binhong, and was inspired by Western impressionist paintings, and carried out experiments in the combination of ink and danqing, and achieved a series of results. From the inscription, "Shen Houxiong is the authentic Dong Ju, Lou Dongyu Mountain is reduced to superficiality, and the painting method is replaced."

2, "Xin'an River Boat Works".

This painting is evaluated as: In the three hundred years of Chinese landscape painting, Huang Binhong is alone. Three hundred years later, Huang Binhong's position will be higher.

Art Style:

In the history of modern Chinese painting, there is a saying of "Southern Huang and Northern Qi", "Northern Qi" refers to Qi Baishi, a flower and bird painter living in Beijing, and "Southern Huang" refers to Huang Binhong, a painter from Zhejiang.

Huang Binhong was born in Jinhua, Zhejiang Province in 1865 and died in 1955. Famous and qualitative, the word is simple, good at landscapes, flowers and pay attention to sketching, but he became famous relatively late. After the age of 50, his painting style gradually tended to be realistic, and after the age of 80, the real big oak formed the familiar "black, dense, thick and heavy" painting style next to the rolling orange.

Huang Binhong's works include "Examination of the Origin of Huangshan Painters", "Honglu Paintings", "Ancient Paintings" and so on.

Huang Binhong's works include: "Painting Edition", "Jinshi Calligraphy and Painting Edition", "Essentials of Painting", etc., and Deng Shi co-edited "Art Series" and has a compilation of "Huang Binhong's Painting Quotations". Well-known paintings include "Fuchun River Picture Axis", "Emei Longmen Gorge", "Songxue Poetry Intent", "Flower Four Screen Strips", "Colored Landscape Map" and so on.

Autumn Colors of Mountains and Forests" shaft, coloring on paper. Vertical centimeters, horizontal centimeters. Now in the collection of Tianjin People's Fine Arts Publishing House.

This picture is coincidental at a glance, and the mountains overlap, the forests are sparse, and the clouds and mist are shrouded. The vista is a hillside, with ancient pines and a few bungalows, scattered in front and back. There is a four-corner pavilion behind the garden, and one person sits in the pavilion.

"Lakes and Mountains are Clear" is Huang Binhong's masterpiece depicting the beautiful scenery of the south of the Yangtze River. He rebelliously rebellious from the usual heavy ink painting method, first splashing with dripping ink at will, and then adapting to the situation, adapting to the situation, outlining and rubbing with cyan, and then using light ochre as a proper foreshadowing, so that the color and ink are blended, and they are all together, presenting the beautiful scenery of the south of the Yangtze River like a spirit.

Huang Binhong introduced:

Huang Binhong (January 27, 1865 to March 25, 1955), formerly known as Mao Zhen, name quality, the word Pu Cun, Pu Cen, also known as Pu Cheng, Picping Qin, number Binhong, alias to Xiang, Hongsuo, Huangshan Mountain People, etc. Born in Jinhua, Zhejiang, Tankuanjiang, his ancestral home is She County, Anhui Province, an outstanding modern painter, and the first director of the Fine Arts Research Institute.

Huang Binhong was engaged in journalism and art in the early days, and later turned to education, and taught at various art academies in Shanghai, Beijing and other places, and served as the vice chairman of the East China Branch of the Chinese Artists Association. In the history of Chinese painting in the 20th century, Huang Binhong is a painter who connects the past and the future. He left to posterity an otherworldly, imagery landscape painting art.

Huang Binhong is good at landscapes, flowers and pays attention to sketching, after the age of 80 really formed the familiar "black, dense, thick and heavy" painting style, his later years painted mountains and rivers are deep layers, magnificent, was awarded the title of "Chinese Excellent Painter" by the state. He died in Hangzhou on March 25, 1955.

1. Huang Binhong's well-known paintings: "Fuchun River Picture Axis", "Emei Longmen Gorge", "Song Xue Poem Intent", "Flower Four Screen Strips", "Colored Landscape Map", etc. Autumn Colors of Mountains and Forests" shaft, coloring on paper.

2. Lakes and mountains are clear: This is Huang Binhong's masterpiece depicting the beautiful scenery of the south of the Yangtze River. He rebelliously rebellious with heavy ink painting, first splashing with dripping ink at will, and then adapting to the situation, improvising, outlining and rubbing with cyan, and then using light ochre as a proper foreshadowing, so that the color and ink blend together, and present the beautiful scenery of the south of the Yangtze River in a vivid way.

3, frost point Bilan: this Yu cherry blossom no year, the picture chapter is roughly from Huang's many years of experience in "hook ancient painting", the method is mainly draped in linen, but the weeds, grass and wood sails are destroyed and slipped to be dyed, and the force is in the emphasis on "clear pen and brush", the style of pen and ink has changed from the "dry hard" of the Ming people to the pine show after learning the Yuan people, and it is slightly moist; The book is slightly sharpened, and the flat room is tactful and beautiful.

In the Chinese modern and modern art world, Huang Binhong is an important painter in the past year. He has a black, dense, thick, heavy style and rich brushwork, and his paintings contain the aesthetic orientation of virtue.

Huang Binhong, originally from She County, Huizhou, Anhui Province, was born in Jinhua, Zhejiang, and grew up in Tandu Village, She County. He is a modern painter who is good at painting landscapes and is also a master of landscape painting. When he was six years old, he copied the landscape of Shen Tingrui, which was in his family's collection, and learned flowers and birds from Zheng Shan and Chen Chongguang.

In the early years, under the influence of the "Xin'an School", he was characterized by dry brushes and light ink, sparse and elegant, and was "Bai Binhong". After the age of eighty, it is characterized by dense and heavy black, translucent in black, and is "Black Binhong".