How many chapters are there in the prime of life. What is the next sentence of Su Nianjin?

Updated on amusement 2024-04-13
4 answers
  1. Anonymous users2024-02-07

    Bibliography. Self-preface - self-talk.

    Winter - the world. Mutual affection. Stalemate.

    Autumn – white tea. Qinghuan. Nothing else.

    Xia – Big End. Two forgets. Bark up the wrong tree.

    Spring - The Story of the Moon Begonia.

  2. Anonymous users2024-02-06

    1. When the prime is in the prime of life, the encounter that spreads in the years.

    2. When the prime is young, watch the rain fall and listen to the sound of autumn.

    3. When the prime is in the prime of life, it is safe, facing the sun, and the heart is warm and pleasant.

    4. When the prime is young, the years are quiet.

    5. When the prime is in the prime of the year, the ink is fragrant and warm.

    6. When the prime is young, wait for the gardenias to bloom.

    7. When the prime is young, the memories become mourning.

    8. When Su Nian was brocade, his fingers fell, and he suddenly looked back at Shaohua.

    9. When the prime is in the prime of life, the flowers are in their prime, thank you for meeting you.

    10, when Su Nian Jin, reunion is a song, goodbye, never spoken.

  3. Anonymous users2024-02-05

    Su years: simple years; Jinshi: Good times.

    This vocabulary comes from the eponymous essay collection "Su Nian Jinshi". "The Golden Age" is a collection of essays written by contemporary writer Anne Baby, first published in September 2007. Baby Anne said that the title of the book refers to the golden time of the Qing Dynasty.

    The book is divided into chapters in spring, summer, autumn and winter, and prose coexists, talking about the author's feelings and miscellaneous thoughts on life, family, childhood, and topics such as nature, life, and society. The author uses words to describe the fireworks in his youth, and explores the relationship between the self and the external environment and the inner world, as well as the sense of alienation from it.

  4. Anonymous users2024-02-04

    This sentence is from the modern Baby Anne's "Su Nian Jinshi".

    Full poem:

    White tea Qinghuan has nothing else to do, I am waiting for the wind and waiting for you.

    The bitter wine and willows are now separated, and there is no wind, no moon and no you.

    Three miles of breeze and three miles, there is no more you in the wind step by step.

    Sake is boring to drink alone, drunk and empty dreams dream of you at night.

    Translation:

    Drinking tasteless and light tea, waiting for the wind by the way is actually waiting for you, today's parting will make the ordinary wine bitter, the hard-to-break wicker has also been broken, and since then my world has become bleak just because there is no you. The road under your feet is lonely, without the company of your former lover, the breeze blows, and you are the only one who walks alone in the wind. It was a very dull day, but after that, it seemed that there was a waiting every day.

    Literary Appreciation:

    In Su Nian Jinshi, childhood impressions are placed at the top of the content of the book, and are actively amplified and highlighted by the author, which is a phenomenon that has never been seen in previous works.

    In the 20 texts of the first part of "Winter", the childhood images are like old and yellowed old **, gradually emerging in the flowing water of time: the blue brick and black tile mansion in the old southern hometown, the river outside the house that has long disappeared, the abundant and rich human love in the house, the once dense plane trees, thriving weeds, active small insects on the side of the road, the open-air dinner after the rain, the food that childhood loved and so on.

    The author writes with great patience and meticulousness, even at great length, to make extremely detailed descriptions of small natural objects. After a long recollection of childhood impressions, the author finally dealt with the "childhood impressions" with a rational posture of guessing and transcending.

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