What is red porcelain in the glaze blue and white glaze?

It is the blue and white glaze red and the opening piece of the kiln porcelain is to combine the opening piece of the kiln and the red in the blue and white glaze.

Brother glaze is not red in the glaze You are a blue and white glaze red fish plate The opening piece belongs to the firing problem Many folk kilns often have such a situation Often think that it is brother glaze But not brother glaze porcelain This porcelain belongs to the late Qing Dynasty blue and white glaze red fish plate.

That is, there are many beautiful and dense lobes on the surface of the porcelain, which is the characteristic of the kiln. Blue and white glaze red is, glaze blue and white, glaze red.

Blue and white refers to the underglaze color that is painted with blue and white materials to depict patterns and then applied with transparent glaze and fired at a high temperature of about 1300C. Glaze red, refers to the use of copper oxide (copper flower) as the colorant to prepare the color material, on the body (or first applied to the green and white glaze of the green and white glaze of the green tire soil) to depict the pattern, and then cover a layer of green and white glaze, and then put into the kiln, through the 1250C 1280C strong reducing flame atmosphere, so that the ** copper is reduced to low-cost copper, showing a delicate and calm red pattern.

Brother glaze blue and white is characterized by blue and white colored porcelain covered with a grain glaze, because the fragment pattern is very similar to the opening of the glaze of the brother kiln, so it is called "brother glaze blue and white".

During the Xuande period of the Ming Dynasty, when the imperial ware factory imitated the glazed porcelain, the bottom was written with blue and white, which can be said to be the origin of this variety. Ge glazed blue and white was more common in the late Ming Dynasty, but the firing vessels were coarse. The utensils of the Wanli Dynasty, the glaze glaze of the grain piece flashes beige or yellow, the opening texture is pink, the blue and white color is mostly blue flash gray or black, and generally uses white, brown and other color materials to paint the squirrel, flower butterfly, cockroach and other patterns.

The glaze of the Kangxi Dynasty products of the Qing Dynasty is beige or gray, and the blue and white are verdant and bright, and the color is intense.

The red glaze has been very precious in ancient porcelain since the creation of the Yuan Dynasty to the third generation of the Qing Dynasty. In particular, the blue and white glaze red is called the treasure of the treasure by the ancient porcelain world. And in Yongzheng, there was a kind of glaze blue and white glaze red, which is an extremely rare variety.

This is a new discovery in the Yongzheng porcelain variety. Due to the limitations of my own knowledge and the lack of a basis for the official historical record, I can only explain the actual objects in my hands, and then according to the characteristics of the times, the craftsmanship of the time, and the comprehensive analysis of the shape, glaze color, fetal quality, blue and white hair color, and the coating of the traces of circulation.

I've heard of red porcelain in the glaze, red porcelain in the blue and white glaze. , I haven't heard of the red porcelain in the blue and white glaze, you can imagine, what these three states will look like on a porcelain?

Summary. "Brother glaze Yuan blue and white" refers to a kind of blue and white porcelain glaze in the Yuan Dynasty, which forms a fine and thick glaze with deep color after firing, and is often called "brother kiln glaze" and "thick glaze blue and white", which has unique historical and cultural value. "Brother glaze Yuan blue and white" is a unique glaze of Yuan Dynasty porcelain, while "brother kiln" refers to the kiln mouth and porcelain production of the Yuan Dynasty kiln people and their disciples, so the two are not exactly the same.

At present, in the market, due to the non-renewable historical value of "Ge glaze Yuan blue and white", coupled with the rarity of its preservation, it also brings corresponding value. Therefore, the collection value of "Ge glaze Yuan blue and white" porcelain is very large, and due to the high quality, it is also necessary to ensure the authenticity of the goods.

"Brother glaze Yuan blue and white" refers to a kind of blue and white porcelain glaze in the Yuan Dynasty, which forms a fine and thick glaze with deep color after firing, and is often called "brother kiln glaze" and "thick glaze blue and white", which has a unique history and cultural value. "Brother glaze Yuan blue and white" is a kind of special field of Yuan Dynasty porcelain, and "brother kiln" refers to the kiln mouth and porcelain production of the Yuan Dynasty kiln people and their disciples, so the two are not exactly the same. At present, in the market, due to the non-renewable historical value of "Ge glaze Yuan blue and white", coupled with the rarity of its preservation, it also brings corresponding value.

Therefore, the collection value of "Ge glaze Yuan blue and white" porcelain is very large, and due to the high quality, it is also necessary to ensure the authenticity of the goods.

It shows that the Yuan Dynasty fired the glazed Yuan blue and white porcelain. Is it?

Yes, during the Yuan Dynasty, the glazed Yuan blue and white porcelain was fired. Ge glaze is a typical Yuan Dynasty porcelain glaze, this glaze is gray-green and often looks cloudy. Under this glaze, the effect of painting blue patterns is very significant, so the glaze is a very special type of glaze for blue and white porcelain in the Yuan Dynasty.

It is not very obvious that the glaze is insulated with Yuan blue and white porcelain, so there are some records of the appearance of Yuan blue and white porcelain in history. According to the literature, during the Yuan Dynasty, the firing technology of glazed porcelain was very mature, not only used in some court porcelain and aristocratic daily necessities, but also widely used in Wuku folk made porcelain. In modern times, there are many blue and white porcelain of Ge glaze Yuan that have been preserved and become museum treasures or cultural relics collections.

In short, the glazed porcelain of the Yuan Dynasty is a very special and precious work of art, which embodies the highest level and exquisite technology of ancient Chinese ceramic production, and is also an important history in the history of Chinese ceramics.

Brother kiln, also known as brother porcelain, the Southern Song Dynasty Longquan celadon kiln system - some workshops with strong technical force, affected by the official kiln technology, mainly produced a kind of glazed celadon full of fragments. The kiln and the kiln of Cizhou, Hebei Province burned the white porcelain made of Wang Qin, and the decorative process of white glaze painting black flowers was adopted, which laid the foundation for the development of white glaze painted porcelain after the Yuan Dynasty of China.

"Brother kiln" is one of the five famous kilns in the Song Dynasty and has a pivotal position in the history of ceramics. The kiln tires are mostly purple-black, iron-black, and yellow-brown. The glaze is a transparent opaque glaze, the glaze is covered with a layer of crisp light, the glaze color is fried beige, gray and green, and the glaze is combined with large and small grains.

After dyeing, the large grain piece is dark brown, and the small grain piece is yellow-brown, also known as 'gold wire iron wire', "ink pattern plum blossom piece", "leaf vein pattern", "civil and military piece" and so on. This is one of the main characteristics of the kiln. There are all kinds of bottles, stoves, respects, washers, bowls, basins, plates, etc.

Antique shapes are mostly seen, the bottom foot is not very regular, and the glaze is often glazed and brown-eyed.

Blue and white glaze red began in the Yuan Dynasty, and was made by combining two processes: blue and white with cobalt as a colorant and glaze red with copper as a colorant. In the Ming Dynasty, there were few successful works of blue and white glaze in red. During the Kangxi period, the firing was successful and innovative. Kangxi blue and white glaze red is mainly official kiln porcelain.

During the Kangxi period, the firing of glaze red was restored, and it achieved outstanding achievements second only to blue and white porcelain. Basically, the color effect of high-temperature underglaze copper red material can be mastered, and the red hair color in the glaze is improved compared with that of the Ming Dynasty. And the color is stable, bright and bright, the decoration is exquisite, the lines are thin and the neck is clear, and the blue and white are suitable for the shade, harmonious and pleasing to the eye.

Glaze colorKangxi early glaze red hue has two types: dark and light, the dark one has a sense of condensation, and the light one is pink to purple. The depiction of fine brush lines is delicate and clear, some fresh, some deep. The red three fruits and three fish in the glaze painted by flat painting can reach the level of the Xuande period of the Ming Dynasty.

During this period, the blue and white glaze red ware was mainly fired in the official kiln, and the firing was relatively successful.

The main types of utensils are plates, bowls, vases, pen holders, tall bowls, rattles, etc. The firing process of blue and white glaze in the folk kiln is also becoming more and more mature. Kangxi blue and white glaze red often appears in the antique market in recent years, the imitation blue and white light and glaze red color gray black, color unstable.

Compared with Kangxi blue and white glaze red, the color difference is very large.

Qing Dynasty glaze dismantling Huai blue and white porcelain vase generally refers to the Qing Dynasty Kangxi, Yongzheng, Qianlong period of blue and white porcelain vase, brother glaze is a blue and white porcelain glaze color change, the color is relatively rich, the glaze with purple, blue and green hues. This type of porcelain has a high collector's value in the market, but not all blue and white porcelain vases will have a base. In the Qing Dynasty, the bottom section on porcelain was usually used to identify the craftsman or workshop that made the porcelain, or to identify information such as the quality and specifications of the porcelain, rather than for commercial purposes.

Therefore, not all Qing dynasty porcelain has a base. If you want to confirm whether the glazed blue and white porcelain vase in your hand has a bottom, you can carefully observe the bottom to see if there are words or patterns and other logos. If there is no bottom paragraph, it does not mean that this porcelain itself is not a collection of Imperial Zen, and it can be comprehensively identified according to the porcelain type, ornamentation, potato dust glaze color and preservation.

It is important to note that authenticating porcelain requires expertise and experience, and it is advisable to seek the help of a professional.

This Qing Dynasty glazed blue and white porcelain vase is one of the treasures in ancient Chinese porcelain, its glaze color is bright, the pattern is exquisite, and it is very popular with collectors. In today's market, some Qing Dynasty glazed blue and white porcelain vases have a bottom, and some have no bottom. The bottom section is a mark engraved on the bottom of the porcelain by the porcelain manufacturer or maker, and the package usually includes information such as the age of manufacture, the manufacturer, and the place of manufacture.

The bottom lead trapped ruler can help identify the authenticity, age and manufacturer of porcelain, and has a high collection value. However, the fact that some Qing dynasty glazed blue and white porcelain vases do not have a base does not mean that they are not collectible. Because in the Qing Dynasty, due to the different production processes, some porcelain did not have a bottom.

In addition to this Huaigao, some makers will also deliberately not print the bottom paragraph to protect their technical secrets. Therefore, whether the Qing Dynasty glazed blue and white porcelain vase has a bottom does not completely determine its collection value, and it is also necessary to consider its production process, preservation status, pattern and other factors. If you want to know the authenticity and value of the Qing Dynasty glazed blue and white porcelain vase, it is recommended that you seek the advice of a professional appraisal agency or expert.

Blue and white glaze red porcelain, a kind of underglaze colored porcelain. It is decorated with copper red and painted patterns between blue and white. It is known for its brilliant colors. It began in the Yuan Dynasty. Due to the difficulty of firing, the blue and white glaze red ware is regarded as an ancient porcelain treasure.