Why is the classic poem The Story of the Drunkard Pavilion recommended?

Chen Shidao in the Northern Song Dynasty mentioned in "Houshan Poems" that the "Ji" at that time had begun to publish discussions, and this transformation began with "The Legend of the Drunken Man's Pavilion". The article not only narrates the matter, but also adds an argumentative element through the expression of "fu", and this "self-doing" method is a genius innovation.

2.*Full of emotion**: The Story of the Drunken Man's Pavilion is Ouyang Xiu's heartfelt work and a model of beautiful nature. In terms of lyricism, "The Story of the Drunkard Pavilion" is slightly stronger than "The Story of the Bamboo Tower". Reading this article, you can appreciate Ouyang Xiu's ingenuity and spiritual doctrine.

3.*Beautiful language**: The language of "The Legend of the Drunkard Pavilion" is very distinctive, the style is clear, the words are concise, the syllables are sonorous, and there are both pictorial beauty and **beauty.

The words and phrases in the article, such as "the drunkard's meaning is not in wine" and "the water comes out", are highly generalized and rich in meaning, which are widely used by later writers, and have evolved into idioms with strong stability and high standardization, giving full play to their extended meaning.

At the same time, in this article, Ouyang Xiu's idea of "enjoying with the people" is also reflected. The sentence "The drunkard's intention is not in the wine" is particularly intriguing.

In general, "The Legend of the Drunken Man's Pavilion" is a work worth recommending in terms of innovation, emotional fullness, language beauty and ideological profundity.

Drunken Man Pavilion. It's Ouyang Xiu.

Written when he was demoted. Although the story of the drunken man's pavilion was written when the author was not talented, the text uses the landscape to express his unwillingness, his simple and undisturbed style, and the lyricism of the scenery in the text makes people sigh.

Because when I was in junior high school, I had to memorize ......

1. The drunkard's intention is not in the wine, but in the mountains and rivers.

2. Towards the morning, returning at dusk, the scenery of the four times is different, and the joy is endless.

3. Staggered, sit-up and noisy, all the guests are happy.

4. However, birds know the joy of mountains and forests, but do not know the joy of people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.

The drunkard's intention is not in the wine, but in the mountains and rivers.

The joy of mountains and rivers, the heart and the wine of the house.

If the sun rises and the forest opens, the clouds return and the caves are twilight, the obscure changers, and the morning and twilight in the mountains.

The wild fragrance is fragrant, the beautiful wood is beautiful and the shade, the wind and frost are noble, the water falls and the stone comes out, and the time is also the fourth time.

People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.

Drunk can have fun with it, and those who wake up can speak to the text are too guarded.

All around Chu are mountains. Its southwest peaks, the forest gully is particularly beautiful, and the one who looks at it is blue and deep and beautiful, Langya also.

Walking six or seven miles in the mountain, gradually hearing the murmuring of water, and those who pour out between the two peaks are also brewing springs.

The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also.

Who is the pavilion maker? The monk of the mountain is also wise. Who is the name? Too shou calls himself also.

Taishou and guests come to drink here, drink less and get drunk, and the year is the highest, so he calls himself a drunkard.

The drunkard's intention is not in the wine, but in the mountains and rivers.

The joy of mountains and rivers, the heart and the wine of the house.

If the sun rises and the forest opens, the clouds return and the caves are twilight, the obscure changers, and the morning and twilight in the mountains.

The wild fragrance is fragrant, the beautiful wood is beautiful and prosperous, the wind and frost are noble, the water falls and the stone comes out, and the four times in the mountains are also.

Towards the beginning, returning at dusk, the scenery of the four seasons is different, and the joy is endless.

As for the loser singing on the way, the traveler resting on the tree, the former calling, the latter responding, the clever, the person who comes and goes, and the person who travels.

Fishing near the stream, the stream is deep and the fish are fat. The brewing spring is wine, and the spring is fragrant and the wine is watery;

The mountain cuisine is wild, and the miscellaneous and former Chen is too feasting.

The joy of the feast, not silk and bamboo, among the shooters, the game wins, the staggered, the sit-up and noisy, the guests are happy. Pale and white-haired, depressed, too drunk.

The sunset is in the mountains, the shadows are scattered, and the guests are too guarded to return.

The woods are shady, the chirping is up and down, the visitors go and the birds are happy.

However, birds know the joy of mountains and forests, but they do not know the joy of people;

People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.

Drunk can have fun with it, and those who wake up can speak to the text are too guarded.

Who is Taishou? Luling Ouyang Xiu also.

The drunkard's intention is not in the wine, but in the mountains and rivers.

The drunkard's intention is not in the wine, but in the mountains and rivers.