Beethoven s Childhood Answer 5, Beethoven s Childhood Answer

1.The text says that Beethoven "always maintains a gentle and bleak memory of this era and the place where it is consumed", how should the "gentle and desolate" in this sentence be understood?

1) "Tenderness" refers to the deep friendship between his mother's love for him and his friends.

2) "Desolation" refers to the loss of a mother, and the father's violence to force him to study.

2.What do the "sad facts" refer to in "these sad truths left deep scars on his heart"?

Losing her beloved mother, at the age of 17, she became the head of the family and was responsible for the education of her two brothers. His father was an alcoholic and could not preside over the portal: the people, fearing that he would waste it, gave their pension to their son for collection. It caused a scar on his soul.

3.Which sentence in the text corresponds to the description of Beethoven's hometown?

My hometown, the beautiful place where I was born, was always so beautiful and bright before my eyes, just as it was when I left it. "5 miserable: The father wants to develop his ** talent and show him off like a prodigy.

At the age of four, he was nailed to the front of the violin all day, or confined to his home with a violin, almost crushed to death by heavy work. He was fortunate not to be forever disgusted with the art.

Brutality: The father had to use violence to force Beethoven to learn. As a teenager, he had to worry about financial problems, and how to earn his daily bread was a premature task.

6. It expresses Beethoven's strong longing for his hometown in his later years and the contradictory and tangled psychological characteristics of Beethoven's miserable childhood life that made Beethoven unwilling to return home.

I don't know, don't you have the answer? Go and see the answer to go to the tile.

Beethoven's grandfather and father were both court singers. Most of the time, his father was so drunk that he didn't make any peace with his family, and he didn't even care if they had enough food and clothing. At first, the kind grandfather also saved the family from suffering too much, and it was perhaps a joy to see that his eldest grandson was **talented.

But when little Beethoven was only four years old, he died.

Beethoven's father used to drag the child to the keyboard and let him practice there for many hours, slapping him every time he made a mistake. Neighbors often heard the sound of the little child sobbing and falling asleep due to tiredness and pain. Soon Faivre, a traveler of no skill came to the town and was taken to Beethoven's house.

He and the elder Beethoven had been drinking in a hotel outside for the night, and then went home and pulled little Ludwile down to begin the lesson, which was sometimes not finished until dawn.

In order to make him look like a child prodigy, his father lied about his age, so when he was eight years old, he was taken out to a meeting as a six-year-old child. But prodigies are all born and not created. Despite all the efforts, the elder Beethoven was never able to turn his son into another young Mozart.

Beethoven had a much more unhappy childhood than Mozart. First of all, Mozart was better educated, his practice time was pleasant and quiet, he had a loving father and a beloved sister, while Beethoven was not, and although his playing won the respect of his homeland, the world traveling was not exciting enough.

The stories of Beethoven's hard work in his childhood are:

At the age of 11, Beethoven dropped out of school and joined the Bonn Theater Orchestra as a young musician, where he had the opportunity to study with Christian Gottrob Niever, organist, conductor and composer of the Elector's court, a participant in the Enlightenment who had a great influence on Beethoven's life.

In the year, the composer Haydn passed through Bonn on his way to London, and Beethoven became acquainted with Haydn; In the same year, he was commissioned to complete two oratorios: the Oratorio in Memory of the Death of Joseph II, which was also Beethoven's first work to be involved with politics; and an oratorio for the accession of Leopold II.

Beethoven studied counterpoint and theory from Mozart's close friend, composer and teacher J.B. Schenck. In 1794, he began to study counterpoint with St. Stephen's Cathedral Alblezberg.

He learned composition for free from Antonio Salieri, the director of the court, and because Haydn was busy preparing for his second performance in England, the two teachers and students had different personalities and ideological differences, and Beethoven's study with Haydn was finally discontinued in 1794.

At the age of 13, he became an organist and began to compose**. At the age of 17, he played a difficult tune.

1.When Beethoven was young, his father had very high expectations for him, hoping that his son would become a Mozart-like prodigy. When Beethoven was only 4 years old, his father put a bunch of music scores in front of Beethoven and asked him to play.

2.Beethoven did not begin to write his first symphonic disparations until he was thirty years old, and from 1796 onwards his hearing was already feeling his hearing weakening, and his love of life and his persistent pursuit of art overcame his personal pain and despair, and he grabbed fate by the throat. In the midst of his suffering, he still tenaciously composed the "Heroic Symphony" and many other masterpieces.