The more introductions and experiences of Chinese painting, the better

White drawing is the skeleton of a painting, a good white drawing can be independent into a painting, like Zhao Mengjian's white drawing narcissus volume that is a classic handed down from generation to generation, Chinese painting is to pay attention to the line, in the past, the first step of the folk painter to teach the apprentice is the line drawing, horizontal and vertical and then draw a circle, the force of the pen is even, so practicing calligraphy is also helpful to the white drawing.

The white drawing pays attention to the pen and ink, the outline of the line according to the different objects to have lines and ink color changes, the hook flower to be a thin line, the light petal line of the ink color to be light, sometimes also use the trembling pen to express the folds of the flower, the line of the hook leaf should be thicker than the flower, the line should be strong and tight, hook the trunk, fly white with dry thirst ink, turn the frustration with the pen round, the herb is upright and woody and the vine is flexible.

My personal experience is that the white drawing should be done in one go, if you look at a stroke of painting, the luck is not smooth, the picture is not spiritual, in addition, the pen to see the structure of the pen is not rash, the thickness of the line is tight, the ink color is light and heavy, grasp it well, it is a good white drawing that is pleasing to the eye.

White drawing is the use of a pencil or pen to depict things in a single line as if it were writing.

To use the white drawing technique well, three points need to be paid attention to:

1) It is necessary to handle the relationship with the narrative. Narrative is another form of expression that juxtaposes description. Narrative, in addition to the general narrative, there is also a specific narrative.

The specific narrative is a kind of specific explanation, although the brushwork is coarse, but it is close to the simplicity and conciseness of the white drawing. If you use narrative techniques to express a certain dynamics and style of things, concise and expressive, and obtain a vivid description effect, it becomes a blank drawing. Therefore, it can be said that white drawing is described with a narrative.

2) It is necessary to highlight the key points. White drawing does not need to be elaborately carved and rendered layer by layer, nor does it need to be curved or foiled, but it should highlight the characteristics and modality of the depicted object.

3) The language used should be frugal, general, and expressive. White drawings do not use strong adjectives and complicated modifiers, but must use accurate and concise language to describe plain and simple, so as to be both frugal and expressive. In particular, it should be noted that the folk use the "oily" to reconcile the "eight strands", because the shallow "oily" and the "eight-strand" that has nothing to say are incompatible with the white drawing.

Chen Zifen, Wang Daozhong, Li Gonglin, Ding Yunpeng, etc. Wu Daozi's paintings in the Tang Dynasty are simple and full of spirit. His work "Sending the Child to the Heavenly King" laid the foundation for the emergence and development of white drawing and ink painting.

Li Gonglin (1049-1106), a native of Shuzhou (now Shucheng County, Anhui), was an outstanding figure, saddle horse, and landscape painter in the Song Dynasty. White drawing is the name of a Chinese painting technique, which refers to the painting method that uses ink lines to outline the image without embellishment and rendering. White drawing is also one of the literary expression techniques, mainly using simple and concise words to describe the image.

White Drawing:

White drawing, in Chinese painting, the outline or figure is outlined with light ink, but the color is not set, which is called white drawing. The importance of white drawing in figure painting can be seen in Shen Zongqian's study of painting in the Qing Dynasty: "The way to paint characters is to seek the way of brush and ink first, and the matter of rendering embellishment is the aftermath.

Lines alone can be used to perfect the expression of the demeanor.

White Painting Techniques:

The white drawing method uses ink lines to depict objects without color. The white drawing method is mainly line-based, but it can also render light ink. When drawing lines, it is necessary to combine the characteristics of the brush and ink with the form, the turning point of the brushwork, and the thickness of the lines should be based on the texture or characteristics of the objects expressed, such as drawing petals with thinner and lighter lines, which is easy to show its delicate and soft; Thicker and thicker lines are used to draw leaves and branches, which is easier to express their hard and thick texture; It is slightly dry and the pen is empty'Thin lines depict the feathers of birds, making it easier to express the fluffy and soft feeling of the feathers.

There are two types of white drawing: single hook and double hook. A single hook that is drawn with a line at one time is called. The single hook is made of one-color ink hooks, and there are also two kinds of ink hooks based on non-returning objects, such as light ink hooks for flowers and thick ink hooks for leaves.

The double hook is completely hooked with light ink first, and then part or all of the double hook is decided according to the specific situation. The lines of the double hook cannot be rigidly overlapped according to the lines of the original path. The purpose of the double hook is to accentuate the change of texture and shade, so that the object appears more vibrant.

White drawing is an expression technique that uses lines, ink lines to shade, thickness, virtuality and solidity, lightness and weight, rigidity and softness, and straightness.

In white painting, the quality of the lines is the main key to the success or failure of a painting. The white drawing pen should be mainly in the center, the pressure and speed of the pen should be uniform, the hooked pen line should have the effect of "soft on the outside and rigid on the inside", and the strength should be contained in the inside, not exposed to the outside; Lack of subtle pen and ink, not durable to see. Too much edge, the strength of the exposure is easy to show a kind of domineering atmosphere, there is fashion can reduce the beauty of some flowers, birds, so the lines of the white drawing should be "just built in the graceful."

In the Jiaqing period of the Ming Dynasty, Zou Dezhong summed up the rich creative experience of his predecessors, and in his book "Painting Fameng", he mentioned the "eighteen strokes", which are: 1Flowing Water Drawing 2

Gogu Gossamer 3Wire drawing 4Willow leaf drawing 5

String Drawing 6Grasshopper depiction 7Mixed Sketch 8

Pegs nail drawing 9Cao Yi 10Nailhead rattail 11

Fold Reed Drawing 12Minus 13War pen water pattern drawing 14

Bamboo leaf drawing 15Olive Draw 16Earthworm Drawing 17

Jujube kernel depiction 18The above eighteen depictions were appreciated by the ancients according to the costumes of the time (most of them were wide robes and large sleeves), some of which could be seen before the Tang Dynasty, and some were gradually added later, but these eighteen depictions did not include all the depictions of the predecessors, and some people advocated simplifying them into five or merging them into three categories. Mr. Dong Mengmei, a contemporary painter who specializes in white drawing figures, pointed out that it is not appropriate to name 18 after the shape of line drawing.

For the method of using the pen, he proposed the "Ten Methods of Using the Pen", that is, 1Hanging needle penmanship 2Sketch Brushwork 3

Free Brushwork 4Wire penmanship 5Come and go without a trace (double-pointed penmanship) 6

Connection ratio method 7Drag penmanship 8Good at fighting penmanship 9

Jumping penmanship 10Inverted penmanship. Some of the ten methods of using the brush subdivided by Mr. Dong Mengmei above are also suitable for white painting of flowers and birds.

The white drawing of Chinese painting should be cooked or semi-cooked.

The rice paper used in Gongbi heavy color painting is generally cooked paper. Cooked rice paper is a reprocessed product of raw rice paper, the method is to brush glue alum water on raw rice paper, so that it is not soaked or wet, and can withstand multi-layer rendering and dyeing. There are many types of cooked rice paper, mainly ice and snow xuan, clear water xuan, cicada wing xuan, mica xuan, calligraphy and painting notes, etc., mica xuan is scattered on the paper with a kind of flash small white dots, such as mica and get its name.

Cooked rice is coated with alum and so on during processing, so the paper is harder than raw rice paper, and the water absorption ability is weak, and the ink and color will not be scattered when used. Because of this characteristic, Shu Xuan is suitable for painting brush strokes rather than ink freehand paintings. The disadvantage is that there will be "leakage" or brittleness when stored for a long time.

Cooked rice paper is used for white drawing and fine brush painting.

Semi-cooked Xuan is also processed from raw Xuan, and its water absorption capacity is between the first two, and it can also be used to draw white drawings.

According to the proportion of raw materials, rice paper can be divided into three categories: cotton, net leather and special net; According to the specifications, it can be divided into four feet, five feet, six feet, eight feet, and zhang.

Second, there are more than six feet, and the paper with reflective silver alum crystals is cooked Xuan, if not, it is generally raw Xuan. Cooked rice paper is divided into positive and negative, and the front texture is clear. Flat and neat, the reverse side is rough, there are often traces of brushes, and the front should be used for painting.

What is a "white drawing"? White drawing is a method of drawing with lines as a means of expression. Relying on the changes of the thickness, rigidity and softness, squareness, clumsiness, and density of the line itself to express various objects.

At the same time, the lines themselves also have a certain abstract aesthetic effect. White drawing is also an independent art as far as the whole Chinese painting is concerned, as a fine and uniform line shape, the general line shape does not change much, thin and uniform, leaving room for color application.

1: To draw ink paintings, you should choose Shengxuan.

2: Draw strokes, you should choose familiar Xuan.

3: Raw rice paper has good water absorption, and is used to write calligraphy and freehand painting! Cooked rice paper has poor water absorption performance, and is often used to draw Chinese paintings!

4: Raw Xuan is slightly softer than cooked Xuan.

5: The water absorption of raw Xuan is stronger than that of cooked Xuan.

6: Shengxuan is cotton, net skin, special leather series Xuan, which has not been processed by the rock, and cooked Xuan is just the opposite.

7: Shengxuan is suitable for calligraphy, calligraphy and painting, Chinese painting, freehand, landscape, figures, flowers and birds; And Shuxuan is suitable for fine brushwork.

Hello: The best way to use rice paper for white painting is Chinese painting.

Hope, thank you.

Use white silk or cooked rice paper, Daqian brand is easy to use.

Rice paper is good, half a person recommends rice paper.

I think it's better to use rice paper.

First of all, it is correct to define white drawing as the basis of freehand Chinese painting. According to this statement, white drawing is equivalent to the sketch of Chinese painting. White drawing is an important part of Gongbi flowers and birds and Gongbi figures.

The part of the line [white stroke] in the gongbi painting belongs to the bone, and the color belongs to the flesh. In fact, the white drawing is the line drawing, the white drawing in the tradition has eighteen strokes, and the eighteen strokes are actually the general name of the eighteen different characteristics of the white drawings drawn with various brushstrokes. White drawings seem to be only suitable for flower and bird figures, but traditional green landscapes are also based on line drawings.

To learn Chinese painting, as far as freehand flowers, birds, and figures are concerned, it is very necessary to practice white drawing, which can enable you to better grasp the structure of objects and the detailed relationship between objects. But for landscapes, it seems that there is no need. The landscape in the mustard seed garden is a photocopied draft, and due to the characteristics of photocopying and printing, the original sketches with shades of shades have finally become charred black.

It is similar to white drawing, except that it adds a variety of techniques. It is also the equivalent of a sketch in landscape painting. Therefore, the study of landscape painting can start by copying this kind of painting.

This method of drawing is generally practiced with burnt ink, which is pure ink with no or little water. This kind of painting is directly colored after it is painted, which is the scorched ink painting in landscape painting, and the famous Chinese painter Mr. Zhang Ding is good at this painting method.

There is an introduction to white drawings in the mustard seed garden, which can be practiced against each other, but the number is definitely not enough, so you can buy some white drawing books for practice. As for how to learn, I mainly start with copying, read more paintings, read more paintings, pay attention to comprehend the spirit of the original paintings, and then practice hard. Once you reach a certain level, you can start sketching.

Painting requires a lot of recuperation, so there is no question that you don't have to learn, and the more knowledge and skills you master in painting, the more it will help you from learning to creating. According to the traditional saying, the order of learning painting is: first the brushwork, then the small freehand, and then the big freehand, which must have its own reason in it.

Before answering, I would like to say: white drawing is the basis of gongbi, and you must practice white drawing to practice gongbi.

Learning to draw is more helpful for understanding lines. But we generally start by copying the freehand paintings of well-known masters. Pay special attention to the changes in brushwork, composition, and ink color.

To learn white drawing, you can find a fine brush sketch to copy, or you can copy the mustard seed garden score. In your daily sketching exercises, you should use the line drawing method to help you understand the lines.

The mustard seed garden painting notation not only teaches white drawing, if you experience it carefully, but also demonstrates modeling, composition (i.e., layout), and brushwork; The new version of the mustard seed garden can also see the color version** It is also possible to practice ink in this way.

Learning freehand Chinese painting doesn't have to be white-drawing.

White drawing is just a basic exercise, and you should read more celebrity works.

If you really choose between freehand flowers and birds, and freehand landscapes, only copy and do not create, personal feelings of landscapes are simpler, if you create your own it must be difficult landscapes.

For beginners in Chinese painting, it still depends on what your original purpose is, if you want to simply learn to have the basic ability to paint Chinese painting, so that others can see that they have learned, and there is no plan to go further, I personally feel that it is good to learn freehand flowers and birds, because in the eyes of people, freehand flowers and birds are the simplest, and it is easy to produce results, as long as you mechanically remember some fixed flowers and birds to draw on it.

But. What I want to emphasize here is that in fact, freehand painting is very difficult, even difficult to character, painting with a soul and the superposition of machinery is not the same, people who may not have studied it can not see it, but connoisseurs can distinguish it at a glance, so you should think clearly about the original intention of learning Chinese painting.

If you want to learn systematically, then it is recommended not to start with freehand, which will make your painting ideas very narrow, from the brushwork, landscape can be, and then from the painting freehand, you will find different.

So I personally feel that it is better to paint freehand landscapes, and if you paint freehand directly, it will slowly only become a superposition of techniques, and freehand flowers and birds are really very short in the long history of China.

The eighteen techniques of white painting are the core of white painting, and to learn the eighteen techniques of white painting, we must learn to learn the eighteen techniques, which are one of the essences of Chinese painting, and the following is in detail.

Gossamer drawing] is one of the oldest line drawing methods, commonly found in Gu Kaizhi's paintings, because the line drawing is similar to the gossamer, hence the name. Its painting method is: with the center of the tip of the pen round and even, to have a show of ancient air for the combination, the line to press the change is not much, thin and even, the pen is a small round head.

It is recorded in the "Dian Shi Zhai Painting": "The pen is open, and the folds of the clothes are old and tight.

This depiction is suitable for expressing the roundness and smoothness of silk clothes, and the ancients were mostly used to depict literati, scholars, nobles, ladies, etc. Such as Gu Kaizhi's "Female History Atlas" and so on.

Flowing Clouds].

The painting method of drawing the folds of the clothes of the characters is common in Li Gonglin's white paintings, because its lines have a sense of flow and the shape is like flowing clouds and flowing water, so it is named. His painting method is centered on the brush, and the brushwork is flowing and elegant. Qing Wang Ying said:

Those who walk in the clouds and water are elegant and agile", which mentions this technique.

Flowing clouds and flowing water are mostly seen on the clothes of the figures, and the most commonly used technique in white figure painting is to depict ribbons and folds with their flowing and agile lines.

Orchid leaf drawing] Orchid leaf drawing is a kind of drawing embodied from the twists and turns of the rich clothing rubber trembling pattern to the back, which has its independence. It is characterized by uneven pressure, and the brushstrokes are raised and paused at different times, resulting in thick and thin, shape-like lines like orchid leaves, and the painter representing this white drawing technique is Wu Daozi. In the "Picture of the Heavenly King Sending the Son" and the records of ancient books, it is slightly confirmed that the line type in the picture is larger than the amplitude of the iron line drawing turning Teton.

According to the "Guangchuan Painting" of the next generation of Dong, Wu Sheng's painting figures are like plastics, and the side can be understood by seeing the circumference and covering the four sides, and his handwriting is as thin as the copper wire remaining plate, such as the thickness of the blind vermilion powder, all of which are high and low bones, and the inner depression"It can be seen that the expressiveness of its lines can achieve a sculptural three-dimensional effect.