Bai Fu Shiling should be pleased, and he must call it a barbarian ghost pomp

According to this title, it is recognized by the world as the last sentence of Cao Hou's dream of the Red Mansion, and it is the postscript of the "Legend of Pipa Xing" composed by Cao Hou Guandun City. This legend is based on the play of Baiju Yile Mansion Pipa Xing. It is the same as the Yuanren Bai Renfu miscellaneous drama Wutong Rain and Hong Sheng's Hall of Eternal Life to perform its song of eternal hatred.

However, it is a pity that this poem is only left in this couplet, and there are three poems made up by Mr. Zhou Ruchang, a red scholar, and one of them is collected today:

The spit pot collapsed and peeled off when it was generous, and the moon was full of maples and maples.

Jin Shu. After Wang Dun was drunk, he sang Wei Wu Emperor Le Fu cut (that is, turtle although longevity) and said: Lao Ji is in the woods, and his ambition is thousands of miles.

The twilight of the martyrs. Strong. Hit the spit pot with wishful thinking, and the edge of the pot is missing.

The spit pot is now the spittoon, the vessel that bears spit. Chipping is the absence of the spout. When generous painting its majestic attitude, it is also out of Emperor Wu's tanka line should be generous.

Yuedi Jiang Feng refers to the legend of Pipa Xing When singing, the ** sound sets off the atmosphere of the moonlit night of Xunyang River, and intends to bring the audience into the realm of Bai Juyi's send-off. Painting hall: The hall is decorated with colorful paintings, and it is called the painting hall in the past. This refers to the place where the legend of the pipa is sung.

Looking at this couplet, it can be seen that although the old man Zhou made up for Cao Hou, he really praised Cao Hou for a long time. Indun City Poems: Shaoling used to give General Cao a grandson of the king of Wei Wu.

Therefore, the poems of Emperor Wu of Wei are frequently quoted against Cao Hou, and his status in the heart of Old Man Zhou can be seen. The couplet begins to get to the point.

The red powder is really vivid, and the Jin Zun feels vast.

This couplet is an excellent person in the play. The vivid interpretation of the old pipa girl is vivid.

Lu (sound green) is the wine glass, Lu means clear water, here refers to the mellow wine. This couplet still focuses on Cao Hou's good wine. Nale felt dazed: **Can control his dazed feelings.

The heart of the Xixuan drum board is still strong, and the Beipu pipa rhyme is not deserted.

Xixuan is the specific place where the legend of this song is performed - Xixuan in the West Garden of Duncheng Shuzu Ding'an Gong (that is, the painting hall in the first couplet). Song board: The musical instrument used by the singer when performing, a drum board.

The heart is still strong: It implies that the heart is sincere and strong, and it is really a happy person. It also echoes the first couplet.

Kitaura pipa means that Bai Juyi listens to the music played by merchant women, and has a Kyoto sound. Beipu refers to the place where the mouth of Huangpu is connected to the river in the north, that is, the place where the merchant traveler is berthed in the original pipa sequence. Waste:

Desolation, here by extension, disappears.

Bai Fu Shiling should be very happy, and set a pomp and circumstance for the barbarian ghosts.

The tail couplet is made by Cao Hou himself, and he highly praises Duncheng's artistic achievements in this work. If Bai Fu Lingxia had known, he would definitely be so happy that he would let Man Su perform. Bai Fu:

Bai Juyi was a prince and young master in his later years, so he was called, and this title can be seen from the side of Cao Hou's respect for the ancients and his own humble personality. Poetic spirit refers to the heroic spirit of the poet. Mansu is Bai Juyi's two concubines who are good at singing and dancing, Xiaoman and Fan Su.

The cherry mouth that is often quoted today, the small waist comes from Ju Yi Zanman's poem: cherry fan plain mouth willow small waist.

Looking at the old man Zhou's supplement, it can be seen that his love for Cao Hou is overflowing, and this supplement is not so much the legend of Zanduncheng's pipa line, but the reverence of the old man Zhou for Cao Hou is also sent to it.

Bai Fu Shiling should be very happy, and set a pomp and circumstance for the barbarian ghosts. This sentence means that Bai Juyi's poetry should be very fond of it, and he will definitely let Xiaoman and Fan Su's ghosts perform on stage. This is a high praise for Bai Juyi's poetry, expressing praise for his talent and works.

The tail couplet is Cao Hou's self-surrendered work, highly praising Duncheng's artistic achievements. If Bai Fu Lingxia had known, he would definitely be so happy that he would let Man Su perform. Bai Fu:

Bai Juyi was a prince and young master in his later years, so he was called Qingqin, and this title also shows Cao Hou's respect for the ancients and his own humility. Poetic spirit refers to the heroic spirit of the poet. Mansu is Bai Juyi's two concubines who are good at singing and dancing, Xiaoman and Fan Su.

The cherry mouth that is often quoted today, the small waist is the bird Xun from Ju Yi Zanman's poem: cherry Fan Sukou willow small waist.

The meaning of this sentence is: Bai Taifu's poetic spirit (if you read the legend you wrote) should be very fond of it, and it will definitely make the ghost of the brute su perform on stage.

Most people think that this is the last two sentences of a poem written by Cao Xueqin in the "Huai Garden" by the bottle lake, ** Duncheng's new play "The Legend of Pipa Xing". At that time, people praised Cao Xueqin's poems as having the flavor of Li Changji. Judging from these only two lines of poetry, it is indeed only a big pen like Cao Xueqin that can write it.