Who will help me find a metrical poem? 30

Let's offer some summer words! The sun is blazing, and the rain is pouring down

The full poem is as follows

Walking through the flower street and willow lane, who knows that the husband is in the bed of the chicken woman. The twenty-eight chicken woman skillfully dresses up, and the cave room changes the groom every night.

A pair of jade arms and thousands of pillows, half a little red lips and thousands of customers taste. Pretending to be a delicate body, pretending to be a fake heart.

ushered in how much to know, accustomed to lovesick tears. In his life, he was sad and hateful, and persuaded Lang to quit prostitution and return home.

When you wake up from a dream in Yangzhou, you will be treated with unlimited affection for your wife.

Rhythmic poetry, also known as near-style poetry, is a kind of ancient Chinese poetry, which is a poetic style formed after the Tang Dynasty, and is mainly divided into quatrain and rhythmic poetry. According to the number of words in each sentence, it can be divided into five words and seven words. There are certain specifications for the structure and sentence structure, there are certain rules for the pronunciation, and certain rules are also required to be observed for the use of changes.

Free verse is poetry with no regular syllables, rhymes, or other formal designs. It pursues an "organic form" and relies on the natural rhythm of speech. This kind of speech is "natural" to the subject matter and feelings of the poem.

Free verse is not a modern invention, but it came to a significant importance with the advent of modernism and constitutes a rebellion against the fixed forms of 19th-century poetry. Free verse has no external form to draw on, and is probably the most difficult to write well compared to previous poems.

Quatrains. The shadow of the wild goose, the faint chrysanthemum fragrance cracks the friend regrets it.

Allow me to add a flute for three months.

Hurt parting. In ancient times, parting was always sad, and it was even more heartbroken in Sanqiu.

It is difficult to tell thousands of words, and the blood coagulates into this poem.

Sentimental landscapes. The grass is green, and the wildflowers are lonely to the rainbow spring.

The green moss confides in the secluded path, and the egret is on the nine days.

The wind bathes in the deep forest, and the pearls and trees are together, and the sun is far away.

A long white cloud is near, borrowing to Penglai to visit the hidden immortals.

Autumn. The cold pool of the western continent is quiet, and the wind is in decline.

The jade waves will be fine grass, and the clouds will shadow the sky.

Outside the blue sky, the moon flies to Huangpudong.

In the sparkling mirror, send back to the evening.

The first "quatrain", "Wild Goose Shadow", "Chrysanthemum", "Three Moons", and "A Flute" are all images that depict autumn and express parting feelings. The second song "Farewell to Injury", the beginning sentence "Parting in ancient times is always sad" has the connotation of "affectionate parting since ancient times", and it is also a subtle summary of "sad parting"; The sentence "when it is more broken in the three autumns" is a wonderful use of "more that can be snubbed by the Qingqiu Festival", and it means a longer three autumns; The last sentence of the sentence "Ten thousand words are difficult to tell, and the blood coagulation is turned into this poem", which is higher than "holding hands and looking at tears, but choking speechlessly" only complains about the pain of parting, and seems to find a more stable foothold for the sorrow of parting, which makes people feel sad and reassured. The third song "Love Landscape", the imagery is quite rich, fragrant grass, wild flowers, green moss, egrets, deep forests, sunsets, white clouds, etc., bringing the unscrupulous people to the wilderness of the mountains and rivers, and the feelings of "visiting the hidden immortals in Penglai" are also obvious - sending love to the mountains and rivers, and wanting to return to the seclusion.

The fourth poem "Autumn", the poet makes good use of imagery, and is a master of using imagery to describe the scene. The first joint "cold pool" and "decaying load", one static and one moving, the combination of movement and static; The jaw couplet "will" and "ripple" turn "jade waves", "fine grass", "cloud shadows" and "firmament" into movement; The "Luoxia" and "Moon Flying" are set off with movement; The tail coupling is static first and then moving, and it is a combination of movement and static. Wonderful!

Nowadays, there are few people who love poetry and make good use of imagery, reading Puyu Menglan poems, like fairy music in the ears, and the heart is refreshing. Highly recommended!

Metrical poetry is an ancient and traditional poetic genre with a rigorous structure, the number of words, the number of lines, the number of words or light accents, and the use of rhyme.

There are certain restrictions. "Ping Ping, Ping, Ping Ping, Ping Ping" Different countries have different rhythmic poems. For example, Chinese near-style poems (quatrains, rhythmic poems), Western sonnets, five-line limericks, quatrains, Spanish eight-line poems, Italian three-line poems, and Japanese haikus.

The metrical poems were developed on the basis of the Yongming style of the Southern Dynasty. With the spread of the "Four Voices and Eight Diseases" and the "Yongming Sound Law Theory", people gradually realized the drawbacks and sorted them out, and a simpler "sticky law" appeared, and thus evolved the "Ping Qian Law". They not only advocated that poetry should pay attention to sound rhythm and duality, but also put forward the law of flat and cohesive adhesion, that is, the couplet of one couplet should be opposite to the outgoing sentence, and the outgoing sentence of the next couplet should be glued to the couplet of the previous couplet, and this rule runs through the whole text.

Later, Shen Quanqi, Song Zhiwen, Du Xianyan, and Li Qiao applied this law to the seven-character song style, and finally formed the stereotype of the seven-character poem in the Jinglong period of Zhongzong of the Tang Dynasty.

Also: Pay attention to the difference between the rhyme and the quatrain.

Lyric poetry originated in the Northern and Southern Dynasties, formed in the early years of the Tang Dynasty, and belonged to a kind of near-body poetry, which was named because of its strict rhythm. It is generally divided into two types: five words and seven words, so they are named five laws and seven laws respectively. The poem is divided into four couplets, the first jaw and the neck and the tail, the upper sentence of each couplet is "out of the sentence", and the next sentence is "couplet", which is the most basic structure of the poem.

Among them, the jaw couplet and the neck couplet must fight (detailed later), each couplet must rhyme, and the first couplet can be rhymed or not. The quatrain is said to be a short part of the poem, which is named because there are only four sentences, so its plainness and rhyme are basically the same as those of the rhyme, and it is still two or four rhymes, and the first sentence can be rhymed or not. But in fact, the formation of quatrains is still early in the rhythm of poetry, but it is more free than the near-body quatrains of the Tang Dynasty, so the quatrains before the formation of the Tang Dynasty are called "ancient quatrains" to show the difference from the near-body quatrains.

For the sake of the convenience of the later narrative, we can temporarily regard the quatrain as the first two couplets in the poem, and it must be noted that this is not the case in fact).

A type of poetry. Rhythmic poems refer to ancient poems after the Tang Dynasty, which are divided into quatrains and rhythmic poems. According to the number of words in each sentence, it can be divided into five words and seven words or nothing. There are certain specifications for the style of the article and the sentence style, and there are certain rules for the pronunciation, and the use of changing the shirt also requires certain rules.

Near-style poetry refers to the rhythmic poems formally formed in the Tang Dynasty and characterized by emphasizing peace and fighting. The main characteristics of near-style poems are: wholeness, li, leaves, rhyme, harmony, and degree.

Whole means that the number of words in each sentence should be neat, or five words, or seven words.

Li refers to the requirement to use a battle in poetry, and the first sentence and the couplet should be in the form of a couplet, but the quatrain does not require a battle.

Ye refers to the fact that the parity of the odd and even sentences is relative.

Rhyme means that the poem should rhyme with a flat sound.

Harmony means that there must be rules in the poem. Each sentence must be evenly intertwined, the two sentences of the same coupling must be flat and opposite, and the coupling must be flat and sticky between the couplet, that is, "the sentence is intertwined, the coupling is opposite, and the coupling is sticky"; In addition to the first and last two couplets, the middle couplets must be opposed.

Degree means that the number of words in a poem is a certain amount.

First look at the rhythm roughly, and then compare it with the ancient people's rhythm poems to test, one to realize the importance of the rhythm, and the other to consolidate what has been learned. Then try to write it, from easy to difficult, from the rhyme-only five-word ancient to the qualified seven-word poem, not to write well, but to write correctly, and it doesn't hurt to use Mandarin to set the level. This is the first level, the level.

At this time, you can rely on reading a large number of poems to accumulate "voiced words".

The second level is the language level, and it is absolutely necessary to avoid taking the path of "translation school", too vulgar or obscure, and the only way to do this is to read and read.

The third level is the artistic conception level, which also depends on reading. This level is easy to say, that is, what kind of artistic conception is beautiful and what is not beautiful. It's hard to do, but how to write beautifully.

This reading, a cumulative vocabulary, allusions, can be used in the future, the second is a learning technique, and even a rational analysis technique is also possible, and the third is to accumulate phonetic words. In this process, it is best to learn from everyone, not just one book, and avoid forming a stereotype too early. It is difficult to become a "style" at this time.

When you think you've probably passed all three levels, you're done. At the same time, it should be natural to see what shortcomings you still have, be diligent in reading, be diligent in practice, and gradually improve. Reading and practicing, from quantitative change to qualitative change, there is no other way or shortcut to learn rhythmic poetry.