The bass sound of the recording of the band s concert is too quiet!!

In a regular concert, all the instruments and vocals on the mixer are sent to a tape recorder or sound card for recording, and then the mixing is done.

In informal situations, you should also connect a certain output port of the total output of the mixer (usually the recording port on the mixer, for example, some mixers will have a pair of lotus jacks marked with "REC", indicating that this is a stereo total output recording port) to the recording equipment, such as the line-in input of the sound card of the laptop, and adjust the appropriate level at the same time, so as not to break the record. This will be much better than a camera.

The camera's own microphone pickup is unlikely to work too well, and its frequency response (not sample rate) nature dooms the bass to what it records. The sound played back by the stage speakers and then picked up by the microphone has already lost a lot, not to mention that the acoustic conditions on the scene may not be good.

That's due to the camera's external mic audio sampling rate, and to achieve the desired effect, you have to record internally, i.e. use an audio cable to connect directly to the camera's audio input through the mixer, provided that all instruments go through the mixer.

Rent a recording studio, as upstairs said. Bass is inherently bass, and if you use a camera to remove noise, it will be ignored.

Can you describe the characteristics of the anime's characters, scenes, etc.=? =

Of course it's not that speaker, you said split industry speakers, guitars and basses, and the musician's instrument goes into the box through the effect, and then the tone and tuning are done before the performance. The special box enters the amplification system through the channel, and this amplification system is the key to letting the audience hear it, but the amplification system here is simply to amplify the sound input and then output. It can be understood as the sound from the instrument to the 412 split, then into the master mixing console, and then through the stereo fixed throughout the stadium to the ears of the audience.

The large square in front of the stage .........What a cute name, that is the monitor sound, used to give the musicians their own listening to the ** effect on the stage, because when performing on stage, the PA system is facing the audience outside the stage, which can easily cause the musicians on the stage to hear their voices clearly, so they need to monitor the sound to let the musicians know the progress of the music. Achieve better performances. If you rehearse by yourself, if you have amplification equipment in a professional rehearsal room, the effect will be much better.

The stadium has their own stereo, it is estimated that it is not very good, it can only be used as a loudspeaker, and Dafang is the band's own speaker, so that the people in the front row can hear the best effect, and give a score?

All instruments go through the mixer, right?

Is it a pressure limiter, whatever.

I'm in a band, I used to be a drummer and now I'm a rhythm guitar. I'll tell you responsibly with a slightly lengthy answer that the bass is not superfluous at all. He is much more important than the guitar in a certain way and is an indispensable part of the band (compared to the guitar).

I've answered questions like this about bass sound recognition, you're not bass with a small voice. It's that you're not sure you're hearing the bass, and sometimes in metal the bass is distorted about the same as a bass or high-end guitar.

Bass is very low-key, and there is no feeling for existence, but if it is gone, it will feel as if something is missing......

Bass is definitely not superfluous, but if you choose bass, it is destined to not be eye-catching enough for other musicians in the band, (PS said that there are still many means to be eye-catching, exaggerated big movements, gorgeous slap, five-string bass solo, etc.), but these need to be practiced well to do it, so bass is easy to get started, but it is more difficult to practice proficiently, but after practicing well, it is still good, it depends on how you choose.

Presence is your own problem.

First of all, if you learn an instrument, you have to trust it and love it, and I admit that bass is not very valued in the orchestra, but it is indispensable. And in the orchestra, it is necessary to play its unique timbre, to play a beautifying effect, and not to give people a feeling of dispensability, so there must be enough level. If you're going to learn, don't give up, keep it up!

Let's be honest, actually.

A: Suitable for smaller livehouses with instrument cases, but no or very little built-in amplification equipment (such as two tweeters and two woofers, which are for singers and keyboardists, plus a set of returns), or enough to do live amplification (such as a 300-person livehouse, a dozen drums can scare everyone).

bIdeal for large-scale performances, similar to school art performances, or open-air scenes, in short, there is amplification equipment on site, and obviously you can't reach the last row of the audience that far away with the guitar speakers** (not that you can't actually hear it, but you can't guarantee loudness dynamics).

cSuitable for large-scale art performances, speech activities, wedding banquets, wedding activities, ceremonies, the band performs as a separate part, similar to accompaniment to the leader's speech, what the leader says on stage, you give him a soundtrack below, for example, the leader says that the award begins, the tuner pushes the channel for you to open, you start playing, and the tuner can mute you at any time.

It depends on what kind of scene you are, how many square meters, how the field equipment is, generally if it is a smaller livehouse, the guitar bass will go directly to the box, there is no need to pick up the sound separately, connect to the mixer and take the bus, this method is done when recording, if you say that you record the guitar, then I will definitely get you a box with a pickup microphone on it to take the mixer bus.

If you're a huge livehouse with thousands of people, you're going to have to amplify the guitar box, take a microphone, take a bass box, mix it up on the table, and then put it out.

Generally, the livehouse piano is directly through a special amplification box, but the bus picks up and returns to give everyone a feedback You must remember that the sound coordination has little to do with you and has a lot to do with the live tuner You have to ask for an audition before the performance If you can't come up, you can start playing and singing The result is definitely not good Generally it is the dynamics of the drum to control how much amplification you have other instruments to do Live drums are hard to say how to do I have to pick up and amplify the sound here, and there are also those who have the drummer itself to beat very loud and can overshadow all the instruments I was once a supervisor, and the sound of the cymbal was too loud on the spot, and I said, mixer, can you give me a little bit, and the tuner pressed me back with a word: "I didn't turn on the amplification!" ”

So you have a little more experience, you're musicians, you don't need to bring your own mixer, you just have enough equipment, but I think it's more important than bringing your own mixer and lighting engineer than bringing your own stage, and I've done both of these jobs, and we've been very successful with events and performances, because I know what we want here, and then I'll negotiate with the mixer, or I'll just push the faders.

Pick an A and have a band-specific mixer, so you can keep your old performance habits. The return is also controlled by the band mixer, after the band mixer is tuned, don't mess around, the main output signal of the band mixer is sent to the main mixer, the main mixer only controls the overall volume of the band, no matter how you tune it, it will not affect your performance.

D: The band comes with its own tuner, select D

First of all, you need to determine the number of microphones, microphone racks, and then the audio, I don't know what kind of environment you want to hold in, there are a lot of requirements in the outdoors, the surrounding environment, etc., about 6 double fifteen speakers are needed, one for each guitar instrument, and one for the microphone The specific situation is decided according to the situation on the scene. Mixers, equalizers, amplifiers, that's pretty much it, and then there's the guitar and bass effects. When it comes to lighting and sound, I recommend finding a professional.

Not bad, I hope you adopt it.

What's your band called?

Where to perform.

How to set up the sound and stage, the sound and actors are better.

Don't multi-function box, the bass effect is not good enough, bass bass, high power, bass effect is good, it is recommended to 70w-100w, buy 100w if you have money.

The cost of using a band accompaniment is low, but on the other hand: it is not responsible to the audience, after all, the sound quality is not the same.

When you play together, you really can't hear the bass, but if you take the bass out suddenly, you will feel empty, and this feeling is not just the feeling of taking out an instrument, but the whole vocal range is empty. Because the bass is the bearer of the bass track of the whole band, the soul of the band, if the bass doesn't speak, then the song never starts.

No way. The bass is a connection between the drum and the guitar, and there is no bass sound. It's pretty floating.

The bass is bass-pitched. You go to the piano shop and find a bass to play around, and you'll find out. Remember to plug in the speaker before you can feel